IMDb RATING
3.7/10
698
YOUR RATING
A delinquent girl involves an innocent friend in an armed robbery followed by a jail-break and hostage-taking with her equally delinquent boyfriend.A delinquent girl involves an innocent friend in an armed robbery followed by a jail-break and hostage-taking with her equally delinquent boyfriend.A delinquent girl involves an innocent friend in an armed robbery followed by a jail-break and hostage-taking with her equally delinquent boyfriend.
Molly McCart
- Terry Marsh
- (as Mollie McCart)
Larry J. Blake
- Sgt. Connors
- (as Larry Blake)
Robert Bice
- Patrolman Smith
- (uncredited)
Helen Brown
- Mrs. Koberly
- (uncredited)
George Cisar
- Fred
- (uncredited)
Frank Hagney
- Bailiff
- (uncredited)
Don C. Harvey
- Policeman
- (uncredited)
Sydney Mason
- Bill Salisbury
- (uncredited)
Paul McGuire
- Deputy Mannerly
- (uncredited)
Kathleen Mulqueen
- Matron
- (uncredited)
Sol Murgi
- Bar Patron
- (uncredited)
Damian O'Flynn
- Police Chief
- (uncredited)
Featured reviews
This is a very worthwhile diversion. Tommy Cook overacts all over the place, but it does provide many enjoyable chuckles. Molly McCart does a fine job as Terry and deserved a successful career based on the talent she displayed here. While Sue English as Jane portrayed her character satisfactorily, the role did not require much of a stretch. Given her obvious attractiveness, I am surprised I was not previously aware of this actress! This production must have had an "in" with the Griffiths Observatory, as they were certainly given full access to the site! Recommended fun! James Bell,the farmer, is immediately recognizable from the dozens of TV and film roles he's had over the years!
Enjoyed this old time film from the 1950's where Tommy Cook, ( Mike Denton) plays the role of a two-time loser in robbery and his sidekick is Terry Marsh, (Molly McCart) who also has a police record. Mike & Molly commit another robbery and Mike kills a police office while he is escaping and this couple wind up taking over a farm house where an elderly couple live. There is another girl named Jane Koberly,(Sue England) who is a delinquent girl and gets deeply involved with Mike and Molly. Mike continues to shoot and kill people at the farm house and then there is a big shoot out at the historic Griffith Park Observation in Los Angles, California. This is not the greatest of black and white films from the 1950's, but I bet plenty of people enjoyed this film during those years.
This film made for a hilarious MST3K show, so I'm kind of surprised no one has commented on it yet. At any rate, It's a fairly typical "juvenile crime" flick of the fifties that might hold your interest on it's own. The actress who plays the good girl is a real dish; and the character of Terry makes the film somewhat ahead of it's time in that the movie asks for sympathy for her despite the fact that She is really, really mean. These movies where a gun is held on the good people by the bad guys can rate some suspense in spite of themselves. Kind of fun in any case, and it uses the Griffith Park planetarium just like in "Rebel Without a Cause".
The "teenagers" in this crime wave are all at least 25, with Sue England clearly over-age. But it doesn't much matter because the movie never really gels. Tommy Cook strikes the tough- guy poses, but despite the energetic effort can't work up a convincing menace or snarl to go with it. Too bad a Jan Merlin or a Nick Adams didn't have the part. Then too, I wonder what the story is behind Mollie McCart. Her acting is uneven at best, still she does present an interesting screen presence. Her meager credits look like she left acting after a brief fling. Nonetheless, with more seasoning, she might have developed into an actress of note. However, both look like Oscar candidates next to poor Frank Griffin who appears too petrified to register anything but a frozen stare. Rarely have I seen anyone so clearly uncomfortable performing on screen. No wonder he switched from acting to Hollywood make-up man.
1955 was the year teen sub-culture emerged with rock music, James Dean, and Elvis. Drive- in movies were catching on with both youngsters and movie-makers, a niche Roger Corman would exploit to the hilt. Actually, this Columbia release plays like a drive-in special with its emphasis on sex, fast cars, and juvenile delinquency. It's also cheaply produced, the screen time mainly confined to the drab farmhouse. I expect producers recognized this and tried to compensate with the boffo climax at the Griffith Park Observatory. The staging is pretty contrived, but does make for an interesting backdrop to the chase scenes. It looks like the classic Rebel Without a Cause and this movie were made about the same time, and I wonder which had the Observatory idea first since both use it. My guess is that fast-buck artists at Columbia anticipated Rebel's success and sought to ride the coattails. Anyway, the film blends two popular movie topics of the time—home invasion and juvenile criminality. Beyond that, there's little to recommend, except maybe a few laughs. (In passing—slight correction in another review: the Fugate-Starkweather murder spree was 1958, three years after this movie.)
1955 was the year teen sub-culture emerged with rock music, James Dean, and Elvis. Drive- in movies were catching on with both youngsters and movie-makers, a niche Roger Corman would exploit to the hilt. Actually, this Columbia release plays like a drive-in special with its emphasis on sex, fast cars, and juvenile delinquency. It's also cheaply produced, the screen time mainly confined to the drab farmhouse. I expect producers recognized this and tried to compensate with the boffo climax at the Griffith Park Observatory. The staging is pretty contrived, but does make for an interesting backdrop to the chase scenes. It looks like the classic Rebel Without a Cause and this movie were made about the same time, and I wonder which had the Observatory idea first since both use it. My guess is that fast-buck artists at Columbia anticipated Rebel's success and sought to ride the coattails. Anyway, the film blends two popular movie topics of the time—home invasion and juvenile criminality. Beyond that, there's little to recommend, except maybe a few laughs. (In passing—slight correction in another review: the Fugate-Starkweather murder spree was 1958, three years after this movie.)
Teen-age Crime Wave (1956)
** (out of 4)
Good girl Jane (Sue England) gets mixed up with bad girl (Molly McCart) and soon both of them are headed to jail even though Jane is innocent. On the way to jail June's boyfriend (Tommy Cook) kills the cop and takes the girls with him where they land at a farm house where they hold an elderly couple hostage. This is yet another juvenile delinquent movie from this era, which seemed to have at least ten per month. This one here comes from director Sears who's best known for the laughable The Giant Claw and thankfully this one here features just as many laughs. Yes, if you're expecting Citizen Kane then you're going to be disappointed but if you want some cheap, exploitation laughs then this is a decent little time killer. The movie runs at a pretty fast pace except for the final twenty-minutes where things slow up a tad too much. I think knocking off ten-minutes of the 77-minute running time would have helped things. As for the actual film, you get girls fighting and bad guys Cook and McCart acting tough. All of this makes for some pretty good laughs but McCart actually manages to be very entertaining with her seduction/tough girl image. The scene where she tries to seduce the farmer's son in the barn is priceless. Cook doesn't give what I'd consider a good performance but it is campy enough to deliver some fun. The production values aren't too bad and the supporting players do decent enough of work but in the end this film is all about nostalgia and laughs and it has plenty of both.
** (out of 4)
Good girl Jane (Sue England) gets mixed up with bad girl (Molly McCart) and soon both of them are headed to jail even though Jane is innocent. On the way to jail June's boyfriend (Tommy Cook) kills the cop and takes the girls with him where they land at a farm house where they hold an elderly couple hostage. This is yet another juvenile delinquent movie from this era, which seemed to have at least ten per month. This one here comes from director Sears who's best known for the laughable The Giant Claw and thankfully this one here features just as many laughs. Yes, if you're expecting Citizen Kane then you're going to be disappointed but if you want some cheap, exploitation laughs then this is a decent little time killer. The movie runs at a pretty fast pace except for the final twenty-minutes where things slow up a tad too much. I think knocking off ten-minutes of the 77-minute running time would have helped things. As for the actual film, you get girls fighting and bad guys Cook and McCart acting tough. All of this makes for some pretty good laughs but McCart actually manages to be very entertaining with her seduction/tough girl image. The scene where she tries to seduce the farmer's son in the barn is priceless. Cook doesn't give what I'd consider a good performance but it is campy enough to deliver some fun. The production values aren't too bad and the supporting players do decent enough of work but in the end this film is all about nostalgia and laughs and it has plenty of both.
Did you know
- TriviaThe actors portraying "teenagers" Mike, Terry, and Jane were age 25, 26, and 27 when the movie was released.
- GoofsWhen the trio enters the farm house, from the outside the shade on the door is drawn down about six inches. But when the shot moves to the inside, the shade is much lower. Also, the position of the trellis by the door changes between those shots as well.
- Quotes
Jane Koberly: You're dirt, Terry. He'd never touch you!
- ConnectionsFeatured in Mystery Science Theater 3000: Teen-Age Crime Wave (1994)
- How long is Teen-Age Crime Wave?Powered by Alexa
Details
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 1.85 : 1
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