Le Culte du cobra

I really like this movie, but most reviews that I see seem to trash it. It has an excellent cast of B movie stars, who are probably trying at this time to get recognition. They are Faith Domergue, Richard Long, David Janssen, Jack Kelly and Marshall Thompson. Here is a quick synopsis of the movie:

Stationed in Asia, six American G.I.'s witness the secret ritual of Lamians (worshipers of women who change into serpents). When discovered by the cult, the High Lamain Priest vows that the Cobra Goodess will avenge herself. Once back in the U.S., a mysterious woman enters into their lives and accidents begin to happen. The shadow of a cobra is seen before each death.

The beginning when the snake charmer offers to show us "She who is a snake" for 100 dollars, followed by a well done and costumed dance scene, is good. The ending is suspenseful and quite good. Unfortunately, everything in between is mush. An effective performance by Faith Domergue as a cult leader who has the instincts to be more humanistic (but doesn't quite know how) cannot overcome the blandly directed, badly lit, overly padded middle hour-plus of this movie. Unfortunately the producers are too cheap to show any cult activity or morphing scenes during the long middle, instead all is only shadow or off screen except at the beginning and the very end.

The five future TV stars who portray potential cult victims are all capable and watchable but their efforts are mostly swallowed up in the long dreary middle of the movie. Many familiar faces are also present such as first class actor Walter Coy (The Searchers '56), and also Bing Russell and Ed Platt.

I expected more from a Universal horror movie. This film suffers from lack of style, imagination or excitement but you will be pleased to see the talented and enjoyable cast.

Richard Long, David Janssen, Marshall Thompson, Jack Kelly, and William Reynolds are four G. I.s on terminal leave in India. Looking for a souvenir, they bribe their way into the ceremony of a snake cult. When they are discovered, they are cursed with death, one by one, in the form of Faith Domergue, who follows them back to the US and kills them in the form of a cobra.

This is one of those 1950s Universal horror/scifi movies that, in the hands of someone like Jack Arnold, would turn out to have something sensible and even witty to say about the way we lived in that decade. In the hands of competent but uninspired Francis D. Lyons, it turns into a decent thriller which, if it had anything to say except "Don't be boorish", I can't see it.

What's the first behavior rule when you're visiting a faraway continent – particularly Asia, Africa or South America – that culturally speaking differs a lot from your own? Duh, don't interfere with local religious movements and/or voodoo cults, because they WILL come after you and they WILL find you, even when you consider yourself to be safe back home again. "Cult of the Cobra" is a charming and fairly entertaining 50's occult thriller, but it's certainly nothing special or unique. In fact, the plot is quite derivative of the Jacques Tourneur/Val Lewton classic "Cat People" (undeniably one of the greatest horror milestones ever made), since both stories revolve gorgeous women living with the ability – or is it curse? – to transform into a deadly animal. Six American members of the same Air Force unit spend a few touristy days in an Asian country (my best guess would be either India or Malaysia) and bluntly pay a snake charmer big money to secretly attend a gathering of the infamous Lamian cult, of which the members supposedly change themselves in snakes and back. Naturally they get caught, when the dumbest boy of them all takes a photograph, and only narrowly escape. Unaware they've been placed under a curse, the six friends start being killed off one by one when back in the United State. Moreover, the mysterious accidents began simultaneously with Tom acquaintance with an introvert exotic beauty living across the hall. "Cult of the Cobra" benefits the most from Faith Domergue's performance as the oddly seductive Lisa (she's a lot better here than she was in "This Island Earth" or "It Came from beneath the Sea") and a couple of imaginative camera gimmicks, like for example snake POV shots and nice use of shadow effects. Unfortunately, there are also several overlong and tedious scenes and not a single one of the male protagonists deserves any of your sympathy. Especially Tom is a pretty loathsome guy, since his behavior is obtrusive and aggressive towards women and jealous towards his own friends.

I came across this movie by accident as part of a collection. Not reading any reviews ahead of time I was surprised to see so many well-known actors; then I realized this is 1955 and a lot of them were just starting.

American G. I.s who trespass on a cult called Lamia.

Lamia - a mythical monster, with the body of a woman or with the head and breasts of a woman and the body of a snake, said to prey on human beings and suck the blood of children.

You know what happens next as they get cursed, and someone must pay.

Great formula and suspense; we get to see the shadow of metamorphosis and sometimes even root for the misunderstood dispatcher.

Trailer - "From halfway around the world she had come to make friends with five unsuspecting young men. And when she walked in the night, death followed swift and violent."