An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.
Jocelyn Lane
- Anna
- (as Jackie Lane)
Paul Hardtmuth
- Hans
- (as Paul Hardmuth)
David Barry
- Boy
- (uncredited)
Cyril Chamberlain
- Graf
- (uncredited)
Alan Coleshill
- Boy
- (uncredited)
Howard Garstka
- Boy
- (uncredited)
Featured reviews
Wow- I saw this movie on TV when I was about 6 or 7 and it has remained with me for 55 years- I didn't know the title but I remember the carriage of the train that the two guys were in at the beginning of the film being detached from the rest of the train and then being redirected to a remote village where a mad scientist was experimenting on people and turning them into goons- I thought I would never find it and it drove me mad so many times- watched so many old horror movies over the years hoping this could be that elusive one- finally found it on the UK Talking Pictures channel - was it as great as I remember as a kid? Of course not, but very entertaining and I can now have a peaceful retirement!
This is more of a light comedy than a science fiction thriller. It's actually a film about the different stereotypes of nationalities, beginning with the "ugly American" and the "waggish British" reporters.
The film always moves briskly, due more to clever writing, good casting, and strategic directing, than on effects and big money. This is a textbook film on how to make a film look like it's more action packed than it really is.
We know it's a spoof on the nationalities from the start, as the pair of reporters are oblivious to their train car being dislodged, by accident, and rolling into a "duchy" that resembles the European duchy we get in classics like THE INSPECTOR GENERAL, THE MOUSE THAT ROARED, and others.
The duchy citizens also play to part.
However, like most good films, this takes stereotypes and changes them into three dimensional characters, or at least two dimensional. The film makes sure it doesn't lose its light hearted approach. It has the cult look of a Rocky Horror in that regard, of taking stereotypes and making more out of them.
This is a fun film, and well done, obviously low budget. There are no dull moments, which is more than I can say for most big budget science fiction movies. Much of this is because the film creates a very good atmosphere.
Never underestimate "atmosphere" and "fundamentals". This film has both.
The film always moves briskly, due more to clever writing, good casting, and strategic directing, than on effects and big money. This is a textbook film on how to make a film look like it's more action packed than it really is.
We know it's a spoof on the nationalities from the start, as the pair of reporters are oblivious to their train car being dislodged, by accident, and rolling into a "duchy" that resembles the European duchy we get in classics like THE INSPECTOR GENERAL, THE MOUSE THAT ROARED, and others.
The duchy citizens also play to part.
However, like most good films, this takes stereotypes and changes them into three dimensional characters, or at least two dimensional. The film makes sure it doesn't lose its light hearted approach. It has the cult look of a Rocky Horror in that regard, of taking stereotypes and making more out of them.
This is a fun film, and well done, obviously low budget. There are no dull moments, which is more than I can say for most big budget science fiction movies. Much of this is because the film creates a very good atmosphere.
Never underestimate "atmosphere" and "fundamentals". This film has both.
Due to a train mishap, two reporters (Paul Douglas and Leslie Phillips) find themselves in the tiny country of Gudavia. At first imprisoned as spies, then released, the pair find it very difficult to actually leave the country.
Noticing some odd behavior among the townspeople, they are tipped off about a certain Dr. Boronski (Walter Rilla) and the possibility that he could be meddling with nature in order to create a master race. This could explain the stiff, militaristic children running around!
THE GAMMA PEOPLE is a solid, astute political thriller with science fiction and comedy / satire added as well. It's wonderful how the reporters stir up trouble for the government and its nefarious plans! A rare, enjoyable film about freedom of the press in action, resulting in an open rebellion against oppression. The explosive finale is perfect!...
Noticing some odd behavior among the townspeople, they are tipped off about a certain Dr. Boronski (Walter Rilla) and the possibility that he could be meddling with nature in order to create a master race. This could explain the stiff, militaristic children running around!
THE GAMMA PEOPLE is a solid, astute political thriller with science fiction and comedy / satire added as well. It's wonderful how the reporters stir up trouble for the government and its nefarious plans! A rare, enjoyable film about freedom of the press in action, resulting in an open rebellion against oppression. The explosive finale is perfect!...
This one will leave your head spinning like an Ed Wood film. It is a surreal stew of so many styles and symbolism that a reference point is reticent.
Ten years after WWII the fascist fear was forever present. Here we have science-fiction mind control based on factual events that instill a real life horror and remembrance of a not too long ago plague of pathology.
Hitler youth, enslavement encampment, and a mad scientist are at work here along with foreign journalists and feather headed throwbacks in this offbeat and mind-boggling concoction that almost but doesn't quite work.
The movie also, for some reason, throws in a bit of slapstick humor and coy dialog that got lost on its way to some other film and found its way into this sometimes sombre scenario of tortured children and monstrous and zombified men who were victims of the villains.
The result is a jigsaw made up of pieces from different puzzles. Interesting and never dull, but occasionally so twisted and ill fitting that one is left with a jaw dropping experience that will have you shaking your head, and that just might be the effect of that mind-melting gamma ray gun.
Ten years after WWII the fascist fear was forever present. Here we have science-fiction mind control based on factual events that instill a real life horror and remembrance of a not too long ago plague of pathology.
Hitler youth, enslavement encampment, and a mad scientist are at work here along with foreign journalists and feather headed throwbacks in this offbeat and mind-boggling concoction that almost but doesn't quite work.
The movie also, for some reason, throws in a bit of slapstick humor and coy dialog that got lost on its way to some other film and found its way into this sometimes sombre scenario of tortured children and monstrous and zombified men who were victims of the villains.
The result is a jigsaw made up of pieces from different puzzles. Interesting and never dull, but occasionally so twisted and ill fitting that one is left with a jaw dropping experience that will have you shaking your head, and that just might be the effect of that mind-melting gamma ray gun.
An American reporter (Paul Douglas) and his very British photographer (Leslie Phillips) end up in the quasi communist state of Gudavia, which seems to consist of one village, where a mad scientist is using gamma rays to alter children's minds - some become geniuses, others become feral under the professor's control.
What a very odd, quirky film this is, unashamably mixing sci-fi horror with straight comedy with the latter taking up most of the first half of the film, before it all get quite grim and serious. There is a clear intent to look at the various and eccentric traits of Americans and British and to have the west free the world of the evils of communism and oddly this mixed bag just about works if you manage your expectations accordingly. Kitsch.
What a very odd, quirky film this is, unashamably mixing sci-fi horror with straight comedy with the latter taking up most of the first half of the film, before it all get quite grim and serious. There is a clear intent to look at the various and eccentric traits of Americans and British and to have the west free the world of the evils of communism and oddly this mixed bag just about works if you manage your expectations accordingly. Kitsch.
Did you know
- GoofsAlthough the two men stay in their private berth and are oblivious to what is going on as the decoupled passenger car rolls down the side track into Gudavia, multiple exterior shots of the rolling car show different sets of windows either open or closed from shot-to-shot, although there was no one else on the car to open or close the windows.
- Quotes
[looking at the castle]
Mike Wilson: Sinister looking dump isn't it.
- Alternate versionsIn the 1980s Columbia Pictures replaced their slightly abridged U.S. version with a version restored to its original British length of 79 minutes. It is this version that has been used for pay-tv showings and video release.
- ConnectionsFeatured in Weirdo with Wadman: The Gamma People (1964)
- How long is The Gamma People?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Гамма люди
- Filming locations
- Imst, Austria(filming location)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.37 : 1
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