IMDb RATING
4.1/10
2K
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An American cowboy living in Mexico discovers his cattle are being eaten by a giant prehistoric dinosaur.An American cowboy living in Mexico discovers his cattle are being eaten by a giant prehistoric dinosaur.An American cowboy living in Mexico discovers his cattle are being eaten by a giant prehistoric dinosaur.
- Directors
- Writers
- Stars
Manuel Arvide
- Martínez
- (uncredited)
José Chávez
- Manuel
- (uncredited)
Roberto Contreras
- Carlos
- (uncredited)
Armando Gutiérrez
- Employee
- (uncredited)
Guillermo Hernández
- Jorge
- (uncredited)
Margarito Luna
- Jose
- (uncredited)
Jorge Treviño
- Shopkeeper
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It is said that a mountain surrounded by a swamp is hollow and that a prehistoric monster from 'the dawn of time' comes out during times of drought to stalk the land.
Alright, so the plot lacks any sense of reality (there would have to be a whole race of dinosaurs for them to survive until the present day). The special effects also leave something to be desired. But look over these faults and you'll find that this film is actually very enjoyable and entertaining. The dinosaur isn't revealed until the last twenty minutes, but when it shows its face there's non-stop action, and for once the dinosaur can move fast and so poses a genuine threat. The dinosaur itself is fairly well-animated and there is a wonderful 'golden age of monster movies' feel about the whole thing.
Alright, so the plot lacks any sense of reality (there would have to be a whole race of dinosaurs for them to survive until the present day). The special effects also leave something to be desired. But look over these faults and you'll find that this film is actually very enjoyable and entertaining. The dinosaur isn't revealed until the last twenty minutes, but when it shows its face there's non-stop action, and for once the dinosaur can move fast and so poses a genuine threat. The dinosaur itself is fairly well-animated and there is a wonderful 'golden age of monster movies' feel about the whole thing.
This movie is scripted by Willis O'Brien ,who obviously thought so much of it ,that he used it again in 1969 for the superior The Valley of Gwangi It is a curiosity among movies, being a science fiction and Western hybrid .Mexican based rancher Jimmy -woodenly played by Guy Madison -believes that his dead cattle are the result of predators .He is thinking "Mountain lion " or "coyote " maybe .Wrong!Its a T-Rex and the pattern then follows the standard monster movie template -capture and escape ,rampage and eventually happy ever after resolution . The monster effects are okay for the era but completely overshadowed by the genius of Ray Harryhausen ,employed in the remake .Add somewhat muddy colour and you have a movie whose technical side is deficient by today's standards It still remains worth watching however if only for its being such a rare commodity in combining monster movie and Western
When it came to dinosaur special effects in the 1950s, absolutely no one came close to Ray Harryhausen, and The Beast From 20,000 Fathoms still reigns as the classic of that time. Others who dared try and compete were lucky to come in a distant second, but that didn't mean there wasn't a fun quality to their films. The Beast From Hollow Mountain is one of those minor league yet highly enjoyable attempts to combine the two favorite elements of 12 to 15 year old boys when we went to the movies back in the mid-fifties: cowboys and dinosaurs. We knew Guy Madison well from his long run Wild Bill Hickock TV series, which had precious little to do with the real life of that historic character but was plenty of fun all the same. Here, he's a range rider who discovers that his cattle are disappearing. Could it be outlaws? No, the title creature, who attacks Madison, a cute little Mexican kid, the gorgeous Patricia Medina, and a whole host of vaqueros. There is (as was the case back then) precious little dinosaur footage, for the way they kept costs down back then was to 'tease' you with distant growls, but avoid showing you the real thing for as long as possible. After about an hour of this, you got maybe fifteen minutes of actual footage with the creature (who has the weirdest, wildest tongue of any dinosaur in movie history) chasing after Guy and friends with the swiftness of a professional track star. And it's a good thing they keep him offscreen, because he's at best semi-convincing when you do see him. That doesn't make this brightly colored film and less fun to watch. And the way in which Madison gets the thing at the end is a real lulu.
This cowboy and dinosaur movie is better than it's reputation. Though moving slowly in places, it is capably acted and has enough action and plot development to keep both me and my 7 year old son interested. (It did lose the 4 year old periodically)
My only addition to other's previous comments are that I do feel the film holds up fairly well considering it's age. The female lead is surprisingly liberated, being no-one's useless sex object. She manages to make independent decisions, shows that she is quite capable of taking care of herself, and does not panic in the face of danger. When the beast of the title appears she does not scream and panic or fall helplessly to the ground as so many 50's heroines would do, instead her reaction is one of realistic shock and brief fear, followed by quick and decisive action. She even manages to evade the monster for an extended period without tripping or twisting her ankle. during this whole movie she does not do anything stupid or anything contrived to serve as a plot device.
The hero is also fairly realistic. He is neither a chauvinist nor a stereotype. We see that while he is determined to fight for his own rights, he will concede and consider a course of action that will benefit those people he cares for. He is strong and confident without being overly macho, and he is intelligent and thoughtful.
I found the other characters were treated with respect, also. There is no odious comedy relief. Even the drunken father is handled with care and not a caricature. The little boy is likeable, not annoying as is often the case in this sort of vehicle.
I found the wedding festival, which annoyed one reviewer, to be colorful and entertaining. A welcome surprise in a movie of this type.
Finally, although we are forced to wait a long time for the appearance of our monster, and the first appearance is much too abrupt, once it appears it is almost never off the screen and is certainly entertaining. Nit pickers will of course have a field day with the effects. They are, after all, none too realistic. However, the effects do have a unique sort of charm.
The true nature of all of these effect sequences is clouded in rumour and innuendo. It is my understanding from various interviews and articles that when the producers bought the story outline from Willis O'Brien that they also purchased some test sequences which he had created. The rest of the scenes were then produced by the method described in other reviews whereas static sculptures in various positions were substituted frame by frame. If you watch closely it does seem that there may be more than one dinosaur which do not quite match each other, and a few scenes stand out in their fluidity. The running sequences mentioned by another reviewer are obviously much smoother of motion than most of the jerkier scenes. Of course the big rubber-boot feet are obvious.
As for the tongue. Both of my kids loved it! Kids know fun when they see it!
My only addition to other's previous comments are that I do feel the film holds up fairly well considering it's age. The female lead is surprisingly liberated, being no-one's useless sex object. She manages to make independent decisions, shows that she is quite capable of taking care of herself, and does not panic in the face of danger. When the beast of the title appears she does not scream and panic or fall helplessly to the ground as so many 50's heroines would do, instead her reaction is one of realistic shock and brief fear, followed by quick and decisive action. She even manages to evade the monster for an extended period without tripping or twisting her ankle. during this whole movie she does not do anything stupid or anything contrived to serve as a plot device.
The hero is also fairly realistic. He is neither a chauvinist nor a stereotype. We see that while he is determined to fight for his own rights, he will concede and consider a course of action that will benefit those people he cares for. He is strong and confident without being overly macho, and he is intelligent and thoughtful.
I found the other characters were treated with respect, also. There is no odious comedy relief. Even the drunken father is handled with care and not a caricature. The little boy is likeable, not annoying as is often the case in this sort of vehicle.
I found the wedding festival, which annoyed one reviewer, to be colorful and entertaining. A welcome surprise in a movie of this type.
Finally, although we are forced to wait a long time for the appearance of our monster, and the first appearance is much too abrupt, once it appears it is almost never off the screen and is certainly entertaining. Nit pickers will of course have a field day with the effects. They are, after all, none too realistic. However, the effects do have a unique sort of charm.
The true nature of all of these effect sequences is clouded in rumour and innuendo. It is my understanding from various interviews and articles that when the producers bought the story outline from Willis O'Brien that they also purchased some test sequences which he had created. The rest of the scenes were then produced by the method described in other reviews whereas static sculptures in various positions were substituted frame by frame. If you watch closely it does seem that there may be more than one dinosaur which do not quite match each other, and a few scenes stand out in their fluidity. The running sequences mentioned by another reviewer are obviously much smoother of motion than most of the jerkier scenes. Of course the big rubber-boot feet are obvious.
As for the tongue. Both of my kids loved it! Kids know fun when they see it!
OK. So it wasn't Jurassic park. It was a Western with some great graphics and a wonderful T. Rex eating up some cattle and cowboys in Mexico. Hats off to fellow Bakersfieldean, Guy Madison, on the downside of his career in the gloaming of the Hickock days. And, don't forget that Pattie Medina was always worth the price of admission. Story? Yep. Monster emerges from mountain, eats cattle, vaqueros and cowboy kicks its tail. The action was great and fun. And, like I said before, Patricia Medina was lovely. Check it out.
Did you know
- TriviaThe first feature film to combine stop-motion animation with anamorphic CinemaScope and color.
- GoofsWhen Jimmy yells at Sarita to run for the cliffs, he fires at the beast. Smoke comes from the barrel, but the gun makes no sound.
- Quotes
Jimmy Ryan: Oh, I make it a rule never to be offended at a pretty girl.
- ConnectionsFeatured in Hollywood and the Stars: Monsters We've Known and Loved (1964)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- The Beast of Hollow Mountain
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 2.35 : 1
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