Mélodie interrompue

This film will always have a great significance to me because it introduced me to the beauty of opera. Marjorie Lawrence was a major soprano with the Metropolitan Opera, and her career was cut short by polio while she was still in her vocal prime. Her story is told with great sensitivity and warmth. The operatic scenes are done to perfection, with the superb soprano Eileen Farrell doing the vocals. Eleanor Parker is seen here in what must be her greatest work as an actress. Parker was a great, if somewhat under-appreciated actress, and she was a beautiful woman. Of course, it is she who dominates the movie. Glenn Ford provides excellent support as her doctor husband who guides her back to her career. When this film was released, I was ten years old, and kept going back again and again to see it over and over. I loved the music, loved the story, and will forever be indebted to it for having introduced me to the beauty of grand opera. If I had to choose a film as the most important of my life, it would have to be this one.

'Interrupted Melody' is the film adaptation of Australian soprano Marjorie Lawrence's autobiography. It tells the fascinating tale of the young woman's thunderous ascent to stardom, her marriage to Dr Thomas King (Glenn Ford), and finally deals with her struggles with polio.

The great Eleanor Parker delivers a fantastic performance as Lawrence (with the equally fine Eileen Farrell providing the voice of the Australian prima donna). Parker's acting here is wonderfully appropriate, and captures the intense but subtly delicate style of the great operatic stars of the time. With sumptuous sets, costumes and, of course, music, 'Interrupted Melody' seems to equate to a practically perfect film. In my opinion though, the reality is not quite the case. Lawrence's story is one that is wrought with drama and this movie just doesn't do it complete justice.

Nevertheless, 'Interrupted Melody' is a film worth seeing, for all the reasons mentioned earlier. There are many memorable scenes throughout the movie; the ones that deal with her battle against illness are particularly moving. And when, finally, she triumphs after a great fight, both emotionally and physically, it is indeed very poignant.

Eleanor Parker is one of my favorite actresses from the '40s and '50s and does a marvelous job here, lip-synching to perfection various Wagnerian opera arias (as well as Puccini and Verdi). The storyline is somewhat similar to that of Jane Froman's career in that both were singers who, although paralyzed, continued with their singing careers and entertained servicemen as well. Glenn Ford lends solid support as the understanding, long-suffering husband who is always there when she needs his moral support. Roger Moore has a small role as her brother.

Everything moves smoothly under Curtis Bernhardt's direction. The opera segments are beautifully staged and filmed (in gorgeous technicolor, of course). Parker demonstrates her acting skills to the fullest and Eileen Farrell does a superb job on the vocal dubbing.

Well worth your time--inspirational and enjoyable even if you're not an opera lover. Filmed in wide screen technique, it loses something on video showings.

Like others commenting on this film, I saw "Interrupted Melody" many years ago, and it left a deep impression on me. I found when watching it again that I had retained so many of the scenes in my memory.

"Interrupted Melody" tells the story of Australian soprano Marjorie Lawrence (played by Eleanor Parker), who was stricken with polio at the height of her career. The singer then has to find the courage to reclaim her will to live, her voice, and her career.

This is one of the few films, including anything of Lanza's, where entire arias and/or operatic scenes have been performed - and correctly. Singing for Ms. Parker is dramatic soprano Eileen Farrell, whose voice also acts. In the beginning, when the young Marjorie is in a vocal competition, Farrell takes her powerful chest voice out and instead carries her middle voice down to the low notes, giving the impression of a young, untrained singer. Truly inspired.

This has to be the high point of Eleanor Parker's career. I had a chance to see her nearly 30 years ago in a preview performance of "Pal Joey" - regretfully, there were many problems and she and her costar left the show before it opened. It was a shame, because Parker's Vera was wonderful. Here, she plays the young Marjorie with energy and determination, capturing the soprano's nervousness at being away from home when she goes to school in Monte Carlo. Later, she plays the perfect diva not afraid to state what she wants. Finally, she's the crippled Marjorie with no will to live, finding solace entertaining wounded soldiers who are worse off than she is. All through the film, she looks absolutely stunning, and her lipsyncing in Italian, French, and German is perfect.

The music is glorious - "Tristan und Isolde," "La Boheme," "Samson et Delilah," "Carmen," "Il Trovatore," (the fastest I've ever heard it), "Madama Butterfly," "Don Carlos," and "Gotterdammerung" - truly a feast for the ears with Eileen Farrell's magnificent singing.

Some have questioned whether or not Lawrence actually sang both mezzo and soprano roles. Lawrence did sing "Carmen," which can be sung by a dramatic soprano. Also, Lawrence probably started out as a mezzo - it was not until she trained in Paris that her upper range was extended. She sang Wagner, Strauss, Puccini, and Verdi in the big opera houses. "Samson and Delilah" was perhaps done for the film so we could see Eleanor Parker being sexy and seductive in a gauzy costume. The thing is, Lawrence's specialty was Wagner and you can't only have heavy Wagner scenes throughout a movie. The glamorous soprano did her own dancing in "Salome," and played the immolation scene in "Götterdämmerung" by riding her horse into the flames as Wagner had intended, making her one of the few, possibly the only, soprano to do this. She also did Thais, which calls for sex and beauty - "Thais" was the inspiration for the role Susan Kane bombed in during "Citizen Kane."

Glenn Ford plays Lawrence's husband, Dr. Thomas King, and the marriage of a successful opera star and fledgling pediatrician is realistically portrayed with all its difficulties. In real life, Tom King was an osteopath and a Christian Scientist. Ford has a background role much of the time, but also some very dramatic moments and some romantic ones. His gentle, easygoing style fit the character well. A very young Roger Moore is Marjorie's manager-brother.

If you love opera, or if you love a story of courage and the power of the human spirit, this film is for you. Have a box of tissues nearby - the ending is very powerful.

I was fortunate enough to be chosen as the stunt double for Eleanor Parker in this extraordinary film. I was in awe of her performance and cannot say how much I enjoyed working with her for several of her films. I thought the script was marvelous and did win an award I believe. Eleanor Parker is the true lady she portrayed in this once in a lifetime film. I never tire of seeing it - over and over again.