Le voleur du Roi

This is an old-fashioned adventure movie, but there's nothing wrong with that! Our time period is the 1660's or so, with Charles II on the English throne. That the film is in color helps a great deal, allowing us to fully enjoy the fine costumes and the beauty of the leading lady. There is some good swordplay and other good action scenes. The knowledgeable film fan will spot a number of familiar faces in the cast. This film puts many of the backlot locations of MGM to good use. They're gone now; you can appreciate them here. Recommended.

Set in Charles II kingdom , when he is restored to the British throne , after Cromwell's Republic , and stars a handsome highwayman named Michael Dermott (Edmund Purdom) who holds up a villain , short-tempered Duke (David Niven who delivers the most indelible sight , making a surprisingly effective nasty) and acquires a notebook , which , in due course , he realises is the key to latter's scheme to eliminate a series of noblemen , yet really in the service of his own will of power . But Michael is caught and imprisoned along with his colleague Jack (Roger Moore) and , subsequently , both of whom escape across a risked getaway . While Lady Mary's (Ann Blyth) father is innocently accused of treason and is executed along with other allegedly traitors . It was carried out by the king's evil chancellor , the duke of Brampton , having them murdered and then expropriating their fortune , all under the auspices of protecting the throne from seditionaries . Then , Lady Mary travels to London to meet the duke , but instead meets Michael and both of whom fall in love . At the end Dermott becomes involved in a plot to steal the Crown jewels at the Tower of London and finds a worthy fencing adversary in the treacherous Duc of Brampton at an exciting final duel .

Edmund Purdom 's spectacular and overwhelming adventure features impressive duels , elegant costuming , adequate production design , marvelous gowns , loads of action and full of Restoration Regalia . Edmund Purdom is at his most agile and deft style and performs his own stunts . Purdom was 31 when he made this movie . Previously , Edmund made his best adventures and swashbucklers and played successes as ¨The student Prince¨, ¨The Egyptian¨, ¨Athena¨, ¨The prodigal¨ . It was all downhill for Purdom after this , as he emigrated Italy where starred ¨B¨ films , Sword and Sandals , Spaghettis and minor epics as ¨Herod the Great¨, ¨Nefertiti , queen of Nile¨ , and followed successive flops as ¨Mr Scarface¨, ¨Big Boss¨, ¨Dr. Frankestein castle of freaks¨. Nice acting by David Niven as Duke of Brampton , who has found a way of getting rich by accusing his enemies of treason and sequester their property . And Ann Blyth plays the damsel in distress seeking justice for her late daddy as a colourless female lead . Support cast is pretty well , plenty of familiar faces as John Dehner , Melville Cooper , Sean McClory , Alan Mowbray , Rhys Williams , Tudor Owen , Ian Wolf and a young Roger Moore and special mention for George Sanders as Charles II and leading a pack of Spaniels . This King Charles II was also played in ¨Restoration (1992) by Sam Neill , and George Sanders also portrayed him in ¨Forever Amber¨ (1947).

Richly costumed , including luxurious gowns and in glamorous Technicolor cinematography by cameraman by Robert H. Planck . Breathtaking and luxury set design and art design by Cedric Gibbons , MGM's ordinary , though mostly interiors . Here MGM turned out in a quiet corner of the backlot . Thrilling and evocative musical score by the great maestro and prolific Miklos Rozsa . The picture is not a masterpiece , being made in modest limits , with huge confidence and fair play by Robert Z Leonard . Robert directed all kinds of genres , but especially dramas and musicals , such as : Clown , The Duchess of Idaho , Nancy goes to Rio , In the good old summertime , When ladies meet , Ziegfeld girl , Pride and prejudice , Broadway serenade , Girl of the Golden west , The firefly , The great Ziegfeld , Dancing Lady , Strange interlude , The Divorcée and a Mormon maid . Rating : 5.5/10 , passable , a pleasing time-passer . An enjoyable vision to brighten any day .

I watched The King's Thief for one reason only, and that was that I am a bit of a Roger Moore fan. Alas, Roger isn't in the film very much, though what little he does he does well enough. However, I still enjoyed it as an easy-on-the-brain swashbuckler, the type of thing that Errol Flynn might have starred in twenty years earlier.

The plot is brisk and simple. It involves a plot to overthrow the king of England, recorded in a notebook which falls into the hands of a woodland bandit. The bandit is a bad man, but when he realises what is going on, he knows that he must do something to protect the monarch. In this way, the villain actually becomes the good guy. After a lot of swordplay and treachery, the bandit and his merry men save the king and catch the deceivers.

There's not much to remember about the film once it's over. There's one particularly suspenseful escape sequence, in which two bandits get out of Newgate prison, but besides that it kind of floats out of your head as quickly as it floated in. All the same, this is fun. It is the kind of movie your kids could watch without being exposed to blood and gore, sex and swearing. Yet at the same time it deals with action, murder, treachery and brigandry. I can't honestly recommend the film as a great viewing experience (it certainly isn't some kind of forgotten classic, so don't think it is), but if you want to pass an hour and a half on a Saturday afternoon, you could do a lot worse.

Filmdoms most notorious cad, George Sanders, makes a second film appearance as King Charles II of Great Britain, the first being in Forever Amber. Charles II has come down in history as a pleasure driven hedonist, he's not called the Merry Monarch for nothing.

Hedonist he was, but that was also so much image management as well. He had a good head on his shoulders, he survived the defeat of his father and a decade of exile to return as King in 1660. The man that has come down to us in history is hardly likely to have been taken in the Duke of Brampton as played by David Niven.

But that's what this film asks us to believe. We're given no real reason why Charles has placed such confidence in the fictional Duke, but he has. So Niven's got himself a real nice racket going, he denounces folks as traitors and Charles believes him and executes them. And their property goes to him.

In fact Niven's got himself as little black book with a Restoration Dun&Bradstreet rating on all the richest and loyalest of Charles's subjects. The book unfortunately falls into the hands of highwayman Edmond Purdom. Then Purdom makes an alliance of more than one dimension with the daughter of one of the late nobility, Niven's had done in, Ann Blyth.

Niven looks very uncomfortable in the part of villain one of the few, maybe the only one he ever did. Purdom and Blyth are reunited from the film they did the year before, The Student Prince, which was far better than this. Sanders saunters his way through Charles II again. If he had been this dumb, the Popish Plot which occurred later on in his regime would have knocked him off the throne.

One of the dumber swashbuckler films I've ever seen. Only for the quality of the players which includes Roger Moore as one of Purdom's gang does it get as high a rating as it does.

Edmund Purdom plays "Michael Dermott" a petty crook and the hero in this tale of a 17th Century plot by the evil, ambitious "Duke of Brampton" (David Niven) to amass a fortune by denouncing as many wealthy nobles as he can before he can depose the weak Charles II (George Sanders) and rule Britain. Ann Blyth is the daughter of one such man who was hung for treason. She enlists the help of Purdom and they set out to foil these dastardly plans with the aid of the Duke's self-incriminating little black book. It's a fine looking film, and Niven and Sanders put some class into it. Otherwise, though, the leads are quite feeble as is the script.