Ce n'est qu'un au revoir...

I've been humbled! I thought of myself as a movie buff. This one slipped past me. I'm a fan of Ford and everyone in this movie. I must admit I had never heard of this movie. Terrific story telling! The music brought back a lot of memories. The old saying "they don't make 'em like that anymore" certainly applies to this one. Telling a good story and characters you care about is more important than spending $100 million. Some of our current film makers could learn from this movie. You can entertain people sitting around a camp fire telling stories. Just tell a good one and make them care. I'll be adding this film to my library!

First of all, I must admit I am biased. My mom went to college with Marty Maher's niece, Maggie. However, as another reviewer pointed out, this is John Ford at his best, with Tyrone Power playing the part of John Wayne.

Although I do like Wayne, this part called for a better actor, and Ford cast Power brilliantly.

I also can usually smell bad Irish accents from miles off (don't get me started on all of those awful 'irish spring' commercials), but Power sounds like Frank McCourt was coaching him.

The main points of the story are fact based, but some of the events at the end were rearranged to flow better in the movie.

Overall, for John Ford fans, this one is a 'don't miss'!

The mix of biography, comedy and drama interested me. There are many films where comedy and drama balance well together, but when biography is included in the mix too it is dependent on who is being depicted. Have said more than once about liking John Ford a lot, especially for 'The Quiet Man' and a lot of his Westerns. Tyrone Power is not one of my favourite actors, but he did show more than once that he could give good performances and the supporting cast that includes Maureen O'Hara and Donald Crisp promises a lot.

From personal view though, 'The Long Gray Line' was another case of promising more than delivering. Not in a very bad way, as it's not bad at all and has a fair share of good things. 'The Long Gray Line' more an uneven film, with it getting better as it went on after a deceptively not so good start. Well made and acted in particular but the script and story could have done with more work and been more consistent, it's not a misfire for Ford but it's not one of his must sees. Nor is it quite one of his worst, 'Tobacco Road' for example was worse and 'The Long Gray Line' felt more like it was directed by Ford.

A lot of great things can be seen here. The best asset to me was the acting. Power is excellent, while knowing that he could do comedy and quite well (and he shows that here) he really stretches his dramatic acting chops here as well and in an authoritative and moving way. O'Hara is alluring and looks as if she was having fun in her role, being at ease with her role. Crisp is in the type of role he played well and plays the role with ease. Ford's direction is much better here than in 'Tobacco Road', it's still not inspired as such but there is more of his recognisable style here and he seemed more involved and opened up. The film looks great, especially the photography which is at its best gorgeous. The costumes are handsome enough and the settings don't look phony. The music has jauntiness and elegance.

Moreover, Ford directs with an expert hand. He doesn't seem uncomfortable with the material, nor is he uninterested in it, even if it is not some of his most inspired. The script does have intelligent moments, when the film gets going a good deal of it is quite touching and even though there is a strong sentiment it is not too over-powering. And the characters at least feel like real people.

However, 'The Long Gray Line' doesn't start off all that promisingly. There is more of a comedic tone and the comedy is not particularly funny and can feel a bit corny and try hard. Some of the dialogue early on is banal and doesn't always flow.

Story-wise, it is a case of starting off dully and in a forced way but gets better if stuck with. It would have been even better if the storytelling wasn't as conventional and took more risks.

Concluding, worth seeing but not an essential. 7/10

This movie is one of John Ford's best. I have seen this movie many times, and it only improves with age. A truly heart warming story of a man who came from Ireland and found a new home at West Point, home of our oldest Military Academy. If you like tradition and biographies, this movie is one that you can't help but to love. The only bad thing about the movie is that it is not shown enough and doesn't get the credit it deserves.

Sergeant Martin Maher is in to see President Eisenhower who he knew back in the day when Ike was a West Point Cadet. The army wants to mandatorily retire him. So as Marty pleads his case before the country's most famous West Point Graduate, we're flashed back to the day as a fresh Irish immigrant he arrives at West Point to work as a waiter in their mess.

And the rest of the film is taken up with the telling of Martin Maher's remarkable story which he wrote in a book entitled Bringing Up the Brass on which this film is based. The subject is a can't miss project for John Ford with two of his dearest loves involved, Irish and military tradition.

Tyrone Power who had played in lots of costume pictures as the dashing hero at his home studio of 20th Century Fox, got a chance to do a real character part here. His skill as a player makes us completely believe that he ages during the film from his twenties to his seventies. Of course makeup helped, but I doubt if certain actors could have brought it off.

Maureen O'Hara matches Power equally as Mary O'Donnell the fresh and fiery colleen who marries him. Her relationship with John Ford as she tells in her recent memoirs had its ups and downs, but she respected his talent and gives one of her best acted roles. And O'Hara adored Tyrone Power, she says of him he was a tease at times, loved to play practical jokes, but a fine man and a thorough professional at his job.

The supporting cast is the usual familiar faces in a John Ford production. I would have to single out Ward Bond as the head of West Point's Athletic Department who Power goes to work for as the best of the group. Also note Donald Crisp as Power's father, one of Crisp's best screen parts.

Tyrone Power was very proud of this film, it was a personal favorite and he and John Ford wanted to work together again. They did, but only with Power's voice providing the narration for an anthology film of three Irish stories in The Rising of the Moon in 1957. Tyrone Power's sudden and tragic death in 1958 put an end to what might have been a great actor/director collaboration.

At the beginning of the flashback, Power tells the actor playing Ike that it took him forty years or so to get the hang of the army. At the end he says that now everything he's ever known and loved is in that institution known as West Point. As Power says it, I defy anyone to remain dry eyed.