Gervaise

Why Maria Schell?If you have read Zola's masterpiece -"l'assommoir" the seventh of the Rougon Macquart saga,and one of the finest, surpassed only by "Germinal"- ,you wonder why Clement chose her when the part was tailor made for Simone Signoret.On the other hand ,Suzy Delair was the ideal Virginie Poisson,hypocrite venomous and vile .They say her buttocks were "dubbed" (by Liliane Montevecchi's) during the famous scene of the spanking ! René Clément did a good job even if his adaptation seemed sometimes tame and timid .Zola's depictions are so intense that it's hard to transfer them to the screen.But the " fête de Gervaise " ,with the gargantuan meal comes close to fully recreate it,and it was not easy since in the book it spreads over about twenty pages.

Despise some reservations,this is an unqualified must for good cinema lovers.

A terribly tragic and horrible story of the growing degradation and poverty of a working class family allows for a raw and cynical movie, a kind of naturalist manifesto. Its characters are frustrating in their self destruction. From the start we know that they have no chance of salvation, because degradation and vice surround them and impel them at every step. For example, Gervaise, the protagonist, dreams of a ransom from poverty and seems almost to succeed, but a mere accident to sink her slowly into a physical and psychological brutalization that will reduce her to an animal level is enough. The central point of the movie is precisely this: the poor act by survival instinct and for them the laws of decorum or morality are not valid: prostitution is a way of not starving, alcoholism distracts from the ugliness of a miserable life. What makes it an excellent film, however, is not so much the message as the style: René Clement is a superb storyteller. He builds images of great descriptive power, so vivid that they almost seem to smell and taste. Gervaise is an adaptation of L'Assomoir, the seventh volume in Emile Zola's Rougon-Macquart cycle of 20 novels. Along with 'Nana' and 'Germinal' it is probably Zola's most famous. Zola's novel title is a metonymy: Father Colombe's Tavern, known as the Assommoir, was on the corners of the Rue des Poissonniers and of the Boulevard de Rochechouart. Parisian life in the 19th century remains a study for anthropologists to this day. Lower classes were grim. Their life was all but ruined by the brutality brought on, for instance, by alcoholism. Gervaise is the heroine. For a time she seems fortunate enough, but she succumbs as well. This was definitely one of the 20 best movies released in 1956, together with The Searchers Un condamné à mort s'est échappé ou Le vent souffle où il veut The Killing, Invasion of the Body Snatchers, Nuit et brouillard Bob le flambeur, Toute la mémoire du monde, Aparajito, Patterns, Giant, The Harder They Fall, Bigger Than Life, Voici le temps des assassins..., The Man Who Knew Too Much, The Wrong Man, La traversée de Paris, Written on the Wind, Attack, Friendly Persuasion.

This as far as I know is the only film version of a very famous story by a French Novelist called Emile Zola. It is "L'Assommoir" and is the story of how drink and alcohol can ruin lives and kill. The film is extremely well acted but seems a bit "short" compared to the book which has far more lurid details concerning the downfall of each of the characters. The story takes place behind the Gare du Nord in the Northern Sector of Paris in what is called today the "Quartier de la Goutte d'Or". Unfortunately that area today bears absolutely no resemblance to that portrayed either in the book or the film and is extremely dangerous and violent - any visit of it is strongly advised against. Anyway the story is very moving but be warned the outcome is not a happy one. One other thing, the book is one of a series written by Zola about a family called "Les Rougon-Macquart". The series also includes the book "Germinal" which has several times been made as a film. But of all the films of Zola's books I have see, L'Assommoir (Gervaise ) is my favourite !

This is a beautifully made, but terribly sad film, based on one of Emile Zola's most depressing stories of French life in the 1800s.

Gervaise is a poor woman with a poorer choice of men. She is loving, smart, and industrious, but falls for superficial, lazy drunks who take advantage of her. While she tries to provide for her family by following her dream of owning her own shop, her husband drinks away the profits and complicates her life by inviting her former lover to live in their house.

I can't say enough good things about Maria Schell's glowing performance as a tragic heroine. Her beautiful, expressive face is impossible to forget, and her emotional range is impressive. The rest of the cast is also pitch-perfect, from her various neighbors and clients, down to the lovely little girl who plays daughter Nana with touching sadness.

Surgeon general's warning: don't watch this film while under the influence of alcohol or mood- depressing drugs. It might push you over your limit.

"Gervaise" is a film based on the story "L'Assommoir" by Emile Zola. It had been filmed several times before (these were mostly silent versions) and this is the most recent version of his story. It's all about a rather pathetic poor lady (Gervaise--Maria Schell) and her horrible choices of men. It is very well made but not exactly a pleasant film. In fact, at times, it's a bit painful to watch.

When the film begins, Auguste leaves Gervaise for another woman-- leaving her with children to raise. Eventually she marries Coupeau and their life seems to be going well. However, when the husband gets injured on the job, he degenerates to alcoholism and makes Gervaise's life completely miserable. The husband even knowingly brings his new friend, Auguste, home to live with them---knowing that long ago he was his wife's lover! At the same time, Gervaise has fallen for the only decent man in her life, the blacksmith. What's next in this tale of misery? See the film...if you dare.

This story is both about the wretched lives of the urban poor, as they are exploited, and about the disintegration of the morals of this class as well. It's not exactly pleasant viewing and is also clearly a lesson about the ills of drink--a very popular message when the film was made and remade several times during the silent era. Nearly everyone in this film is nasty and selfish and despite all this is IS well made. The acting, sets and direction by René Clément are all quite good...but you have to be willing to sit through nearly two hours of wretchedness and who wants to do that?!