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Enjoyable and riveting comedy-thriller by master of suspense , the great Alfred Hitchcock .On the French Riviera a retired jewel thief nicknamed ¨The Cat¨ (Gary Grant) falling for a gorgeous American girl (Grace Kelly), a high society woman accompanied by her mother (Jessie Royce Landis) , she suspects he's up to his old jobs when a rash of jewel thefts happen. While newspapers publicize ¨The Cat prowls again¨. Then the reformed thief attempting to chase his impersonator .

This elegant film contains suspense , emotion , mystery , and a wonderful love story . And of course full of distinctive Hitchcockian touches with red-herrings , dead-end trails and some typical jokes. Based on the novel by David Dodge , being well adapted by John Michael Hayes who writes a snappy dialog . Marvelous performances from main cast as Gary Grant as smooth and likable thief who returns his old tricks and wonderful , icely effective Grace Kelly whose coldness is gradually melted . Grace Kelly met husband Prince Rainero of Monaco during a photo shop while she was attending the Cannes Film Festival . Both of whom form a sensational couple with sparkling chemical . Furthermore , good secondary cast as the young girl Brigitte Auber and the veterans Jessie Royce Landis and Charles Vanel and of course John Williams who appears nicely dressed in black and posing as servant of two glamorous ladies in a bizarre , fancy costume ball with policeman awkwardly masquerading . There's a magnificent car pursuit throughout the Grand Corniche located on a Riviera hilltop road and shot from a helicopter. Deservedly Oscar-winning cinematography by Robert Buks , Hitch's usual, as he photographed ¨Strangers in a train¨ , ¨The Birds¨ and ¨Marnie¨ . Luxurious Oscar-nominating costumes by Edith Head and splendidly created for Grace Kelly . Spectacular and colorful scenarios with excellent production design by Hal Pereira also nominated to Academy Award , and outdoors filmed in French Riviera , Monaco , Cannes ,and Grand Corniche . Lively and jolly musical score by Lyn Murray. The motion picture is colorfully and stunningly directed by the genius Hitch . Rating : Above average , this Hitchcock effort proved to be as successful as his former popular movies.

There is much to like about Hitchcock's TO CATCH A THIEF: Cary Grant and Grace Kelly at the height of their appeal, a witty script that offers Jessie Royce Landis one of the funniest roles ever seen in any Hitchcock film, and excellent cinematography designed to show off the beauties of Monte Carlo--all packaged in a lightweight tale that is two parts romance, two parts travelogue, one part comedy, and just enough classic Hitchcock suspense to keep this lighter-than-air confection from flying apart.

The well known story concerns a string of jewel robberies along the Riviera which lead local officials to suspect that a famous and long retired cat burglar (Grant) is once more on the prowl--but rather than hope the authorities will find the real culprit Grant elects to protect himself by unmasking the thief for himself. In the process he encounters an icy beauty (Kelly) who takes considerable pleasure in tantalizing him with her charms, her jewels, and her knowledge of his criminal past, and her mother (Landis), who is perhaps the best of the "clever matrons" to appear in any Hitchcock film. As the police close in, the three of them devise a plot to expose the thief and clear Grant, with whom Kelly has now fallen in love.

Unlike most Hitchcock's most famous films, TO CATCH A THIEF offers nothing dark to trouble our thoughts, and it is perhaps best regarded as a romantic fantasia, the director's vacation from his more typical material. While it will never compete with the more famous VERTIGO and REAR WINDOW of the same period, it is extremely well done and quite a bit of fun to watch. Viewers seeking a pleasant film with a romantic touch will enjoy it a great deal.

Gary F. Taylor, aka GFT, Amazon Reviewer

Like most of Hitchcock this is a film that withstands repeated viewings. A light crime farce it is nevertheless full of great Hitchcock touches- a particular favorite of mine is the chase through the flower market with Cary Grant's comic encounter with the old flower seller. Grace Kelly was perhaps the sexiest of all movie stars in that she could combine the glamor of a Katherine Hepburn or Elizabeth Taylor with the earthy sexiness of Marilyn Monroe. Witness her first surprise kiss with Cary Grant and his reaction. This is priceless acting and one of the reasons Grant is considered one of the greatest actors in movie history. John Williams is also excellent as the very British insurance agent and Jesse Royce Landis (who played Grant's mother in North by Northwest ) is also on hand for a number of fine moments. Although slim in terms of drama this has to rank among the top ten of Hitch's films.

This Hitchcock movie is not about suspense. It is about Grace Kelly, Cary Grant and the French Riviera. If you don't worry about the plot and just watch THEM, you will enjoy it immensely. Hitchcock went through what I call his "travelogue phase" which consisted of Dial M for Murder (London), Vertigo (San Francisco), North by Northwest (Mount Rushmore), and, here, The French Riviera. I consider this phase the time of his masterworks (before he became fixated on the macabre) and although this particular movie is the most insipid of the lot, it is his finest travelogue. For Americans of this period, the mention of Europe must have invoked black and white images of war. Not here!! One really wishes he could take a time machine back to this gloriously beautiful time and place. A movie that can enjoyably be watched time and again. However, I do agree with others that Grant was somewhat miscast as a thief -- even a high-class one.

The best thing about this film is the chemistry between leads Grant and Kelly. Grant is as debonair as usual and Kelly was never more glamorous. The costumes she wears are very flattering to her and she is to the clothes. The dialogue between them sparkles throughout and is a pleasure to watch even if the course of their relationship is predictable. Grant's self-deprecating in-jokes are another nice touch. Further pleasantly adding to the fantasy ambience is the spectacular photography of the French riviera. John Williams is also great as the insurance investigator, the type of character he played in Hitchcock's Dial M for Murder (also with Kelly) and in the Doris Day-Rex Harrison film, Midnight Lace. This film is not one of the most psychologically involving in Hitchcock's pantheon but it is not designed to be. It is enjoyed best as what it was produced to be: glossy high production value escapist fare. 8/10.