Invitation à la danse

This film includes three dance interpreted stories, choreographed and starring the great Gene Kelly. The first story is called "Circus" which tells the story of a circus clown who is secretly in love with the Circus Ballet Star who is openly in love with the Circus High-Wire-Walker. The second story is called "Ring Around The Rosy" which tells the story of a bracelet that is past from one silly lover to the next. The third story is called "Sinbad The Sailor" which tells the story of a navy sailor who, while on shore leave in Bagdad, finds a magic lamp that takes him on an animated adventure.

Each story includes an all star cast of "then" well known dancers who give outstanding performances that only Gene Kelly fans and other dancers could appreciate. It is a delightful film, that will brighten any persons video library.

Gene Kelly was a visionary. He was passionate about his art and he was a master.

If you are passionate about your art and creativity, you will enjoy this celebration of dance. There is no dialogue to explain what is happening. There is no person telling you what to think. Kelly brings you to a moment and allows you to make the most of it.

Did you see love, pain, joy, desire, frustration, anger...congratulations!

This is the result of many years of effort on the part of Gene Kelly to create an all-dance film. Since he was a major-studio rather than an indie production child, Kelly convinced his home studio, MGM, to finally take on the project.

The final results, unfortunately, are mixed. The movie is simply average, with long stretches of off-timed and miscalculated action and uninspired choreography. Were Kelly to have collaborated in the writing, choreographing and direction departments, rather than taking everything on himself, things might have gone better.

The project was simply too great a task for Kelly; with other imput he might have made a film with greater perspective and flair. The story in "Circus" is only fair, and there's more pantomime than dancing for Kelly as Pierrot. Unfortantely, Jacques Ibert's music doesn't help either.

"Ring Around the Rosy" suffers from disjointed continuity, with awkward bridges and motivations. Too, the fine Tamara Toumanova as the Streetwalker provides a clash of styles when paired with Kelly as the Marine. Physically, their types don't match well, try as they will. Nor was this Andre Previn's finest compositional hour.

Finally, Roger Eden's adaptation of Nikolai Rimsky-Korsakov's score for "Sinbad the Sailor" makes for the most effective music in the film. Kelly at last gets to display his distinctive dancing manner, and does some impressive work (at age 44) in the interesting cartoon sequences.

It's not Kelly at his best, though, and "Inviation to the Dance" remains an interesting curio, earnest on effort and short on realization. Both dance fans in general and Kelly fans in particular will value this video in their collectiona.

No wonder INVITATION TO THE DANCE found no audience at the box office. The first two musical sequences, "Circus" and "Ring Around the Rosy" are monumental bores dragged down by pedestrian stories and, in the second one, inept use of camera trickery to speed up the action.

But the third, "Sinbad the Sailor," makes expert use of the Rimsky-Korsakov ballet score and makes dazzling use of animated effects, especially for the dancing between Kelly and a couple of Arabian guards which are highly original, intricate and amusing examples of combining live action with animation. It's the kind of originality sadly missing in the previously mentioned stories.

The "Sinbad" highlight almost makes up for the rest of the film with its own brand of originality--but alas, the first two sequences are enough to turn many viewers away from watching the final segment.

Summing up: Easy to see why this one failed miserably to attract a target audience with either high or low brow tastes.

Invitation to the Dance is what you get when you take an artist at the peak of his abilities and allow his imagination to run wild. Gene Kelly--and some very talented people in all fields--integrated music and dance to create three distinct stories.

He reduces some scenes to their visual essences by using abstract or minimalist sets, aided by lighting effects. The third story includes cartoons, allowing Kelly to take his imagination beyond the bounds of human limitations and physics.

The performances are a synthesis of various dance and related forms (ballet, tap, jazz, mime, acrobatics, pop, and ethnic) with musical accompaniment (classical, jazz--cool and hot--ethnic, and pop).

Invitation to the Dance is a treat for any dance lover. It should be seen by all young students of dance.

It would be interesting to see this film they way Kelly originally imagined it, with him dancing in one section only.