La loi des armes

"Gunslinger" was an early "B" western drama from Producer/Director Roger Corman. Shot in color on a shoestring budget, it is nevertheless an interesting little western.

When Rose Hood's (Beverly Garland) husband the Marshal is murdered, she is forced to strap on a gunbelt and take over his job. The local saloon madam Erica Page (Alison Hayes) feels threatened, she sends her lovesick bartender Jake (Jonathon Haze) to hire a gunslinger to kill the marshal. All in black gunfighter Cane Miro (John Ireland) rides into town to take on the job. It seems that Cane also has an axe to grind with the town's mayor (Martin Kingsley). Of course Cane becomes attracted to Rose and she to him. Cane is torn between the two women. But he ultimately succumbs to his dark side and the finale involves the final shootout between Rose and Cane.

Corman adds a few little twists that make this film a cut above your average "B" western. First there is a female villain in Erica and a knock down drag out fight between herself and Rose. Next there is a sequence where the three saloon girls try to lynch Rose. There is also an excellent scrap involving Ireland and Chris Alcaide playing the deputy Joshua.

The acting is above average for a Corman picture of this period. Garland, always one of my personal western gals, is good in the lead. Ireland, always under rated, is excellent as the title character. Alison Hayes makes a chilling villain and Corman regular Haze is quite good as the simple minded Jake.

This film is certainly worth a look.

An average Western on the hands of hard-boiled director Roger Corman and a tough-as-leather cast as well as mostly female , headed by Beverly Garland , John Ireland and Allison Hayes , that's all the plot that's needed to make one rip-roaring Western flick . After her hubby (William Schallert) is gunned down , Rose Hood (Beverly Garland) takes his place temporarily as marshal of a small Western town , Oracle , and she fights for peace and tranquility . She takes his badge and sets out in personal revenge to find the murderers , and as soon as she meets the outlaws to kill and bury them at Boot Hill cemetery . Meanwhile, the nasty Erica Page (Alison Hayes) , the gorgeous saloon owner , along with her moronic underling , Jake Hayes (Jonathan Haze), are busy buying up local properties because of the railroad is going to make an Oracle depot stop . Soon after , villain Erica hires a quick-draw gunfighter called Cane Miro (John Ireland) to come kill Rose . But the unscrupulous hired hand Miro falls in love for Rose and brings back a double-crossing and start to confront among themselves . At the end there appears the famous sheriff Sam Bass.

This is a middling Western with crossfire , fights , thrills , shotdown , pursuits , go riding , but some boring and slow-moving . Unique Western with little action , excessive talking and a surprising ending . It has some good shots but lots of dull spots . It's made in low budget ; however , being well played by acceptable actors as John Ireland , Beverly Garland and Allyson Hayes . Passable support cast , including ordinary players from Corman factory as Dick Miller , William Schallert and Jonathan Haze who acted in ¨Little shop of horrors¨ and many others Corman products . The secondary actors , technicians (cameraman Fred West , musician Ronald Stein) and writer (Charles B. Griffith who wrote various Corman's scripts and also directed) will repeat with Roger in subsequent films .

The motion picture was regularly made by Roger Corman and shot in seven days. During the 50s-60s Roger Corman directed 3 Westerns as ¨The Oklahoma Woman ¨ , ¨Apache Woman¨ and ¨Five guns West ¨ , but his specialty were terror films , Edgar Alan Poe saga , and monsters movies . As Corman realized all kinds of genres as Mobster movie : ¨Bloody mama¨ , ¨St. Valentine's massacre¨, ¨I Mobster¨, ¨Machine Gun Kelly¨ ; and especially known the Edgar Alan Poe renditions : ¨Fall of the haunted house¨ , ¨Tales of terror¨ , ¨Raven¨, ¨Terror¨, ¨Pit and Pendulum¨, ¨Tomb of Ligeia¨, ¨Masque of the red death¨, ¨Premature burial¨; Juvenile movies : ¨Carnival rock¨, ¨Rock all night¨ , ¨Sorority girl¨, ¨Teenage doll¨ ; Monster movie : ¨Attack the crab monsters¨ , ¨It conquered the world¨, ¨ Beast with a million eyes¨ , ¨Viking women and great serpent ¨ , ¨Swamp women¨, ¨Wasp woman¨ ; Sci-Fi : ¨Gasss¨, ¨The man with X-ray eyes¨, ¨Last woman on earth¨ ; Horror : ¨The Undead¨, ¨Tower of London¨, ¨Haunted palace¨, ¨Frankestein unbound¨ ; and Motorcycle films : ¨Wild Angels¨, ¨The Trip¨. Although Corman also produced several films as ¨ Night of the blood beast ¨ , ¨ Attack of the giant leeches¨ and several others . ¨Gunslinger¨ rating : Mediocre : 4.5/10 , only for Roger Corman aficionados .

Roger Corman, alternately lionized as a visionary filmmaker limited by low budgets and tight production schedules, and berated as an overrated producer of shoddy cliche-ridden movies, tries his hand at a Western. Here he seems to be trying to make a brooding adult Western of the Anthony Mann type, but as good as John Ireland is, he just ain't no James Stewart. The bargain basement production values don't help (it's obvious that this movie was made very quickly on a shoestring budget), and the overall look and feel of the film is oppressively gloomy. (Apparently this was due in part to bad weather during filming.)

On the plus side, this movie does have Beverly Garland (r-r-r-owrr!) and Alison Hayes (va-va-va-voom!). These two will help distract the viewer's attention from the sight of Bruno Vesota waddling about and looking shifty.

One of Roger Corman's first films is this lively and involving little western that has a gender role-reversal going on as a grieving widow (Beverly Garland) becomes the marshal of a violent town in which at least one of the inhabitants is going on a murderous rampage of land-grabbing. I was at first surprised to see that this film was in colour given that the rest of Corman's B-movie sci-fi and horror films of the 1950s are in black and white, and then pleased to see that this was just as entertaining as those genre movies.

GUNSLINGER is fast-paced and fun, and even the romance scenes don't feel slow or dragged out. Garland makes for an enthusiastic heroine given decent support by John Ireland as a hired gun who has a change of heart. You know it's a Corman movie when you spy Dick Miller in a low down supporting role. GUNSLINGER is no masterpiece, that's for sure, but for a film which must have been made for a fraction of the budget of acclaimed classics like HIGH NOON, it's a nice surprise.

I saw this on an episode of the divine MST3K, and I think it would have been almost as funny without Joel & co. mocking it. This is truly an awful movie, but it's definitely worth seeing in MST3K-vision.