L'aventure fantastique

This is simply a charming , funny movie . Robert Taylor is exceptionally good - as is the supporting cast in general. Well-made Western comedies seem few and far between .

The movie was not well publicized upon its release as I recall , nor was it rated as top flight . It's hardly ever seen on television.

The film can easily be described as wholesome - a rarity more today than back in the 50's . Its tone and style reflect the mood of the times.

By all means , catch it if you can .

It is a film reflecting a period, more than a genre. because it is western and comedy and love story and beautiful eulogy to the people of frontier. and occasion for Robert Taylor to be seductive at whole. its virtue - to translate, in right manner, the atmosphere of "50. and to use , in inspired manner, the humor , remembering, in other context, same spiced, the couple Hepburn - Tracy. and, maybe, it is the axis of a story with old flavour and a lot of fun, mixed with tension, in package of old fashion sweat moral lesson.

I watched this on TCM one night & my wife & I laughed so hard we almost fell off the couch!! This is one of those little movies that has something for everyone...comedy, action, a wonderful script, & characters that force you to like them. Robert Taylor was perfect as the footloose, frontier Romeo, & Eleanor Parker was never more beautiful & funny playing the love-sick woman who intends to "get her man" no matter what it takes...but make no mistake, she is no wimpy, sighing, helpless female...she really is "Steppin' Woman"!!!! The title song is so catchy that you'll have trouble not singing it for months afterward. Some of the dialogue is at one turn hilarious, then a few lines later, subtly humorous...a real scriptwriter's dream. There is nothing to offend anyone but lots of things to delight everyone. A great family film!!!!

I have been searching for the theme song of this movie "The Berry Tree" since I saw it once as a 6 year-old kid in 1955 or 56. I've hummed the melody and sung the few lyrics I remembered since then. I finally got the VHS tape last week and what a pleasure. This is a fantastic frontier comedy and it brings back fond memories of me as a young kid wearing a Davy Crockett coonskin cap and singing the song. Here are the lyrics to the song if anyone else has wondered what they were for 45 years or so, as I had. From other comments here, this song made an indelible impression on almost everyone that has heard it.

The higher up the berry tree the sweeter grows the berry

The more you hug and kiss a gal the more she wants to marry

The berry tree's a wise old tree the sweetest fruit is his'n

But marryin' up with any gal is just like goin' to prison

(Bridge)

Peaches in the summertime, apples in the fall Till I find the gal I want, a' gonna have none at all

Cause higher up.

This wonderful rollicking comedy set in the early days of the republic, roughly sometime in the Federalist era had to take its inspiration from Seven Brides for Seven Brothers from the year before. In fact two of the brothers, Jeff Richards and Russ Tamblyn are featured in Many Rivers to Cross.

The surprise to me in this film is Robert Taylor. At the time he did this film Taylor had been doing dramatic parts for many years. He did some comedy roles in his early days at MGM, but they were the modern sophisticated sort of stuff.

Robert Taylor is Bushrod Gentry, a frontier trapper who's a pretty fancy free and footloose sort of character very much like Adam Pontipee in Seven Brides for Seven Brothers. But while it was Howard Keel who was looking for a wife in that film, here it's the woman who does the chasing and it's the woman who comes from a pretty frisky frontier family herself. Eleanor Parker is Federalist era Calamity Jane who takes a real shine to Taylor.

Of course she pursues Taylor through out the film, try as he may to get back to his trapping. Their last escape from some pursuing Shawnee Indians is an absolute comic riot.

Good as Taylor and Parker are, Many Rivers to Cross almost cries for a song or two other than the theme about the Berry Tree. In a musical I could have seen Howard Keel and Doris Day doing it easily.

In any event I'm sure that when Taylor and Parker settle down and commence to having children that they were the ancestors a hundred years later of that Pontipee clan in the Pacific Northwest.