Le prince des acteurs

I first saw this when I was in high school and thinking of becoming an actor. Burton's performance and the film's highly romantic vision of Booth as the brooding "natural" Hamlet hooked me. Although it has the outlines of a typical biopic, The Prince of Players offers an extraordinary display of the kind of acting that, at its best, dominated the 19th century stage. Burton was one of the few 20th century artists who knew how to balance a ringing declamatory style with honest, full bodied emotions. It is so different from the typical modern understatement that some audience won't be able to adjust to it. But for those who relish language along with fire in the blood, this is as good as it gets on film. The portrait of the actor Edwin Booth, a man overburdened with the cares of the world, as impetuous, self-indulgent, and nearly batty, is a bit overheated. But it's a typical view of the artist in the mad tradition of Poe. Very 19th Century--and well worth knowing.

Richard Burton plays Edwin Booth in "Prince of Players," also starring Raymond Massey, John Derek, Maggie McNamara, and Charles Bickford.

The story takes us through the young Edwin growing up, traveling with his famous actor father, and at times standing in for him. Eventually he himself becomes a great actor, and in fact, was known as the greatest Hamlet of his day. But personal tragedy strikes in his marriage and in his brother John's assassination of President Lincoln.

John Derek makes a dashing John Wilkes Booth, handsome and charismatic. Massey, a man who played Lincoln on film and recording as well, is the elder Booth and is excellent as the flamboyant drunkard. And it's wonderful to hear him recite Shakespeare.

"Prince of Players" was a showcase for Richard Burton. In 1955, when this film was released, he was young, handsome, and extremely romantic looking. Classically trained, he possessed, as he always did, a magnificent voice and a great talent. To hear his Shakespearean recitation in this film is a real treat, and there is a lot of it, including Hamlet, Richard III, and Romeo & Juliet. Sadly, Burton came from a poor Welsh family and never got over it. In pursuing movie money, he took roles in mediocre films and did very little stage work, though he shined in "Camelot" and "Equus." His last Broadway appearance, shortly before his death, was a disastrous "Private Lives" with his ex-wife Elizabeth Taylor. His fans, however, choose to remember this sweet and charming person as a glorious Prince Hal in Henry IV and as Hamlet. How wonderful that film audiences can hear his gifts forever in "Prince of Players."

Once past the dated nature of a movie like this from the days when movies had more wordy scripts, we see Richard Burton as a classical actor in his youthful prime.

There is more than one script for this relatively obscure movie. The story of the two Booth brothers, Edwin and John Wilkes, during the Civil War is interwoven frequently with full recitations of Shakespearean excerpts, centuries older. As a skilled movie actor of the mid-20th Century playing Edwin, a leading 19th Century stage actor, young Burton imbues the role with a darkness that became his hallmark in later years.

For an actor known for bringing a more natural style to the Bard's works, Burton had to feel challenged to incorporate exaggerated gestures and profound speech characteristic of an older dramatic age into Shakespeare's lines. At times a play's lines are delivered with a different meaning in the context of the movie.

Maggie McNamara's performance as Mary Devlin, the wife who tames Edwin's darker spirit, should not be overlooked. She has a delicate but assertive quality in this production very different from her role as Maria Williams in Three Coins in the Fountain from the year before.

Overall, an excellent showcase piece for Burton early in his career.

Edwin Booth was exceedingly famous, and should be the main character of this movie. John Wilkes Booth should be a supporting character, even though his dastardly deed certainly rocked the career of Edwin.

Asia Booth (sister of Edwin and John) was a character in this movie. In real life, she wrote a biography of her brother John. It is interesting to read. She does not condone John's infamous bad deed, but she explains John's history from childhood.

There was at least one more sibling in this family: Junius Booth, Jr.

John Wilkes Booth had previously been employed by Laura Keene in her acting company, she who had produced the play "Our American Cousin" the night Lincoln was shot. One year before, John Wilkes lost his job with her. He was a very handsome man, and fancied himself somewhat of a matinée idol.

Laura Keene was America's first female theatrical producer and director, and I feel that she fired John Wilkes due to his self-centered and egotistical demands. Perhaps he was no team player, and was miffed for being fired by a woman.

He had a year to hatch his conspiracy for the demise of Lincoln and other cabinet members, including time to gather his co-conspirators. Thankfully, part of the plan was botched. The other cabinet members escaped being killed. Lincoln had several tickets, including a pair for General and Mrs. U.S. Grant. The Grants declined, as did several other invitees. This is why the Lincolns were the only couple in their box.

Lincoln had just been re-elected. The war was over. The South had lost. John Wilkes Booth had a twisted idea that he must make amends for the 'bad' state of things. The rest is history.

Too bad this helped put Edwin Booth's career into eclipse for awhile. Edwin was so talented, though, that he actually managed to salvage what was left of his career and put it back on track.

The story of the Booth family of actors with the heavy drinking and mad father, Junius Brutus, played by Raymond Massey who is accompanied on his tours out west to the mining camps by son Edwin, a child actor who morphs into Richard Burton), while John Wilkes (John Derek) hones his acting skills and soaks up secessionist fervor in the South. The various stages are set for the young actors, with John Wilkes choosing to act on a bigger stage, as he says to his brother in one scene. The movie focuses on Edwin played by Richard Burton who takes over the Shakespeare roles his father leaves behind when he (the father) cannot carry on any longer. The big dramatic question is if Edwin will follow in his father's footsteps. Who rescues him from the same fate of his father but the beautiful Juliet to his Romeo played by Maggie MacNamara. It may seem a little contrived, but actually the film captures the times really well, portraying the pivotal roles of the theater, the stage, and the actors.