La blonde et moi

"The Girl Can't Help It" is a cute little film--though not quite as funny and memorable as Jayne Mansfield's followup film, "Will Success Spoil Rock Hunter?". But like this followup, "The Girl Can't Help It" works because it never takes its self seriously and it's a good fit for the talents of Miss Mansfield--and is well worth your time.

The film begins with Tom Ewell being approached by an ex-gangster played by Edmund O'Brien. O'Brien wants this agent to represent his girlfriend (Mansfield)--a lady he swears is talented. However, what her talent is isn't readily apparent--except for her extreme sexiness. At this point, the best portion of the film occurs--when you hear the Little Richard song "The Girl Can't Help It". You see Jayne walking down the street--and the crazy reaction she gets from guys is really, really funny. However, while IMDb says that the milkman is played by Phil Silvers in this scene, it is NOT. I have seen this bit actor in many films though his name escapes me--I just know he's not Silvers (plus he's too skinny). So will Ewell manage to maker her a star? Or will the VERY jealous O'Brien have to put a hurt on him--as he's inclined to think that other guys are trying to muscle in on his girl.

This is a lightweight comedy and would be worth seeing just for that reason. However, the film also includes lots of great cameos by various early rock 'n roll groups--a WONDERFUL bonus. For example, you'll see the Platters, Little Richard and Fats Domino! Clever writing, great music and fun. If only Mansfield had made more films like this one.

"The Girl Can't Help It" is a '50s comedy that is also a showcase for some of the rock 'n' roll acts of the day, including Little Richard, Fats Domino, The Platters, Gene Vincent, The Treniers, and many others.

Tom Ewell plays a down and out agent, Tom Miller, hired by gangster Fats Murdock (Edmond O'Brien) to make his girlfriend, Jerri Jordan, (Jayne Mansfield) a star. Turns out Jerri feels gratitude to Fats for helping her father, but she isn't in love with him; she doesn't want to be in show business, preferring domestic things like cooking; and she appears to have no talent. She looks great, though, and in some form-fitting gowns, she draws plenty of attention, and all the clubs want to book her. Concerned because she's tone-deaf, Miller has one of the songs Fats wrote in prison (the one in the subject is but one title) "Rock Around the Rock Pile" adapted into a novelty number so that all Jerri has to do is a high pitched sound. The song is an immediate smash. Miller, however, who was jilted by his client Julie London, now finds he and Jerri have fallen for one another. But Fats is still around.

This is a very, very funny send-up of rock 'n' roll and show business, with a marvelously deadpan performance by Tom Ewell, to whom the singing Julie London, in various costumes, is always appearing while singing "Cry Me a River" - on the staircase, in the bedroom, in a bar - a great bit. O'Brien, who performs his "Jailhouse Rock" mockery at the end of the movie, is hilarious.

The real star is the flashy Jayne Mansfield, who underneath that va-va-va-voom figure, blonder than blond hair and huge chest was a beautiful woman and a good actress. Mansfield, probably hired by Fox as a threat to Monroe, figured out early on that making fun of the bombshell image was her best bet. She had a lovely speaking voice and, in serious moments, a natural way of acting. She also radiated warmth. This film and "Will Success Spoil Rock Hunter," which she did on Broadway as well, are good testaments to her work.

Lots of fun.

This movie is a treasure and should be viewed by all serious movie fans, because there is nothing quite like it. Mansfield is perfection, Tom Ewell is his dependable funny self, plus all that music! I love Julie London's "Cry Me A River" the best. In any event, see this movie, even if the music is older than you are!

Wanna see when Little Richard(She's Got It-Ready-Teddy & Girl Can't Help It), Gene Vincent(BeBop A Lula),The Platters(You'll Never Know), and Fats Domino(Blue Monday)perform their hits live as the actually sang them in 1956? Wanna see campy Jayne Mansfied at her sexiest, wittiest best? Paradoies, sight gags and clever writing make the rocker musical an even better comedy, which has stood the test of time. Jayne bubbles over, while Tom(Ewell) bubbles under and somehow in the end they both bubble up to the surface and find happiness, kids.......... If this isn't enough Calander Girl Julie London does a sultry. teasing version of her hit Cry Me A River that will drive any man to drink. Check the cars out, I once owned one of those. See this movie twice to fully appreciate the music and catch all the gags, clever lines and parodies.

I saw this film when it was released in 1956. It was the first production for mainstream audiences to feature top R&B and R&R acts in color. My contemporaries were particularly delighted to see Little Richard, Fats Domino and The Platters on screen in color for the first time. I made a VHS copy from a cable TV screening, but later purchased a legal VHS release, only to find that the cable screening used a better copy, both audio and video wise.

The only complaint I have about the film is that every one of the musical acts is interrupted by dialog.

Despite that, especially for nostalgia buffs, it's still well-worth getting.