Ange ou démon

I saw this film in its original release in Hollywood and have never forgotten June Allyson's shrew of a wife and how she kept putting the psychological knife in her poor, emotionally wasted husband, played by Jose Ferrer. I was too young to know why a wife would do this but the effect has never left me. This film deserves a beautifully restored DVD presentation. June Allyson deserved an Oscar nomination and perhaps the award given the fact that she made a 180 turn against her long established type. Ms. Allyson would only make three more Hollywood films and then escape into television with her own series and then guest host and star in her husband, Dick Powell's, weekly anthology series. She proved her dramatic mettle over and over on television and lived out a serene, much respected retirement in California's wine country near Clint Eastwood's place. Those in Ojai, according to what one resident told me, would see Ms. Allyson in town and about and always gave her the respect of admired distance, yet with warmth. I loved June Allyson, still a handsome beauty to the end.

June Allyson steps way out of type for this bravura acting effort. It is a psychological study of a playwright (Jose Ferrer) slowly sinking into depression and attempting suicide unsuccessfully. Allyson plays his loving but demanding wife. It is very clinical and grimly realistic. Allyson is magnificent and 100% believable as the domineering wife who comes close to loving her man to death. Ferrer is very good as the brooding playwright who comes apart at the seams under the pressure he buys into. Edward Platt is very good as Ferrer's brother. Only Joy Page is a tad unbelievable as Ferrer's ultra-sympathetic would-be paramour. Altogether, I rate it 9/10.

First film directed by highly talented actor Jose ferrer ,who would direct his own version of the Dreyfus affair,long before Roman Polanski .

His portrayal of a failed playwright is thoroughly convincing : confined to a mental hospital after nearly taking his own live, he remembers his past ,his wife who dominated him , who treated him like a grown up kid , urging him to give up on his writer's job for a place in her father's business.Ill at ease with the other inmates , he sometimes wonders if it's not a wrongful confinement .June Allyson,cast against type, is not bad as a selfish wife who finally realizes she may need a shrink too .An over possessive woman ,she fears her husband may leave her for an actress ,Charlotte: in fact she does not see this thespian is a way for the writer to assert himself as a man.It's perhaps too bad that the ending should have been sweetened ;but do not miss Ferrer's excellent performance.

A decent film ruined by a totally unbelievable ending. The final 2 minute scene went against everything I'd been viewing for the previous 90 minutes. I allow a wide berth in films, especially older ones, for unrealistic situations, characters, coincidences.....but I'm not sure if I've even seen anything like this. Judge for yourself.

On Broadway, the Kramm play did have a more downbeat ending in that it is clear that there is no way for the two to ever live together again. BUT the ending, in the film, is essentially the same. No matter how much the wife, so brilliantly essayed by June Allyson, professes a change in her makeup, and no matter how they look walking hand-in-hand down the street, there is NO DOUBT that only further problems await this couple. There is definitely a cloud of doom over the whole thing, and even their steps are hesitant providing a clue to the future. Jose Ferrer chose Allyson for this film, and he was so right despite her feelings over the years that he may not have been. There should have been awards for her in The Shrike. (She had won honors for comedic turns in other films, including Too Young To Kiss, which pales in comparison to her work here). Her recent death only makes it sadder that her skills as an actress were never totallya realized by Hollywood. Her comedic and musical skills are evident in many films, but her serious work (The Secret Heart, for example) deserve to be studied again.