Le mort frappe à la porte

Ken Hughes directed five feature films and two short films in 1955, and this is one of the features. It is a superior B picture with the female B star, Faith Domergue, she of the big soulful brown eyes. The story and screenplay are by Charles Eric Maine, and he has written a good yarn. Some of the ideas for the technical background are mentioned in passing, and they concern a scientist named Stephen Rayner who works for the Atomic Energy authorities. He has learned how to achieve the alchemical transmutation of elements in order to produce tungsten in the laboratory from cheap materials. This threatens the interests of the United Tungsten Corporation of Argentina, which controls two thirds of the world's tungsten supply, so they have another scientist's face transformed by plastic surgery to replace Rayner, and the film starts with Rayner being shot one night and falling into the Thames. He miraculously survives but is in a coma for some time while everyone is trying to figure out what happened. After he is identified, the police are puzzled because his employers say he is at work in his lab. Something strange has also happened to him because he has undergone a slight forward time-shift of 7.5 seconds due to exposure to radiation, so he answers questions put to him before they are asked. When the police and others finally figure out why his interviews don't make any sense, because the answer to each question is really to one that will be asked next, they then begin to piece together his story. The film is very intriguing and entertaining, despite being low budget. The hints of escaped corrupt Nazis in Argentina who will kill anyone who gets in their way were well understood in 1955, only ten years after the War. The film's original release title was TIMESLIP, and it is under that title that the DVD is now once again available. As another reviewer says, this is not really a sci fi film but is an industrial espionage thriller with some intriguing sci fi background elements which are significantly under-developed. Both the timeslip angle and the tungsten angle could have been much better developed and turned into a much stronger film. As it is, the film is rather mediocre.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Gene Nelson and Faith Domergue star in a fascinating story of unlawful scientific tampering and a man who is temporally out of phase with the rest of humanity. The original British title emphasizes that point: "Time Slip". Ken Hughes directed, and 15 years later had graduated to making an expensive, major studio important motion picture, "Cromwell", which starred Richard Harris and Alec Guinness.

Like many British films of the time, the two leading players were American actors, plus a local supporting cast including Joseph Tomelty, Peter Arne, Donald Gray and William Lucas.

A wounded atomic scientist is found to be 7 1/2 seconds ahead of time and has a radioactive halo about his body that can only be seen in photographs. Unfortunately, it is more of a cops, robbers and gangsters picture with a scientific twist than a true sci fi picture. It is intriguing at first, but it fails to live up to its promise, although it does eventually explain the time slip. However, the acting is solid and the subplots are fine but the film misses the mark overall.

The science fiction gimmick in this "B" British mystery is a man who after his highly radioactive body is fished out of the Thames, comes to life. After he awakes it is discovered that his brief death and exposure to radiation causes his consciousness to be 7 seconds into the future. This film soon drifts into a typical "wise cracking reporter" mystery after a reel or two and the "timeslip" gimmick is forgotten. Most of the film deals with a male and female reporter trying to prove the mysterious man is actually a famous scientist who is now being impersonated by an enemy agent. The script written by Charles Eric Maine, based on his novel, is typical of most of Maines screen/published science fiction; he comes up with an interesting science fiction gimmick and works it into a mundane plot. In this case a typical "wise cracking reporter" mystery. Another of example of this is the film THE ELECTRONIC MONSTER aka ESCAPEMENT from a script by Maine based on his published novel. An historical note; American actor Gene Nelson was dancer and singer who starred in many musicals. He was in an accident about a year before this film was made and it prevented him from dancing.

What a surprise this british science fiction thriller from a non sci-fi specialist. Ken Hughes was not Val Guest nor Terence Fisher in that domain. The idea is pretty good, pretty exciting, but the treatment is a bit ankward, talkative, something is a bit wrong but it's OK. It remains a worth watching UK science fiction thriller, that also would have perfectly fit to Byyron Haskin. Faith Domergue is rather wooden in this feature where she doesn't seem to be that concerned, as also were those US actors and actresses who worked overseas, in UK, with movies precisely directed by the likes of Fisher, Guest or Hughes.