Sur les docks

Convincing story of docklands pilfering racket with actual pols playing themselves, narrated at start and finish. Lots of shots of New Orleans, not all of them flattering. There is a prolonged climax with fast pace, twists and violence starting when he kills the guy. The protagonist becomes an expert on police work when he takes his findings to the authorities.

...so I'm watching this B-grade waterfront drama and suddenly I see Ed Nelson in a fight scene. Ed went on to star in dozens of tv shows in the 50's and 60's. Excellent actor.

But let's not forget Arthur Franz, who was also quite good. Released the year I was born, I was too young to see 'New Orleans Uncensored' at the local theater, though I begged mommy and daddy to take me.

Did I pitch a fit...My first tantrum. Oh well, I had to settle on a Disney flick years later.

'Son of Flubber', I think.

Hey, I just had a thought. How many people who posted a review on this website fifteen or twenty years ago are still alive? Am I still alive as you read this? Who knows...

I managed to catch this on one of the TV channels that specializes in broadcasting older movies. It caught my attention because I have a long, loving relationship with New Orleans and surrounding areas, having visited first in the 1950s when this movie was filmed, and later living there from 1973 to 1986.

It is about crooks, switching crates and papers at the docks as a way to steal goods. Even back then they had an electronic device which allowed them to track the movement of a particular crate, instrumental in busting the crime ring.

It was also particular interesting that a number of prominent New Orleans locals were used in the cast. When they were in a group scene with experienced actors it was easy to pick out the non-actors. Among them were locals Al Chittenden (long time president of local union 1418), Joseph L. Scheuering (superintendent of police, charged in 1952 with malfeasance in office), Victor Schiro (who later became Mayor from 1961 to 1970), Howard L. Dey (who became Fire Superintendent), Pete Herman (who was an all-time great bantamweight world champion), Ralph Dupas (fisherman), and Judge Walter B. Hamlin (who later served as the chief justice of the Louisiana Supreme Court).

No doubt the inclusion of politicians and high law enforcement personnel gave the movie some advantage in its production. As a side note there was quite a bit of police corruption in New Orleans in that period, the 1950s.

Good movie for the location and the period, but nothing more than a B-movie.

This waterfront drams is set in the French Quarter and on the docks of New Orleans.

The film has everything for a low budget film that is worth watching.

The viewer is in the action from the opening sequence. Freight is being stolen from the docks and there several suspects. We're not kept in the dark over who dunnit. Instead, we watch as a crime network is destroyed.

An especially bright spot is the beautiful Beverly Garland who performs very well Beside her, other stars and supporting actots tell an engrossing story with the help of tight writing, editing and direction.

A downside is the camerawork. Though sufficient, there are many ill advised angles as if the photographer were stretching for an arty, noir look but failed.

Otherwise this is a fine movie. Suspenseful though we know the guilty party ... that's hard to do but NEW ORLEANS CONFIDENTIAL does it and then some in captivating style.

William Castle directed this 1955 film, New Orleans Uncensored, filmed on location. It stars Arthur Franz, Michael Ansara, and Beverly Garland.

Dan Corbett (Franz), a Navy vet, buys a dilapidated government ship and looks for a job so that he can keep up with the payments and fix it up.

What he runs into is a racketeer, Zero Saxon (Michael Ansara) who is stealing cargo and switching it with phony cargo. Many people are on the take and afraid of Saxon's ruthless killers.

Dan befriends Joe Reilly and his wife Marie, unaware that Joe is on the take. When he tries to quit, he is murdered. Dan winds up working for Saxon, but then helps the cops investigate Saxon, putting himself in danger.

This is done with some narration, very common for this type of film done in the '50s. Also several of the local politicians played themselves.

New Orleans' crooked government and police force is well known. In fact, a family friend, a civil rights attorney, had to move north to keep from being killed.

The film is well done. Both Garland and Saxon's girlfriend (Helene Stanton) had short blond hair - a mistake, as they looked too similar.

Beverly Garland, as Joe's unhappy wife, does a great job. She was one of my favorite people- I was privileged to meet and interview her. She was a delightful, upbeat woman with a wonderful sense of humor and fantastic anecdotes about her years in show business. I miss her.