The Gamma People

A train-passage car carrying 2 reporters--one who resembles Prof. Quatermass a bit too much--accidently winds up breaking off from the rest of the train leaving the 2 men stranded in a strange little European country named Gudavia. Once there, they find they cannot leave as those running the country have other plans. They investigate and uncover a mad scientist's conspiracy to control the people by turning them all into slaves of the state with the help of a gamma ray machine. This movie is pretty outrageous and displays some serious leaps of logic. It also features a most unlikely change of heart in one of the main characters. Still the lead actors are likable and the film is silly fun.

Now here's a real oddity. Made before the British scifi/horror boom of the late 50s, this eccentric film mixes gruesome scientific experiments with farcical comedy, set in a fictitious Iron Curtain state. And one of the stars, playing a straight role, is Leslie Phillips. So is it any good? Well the clash of styles is somewhat disconcerting, but the film is attractively photographed and the action and horror scenes well staged. Some talented personnel worked on it ; the likes of Ted Moore and John Box, plus John Gilling who went on to do some good Hammer horrors. "The Gamma People" isn't quite in that league but still merits a viewing.

A mad professor takes over a castle in a country no one knows and creates weird kids and goons like something out of Village of the Damned, only this movie came out before the book. If you are up for watching a B grade horror / Sci-fi from yesteryear, it might be worth trying. Incredibly silly.

Set in the mythical 'Democracy of Gudavia and shot in what looks the Tyrol (the locals serving as extras background just stand around and gawp), the dialogue is obviously post-synced and it has a noisy score by George Melachrino.

Paul Douglas and Leslie Phillips make a highly unlikely team in this cross between Hitchcock's 'The Lady Vanishes' and Losey's 'The Damned' as a pair holidaying newspapermen who uncover a dastardly scheme to genetically engineer a new master race.

You know you're in trouble when the project is in the hands of our old friend Walter Rilla, but Eva Bartok looks most fetching in short hair and a satin boiler suit with a Nehru collar.

This one will leave your head spinning like an Ed Wood film. It is a surreal stew of so many styles and symbolism that a reference point is reticent.

Ten years after WWII the fascist fear was forever present. Here we have science-fiction mind control based on factual events that instill a real life horror and remembrance of a not too long ago plague of pathology.

Hitler youth, enslavement encampment, and a mad scientist are at work here along with foreign journalists and feather headed throwbacks in this offbeat and mind-boggling concoction that almost but doesn't quite work.

The movie also, for some reason, throws in a bit of slapstick humor and coy dialog that got lost on its way to some other film and found its way into this sometimes sombre scenario of tortured children and monstrous and zombified men who were victims of the villains.

The result is a jigsaw made up of pieces from different puzzles. Interesting and never dull, but occasionally so twisted and ill fitting that one is left with a jaw dropping experience that will have you shaking your head, and that just might be the effect of that mind-melting gamma ray gun.