A young woman must be married to claim her inheritance; her misandrist aunt uses the newly-passed 1955 divorce bill to find her a temporary husband.A young woman must be married to claim her inheritance; her misandrist aunt uses the newly-passed 1955 divorce bill to find her a temporary husband.A young woman must be married to claim her inheritance; her misandrist aunt uses the newly-passed 1955 divorce bill to find her a temporary husband.
- Director
- Writer
- Stars
Johnny Walker
- Johny
- (as Johny Walker)
Vinita Butt
- Julie
- (as Yasmin)
Tun Tun
- Lily D'Silva
- (as Uma Devi)
Rooplaxmi
- Sita Devi's Follower
- (as Roo Plaxmi)
Moni Chatterjee
- The Judge
- (as Moni Chatterji)
Bir Sakuja
- Mr. Sharma
- (as Bir Sakhuja)
C.S. Dubey
- Doctor
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The acting of Madhubala, Lalita Pawar and Johnny Walker is outstanding. The songs are nice, though not evergreen. The movie gives a big dose of comedy thanks to Walker and cute romance. Lalita Pawar really lives her character as a feminist. Considering this movie came in the 50's, the society's views at that time, I would say this was a really bold movie with a thinking of decades ahead and I'm very happy they pulled it off!
What struck me most was how much Johnny Walker was an integral part of Guru Dutt's directorial ventures, none so much than this where he has almost as equal a part as any of the lead actors and one of the finest songs ('Jaane Kahan Mera Jigar Gaya') filmed on him.
The storyline is a simple comedy though it's a bit uneven. There is even a tangent at social messaging, but that will be best served in his later films( read: Pyaasa).
Songs are quite good and especially, 'Meri Duniya Loot Rahi Thi' showcases how a song can seamlessly blend into the storyline via it's lyrics. One doesn't necessarily need hundred people dancing in choreographed sequences to make a visual impact.
Lalita Pawar is remembered specially for her villainous role in Ramayana (TV), but her acting skills are rigorously shown here ( She did tons of films and did both shades of the character. In Anari 1959, she played quite a positive role).
The storyline is a simple comedy though it's a bit uneven. There is even a tangent at social messaging, but that will be best served in his later films( read: Pyaasa).
Songs are quite good and especially, 'Meri Duniya Loot Rahi Thi' showcases how a song can seamlessly blend into the storyline via it's lyrics. One doesn't necessarily need hundred people dancing in choreographed sequences to make a visual impact.
Lalita Pawar is remembered specially for her villainous role in Ramayana (TV), but her acting skills are rigorously shown here ( She did tons of films and did both shades of the character. In Anari 1959, she played quite a positive role).
10dpunia
One of my favorite films of the black&white era. For its time it starts off in a surprisingly modernistic spirit and tone. It is peppered with lighthearted dry humor and some witty dialogs (unusual for a Hindi movie). Madubala is delightful as ever, portraying naiveté and spiritedness - at the same time. There are all-round excellent performances by all, from the main characters to the supporting actors and sidekicks. The songs are classics in their own right.
It leaves you with a wholesome feeling and you are likely to recommend it to others. A more catchy title would have perhaps made this movie better known that it is.
It leaves you with a wholesome feeling and you are likely to recommend it to others. A more catchy title would have perhaps made this movie better known that it is.
I always thought "Mr & Mrs '55" was a terrible title and surely there were better possibilities it makes it sound pretty ordinary. Whereas it was a nice little romantic musical comedy and better than most of its contemporaries with some memorable upbeat music from O.P.Nayaar.
Anita, played by the gorgeous Madhubala, is forced to marry Preetam played by dashing Guru Dutt purely on her aunts orders but falls in love with him - much to her aunts disgust and opposition. It's engrossing enough a story but the jaunty yet earnest songs sung by Rafi and Geeta Dutt are the thing, especially Thandi Hawa (my all-time favourite Madhubala moment at the lido), Johnny Walker's infuriatingly catchy Jaane Kahan Mera, and the Rafi/Dutt duet Chal Diya Banda Nawaaz - beautifully sung beautiful lyrics always make me wish it had gone on another 10 minutes. Favourite bit; the amazingly heartrending scene where Anita realises how much in love she is, just before Udhar Tum. As a counterpoint to the overall optimism of this film it's sad to remember 9 years afterwards Dutt committed suicide at 39 and in 1969 Madhubala died of heart disease at only 36.
Overall, great stuff, wish I had a cleaner copy, and don't let the title put you off.
Anita, played by the gorgeous Madhubala, is forced to marry Preetam played by dashing Guru Dutt purely on her aunts orders but falls in love with him - much to her aunts disgust and opposition. It's engrossing enough a story but the jaunty yet earnest songs sung by Rafi and Geeta Dutt are the thing, especially Thandi Hawa (my all-time favourite Madhubala moment at the lido), Johnny Walker's infuriatingly catchy Jaane Kahan Mera, and the Rafi/Dutt duet Chal Diya Banda Nawaaz - beautifully sung beautiful lyrics always make me wish it had gone on another 10 minutes. Favourite bit; the amazingly heartrending scene where Anita realises how much in love she is, just before Udhar Tum. As a counterpoint to the overall optimism of this film it's sad to remember 9 years afterwards Dutt committed suicide at 39 and in 1969 Madhubala died of heart disease at only 36.
Overall, great stuff, wish I had a cleaner copy, and don't let the title put you off.
Mr And Mrs 55 (1955) :
Brief Review -
Madhubala and Guru Dutt's exhilarant romantic comedy destroys the contract marriage concept and pseudo-feminism inspired by Western liberalism. Okay, so you can recall many films with the theme of contract marriage, where the girl is married to a man just to get the property. The girl actually falls in love with the man and is now looking to rekindle her relationship with him. However, the man doesn't want her now. That's an outdated formala now, but highly entertaining and enchanting. Imagine a film cracking this super entertaining formula in the 1950s for Bollywood. Some of those old Hollywood rom-coms or screwball comedies from 30s stand as inspirations for this Guru Dutt's romantic comedy, but it's the criticism of pseudo-feminism that makes it better. In the climax, Madhubala's character fearlessly speaks about Indian women and how she is happy with her husband and family, while criticizing the western liberalism of European countries, where girls/women can turn platonic affairs into marriage and continue doing so with several men. I just loved that part. On the other hand, Guru Dutt's character is seen taking a dig at the aunty, who hates men and is trying to bring foreign culture to Indian families. There are so many sensual and serious issues that the film deals with, but it all comes with a solid dose of comedy. Let's not forget what a fantastic comedy it is. Johnny Walker has played one of the finest characters of his career, and that iconic song, "Jaaen kaha mera jigar Gaya ji," was just WOW! So, there was Madhubala-a heavenly beauty-and yet i was attracted to Vinita Bhatt. Such a cute face and expressions she gave! Totally killer. Madhubala is evergreen, man; what else can I say about her? Timeless. Guru Dutt, who later became known for intense and dark movies, has done a terrific job as an actor and director. Such a "complete film" it is.
RATING - 7.5/10*
By - #samthebestest.
Madhubala and Guru Dutt's exhilarant romantic comedy destroys the contract marriage concept and pseudo-feminism inspired by Western liberalism. Okay, so you can recall many films with the theme of contract marriage, where the girl is married to a man just to get the property. The girl actually falls in love with the man and is now looking to rekindle her relationship with him. However, the man doesn't want her now. That's an outdated formala now, but highly entertaining and enchanting. Imagine a film cracking this super entertaining formula in the 1950s for Bollywood. Some of those old Hollywood rom-coms or screwball comedies from 30s stand as inspirations for this Guru Dutt's romantic comedy, but it's the criticism of pseudo-feminism that makes it better. In the climax, Madhubala's character fearlessly speaks about Indian women and how she is happy with her husband and family, while criticizing the western liberalism of European countries, where girls/women can turn platonic affairs into marriage and continue doing so with several men. I just loved that part. On the other hand, Guru Dutt's character is seen taking a dig at the aunty, who hates men and is trying to bring foreign culture to Indian families. There are so many sensual and serious issues that the film deals with, but it all comes with a solid dose of comedy. Let's not forget what a fantastic comedy it is. Johnny Walker has played one of the finest characters of his career, and that iconic song, "Jaaen kaha mera jigar Gaya ji," was just WOW! So, there was Madhubala-a heavenly beauty-and yet i was attracted to Vinita Bhatt. Such a cute face and expressions she gave! Totally killer. Madhubala is evergreen, man; what else can I say about her? Timeless. Guru Dutt, who later became known for intense and dark movies, has done a terrific job as an actor and director. Such a "complete film" it is.
RATING - 7.5/10*
By - #samthebestest.
Did you know
- TriviaThe only comedy film Guru Dutt made.
- ConnectionsReferenced in Sanju (2018)
- SoundtracksThandi Hawa Kaali Ghata
Sung by Geeta Dutt & chorus
Music Composed by O.P. Nayyar
Lyrics by Majrooh Sultanpuri
- How long is Mr. & Mrs. '55?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Мистер и миссис 55
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 2h 37m(157 min)
- Color
- Aspect ratio
- 1.37 : 1
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