Amour, fleur sauvage

Sterling Hayden was a good, macho actor with a nice screen presence. Because he was so good, even a rather routine western like "Shotgun" is worth seeing.

The film begins with the Marshall being gunned down by Thompson and his gang. Their weapon...a shotgun. Deputy Marshall Clay Harden (Hayden) is all set to retire...but he cannot allow himself to leave the Marshall unavenged. So, he tracks the gang members though the Arizona countryside as he picks them off one by one. Along the way, he meets a superfluous woman, a sleazy bounty hunter and a whole lotta Apache.

The film is lovely to look at, as it's in color and the Sedona countryside is spectacular. Less spectacular is the plot, as Yvonne De Carlo's role isn't especially necessary AND some of the dialog between her and Hayden is downright silly. Also silly is the duel at the end...a bit hard to believe. But the film, on balance has a bit more to like than dislike and if you enjoy the genre, give this one a look.

By the way, this film has a rattlesnake...if you are deathly afraid of snakes, better try another movie!

Sterling Hayden really just goes through the motions in this rather static western adventure. He is "Marshal Hardin", determined to avenge the death of his boss at the hands of the "Thompson" gang. On the trail of their leader, he alights upon a staked-out bounty hunter and his gal, and together the three pursue their quarry. Of course he falls for the gal (Yvonne de Carlo) so there is a little hostility with "Jeb" (Zachary Scott) as they travel, but the search for "Thompson" (Guy Prescott) proves to be pretty routine, as do the concluding scenes - despite the best efforts of some marauding Apache. Some nice photography though, but the writing and characters offers us little memorable.

Well directed by Lesley Selander ( unknown as a director to me ) it has two major merits; one, the casting of Sterling Hayden and Yvonne de Carlo, and two the use of the outdoors, and only marginally using interior shots. The editing is excellent and not one minute of the film is wasted. Hayden plays an outlaw turned good and Yvonne de Carlo plays an ex-saloon entertainer. Their pairing here is of a rough romance but the ending is inevitable. No spoilers on the plot except to say that Hayden is hunting down a batch of killers and finds de Carlo on the way. The film shows the Apache people in a slightly less offensive way than usual. There is a scene where de Carlo bathes in a stream hidden by foliage and there is no come on scene as depicted on the sensationalist original poster. It is true that Zachary Scott who has joined them takes a peek and gets very badly beaten up for it, but it is certainly no open season for Abby. De Carlo's character. On the contrary she is dressed in men's clothes all through the film, and there is never a female garment in sight. The BBFC shows the poster and it just shows how far Hollywood would draw in an audience, and to put it lightly exaggerate the subject matter. To sum up Hayden and de Carlo are perfect together and they both had the rare art of acting while being simply themselves. On screen that is, and it is not as easy as it seems.

There are very few westerns that aren't built up mainly on a theme of revenge, the western avengers on films must be innumerable, and they are always bold cold-blooded heroes, and there is always some beautiful girl waiting for them. Yvonne de Carlo here though has plenty of skin on her nose, and although Sterling Hayden doesn't exactly treat her as a gentleman, she is after all a good match for him, after all the obligatory fights, fisticuffs and gunfights, including a formidable bunch of Apaches. Any western fan will buy all this and enjoy it even with relish, because of the splendid photo and equally splendid music by Carl Brandt, but it is still a rather conventional piece of routine very far from the more hardcore rough settlements of for example Sam Peckinpah. This is all right, you will enjoy the three great leading actors and their issues, you will even more enjoy the landscapes and the music, but it is hardly a film you would need to watch another time.

Despite the promising setup where Deputy Marshal Clay (Hayden) vows to catch killers of his respected Marshal superior, the suspense of revenge fails to gel. The following pursuit carries him over miles of rugged western desert and sometimes hostile Apache. All in all, these are promising ingredients for a good dramatic oater.

Nonetheless, potential suspense fails to gel mainly because the storyline's cluttered by subplots involving DeCarlo and Scott. As scripted each detracts rather than adds to the main premise. But then both D and S were name performers at the time and I suspect they were added for marquee value. Nonetheless, what may have helped the box-office didn't help the end result, at least as scripted. And that's along with lots of meaningless slow riding that mainly pads the movie's runtime and adds nothing to a showdown build-up.

What the flick does have are dazzling red-rock backdrops of Sedona, Arizona. Thus eyes remain focused even as the story itself meanders. Then too, there are some good minor touches like Clay watering his desert-dry horse with his cowboy hat, a nifty unusual touch. Then there's Clay keeping his dirty shirt on after a dramatically staged fist-fight, thus showing an occasional concern for frontier realism.

My guess is that there's a good western buried somewhere beneath The Shotgun's meandering storyline. Certainly the Gary Cooper-like Hayden's capable of carrying out a really good oater. For example, the following year he would star in the best of all heist films, Kubrick's The Killing (1956), along with his many westerns.

Anyway, if you're more a fan of great natural scenery than a coherent storyline, then I recommend this Allied Artists 1955 flick, flawed though it is.