An American-led team of International astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.An American-led team of International astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.An American-led team of International astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.
- Crewman
- (uncredited)
- Japanese Replacement
- (uncredited)
- Musical Number
- (archive footage)
- (uncredited)
- Replacement Soldier
- (uncredited)
- Assistant Station Announcer
- (uncredited)
Featured reviews
Unfortunately, the movie suffers mightily from the embarrassing performances of some of its stars. The script contains several ethnic stereo-types which are just short of tasteless ethnic jokes. Perhaps the film's worst flaw is its choice of `villains' -- a mission commander who goes crazy from reading the Bible too much. The message isn't really anti-religious, but it can easily be misinterpreted as such.
However, if you're able to get around this particular flaw, `The Conquest of Space' is a wonderful science fiction adventure. Impressive sets and props by art directors Hal Pereira and Joseph MacMillan Johnson. Excellent music by Van Cleave (`The Space Children', `The Colossus of New York'). The story is based on a book by Willy Ley and Chesley Bonestell (who also provided the great space art which the matte shots are based on).
When you watch this film, remember that the plans for the first satellite -- much less the first Mars mission -- were years away. All in all, they did pretty good. And my class of fourth grade students agree.
Also, the performance of the highly under appreciated character actor, Walter Brooke, is a winner. Brooke is believable as the General in charge of the Mars mission, whose mental fabric is rapidly deteriorating under the pressure of evolving religious misgivings about the divine role of humans in space. This challenge to religion, within the framework of a science fiction film, was quite daring for the time.
Although not one of Director George Pal's best, the film, nevertheless, affords an informative and highly entertaining look at how the "future used to be", as viewed by the 50's generation. And incredibly, among all of the things they got wrong, how very much they got right.
All that aside, this was Hollywood's first serious attempt to reach Mars, and considering that Viking hadn't been there yet, it's not too bad. Shame about the blue skies...
Most interesting for me was that the futuristic "minimalist" fittings and fixtures on the space wheel look like nothing other than the style of the sets for the really up-to-date Star Trek: Enterprise.
Yes, just like the present, it's going to be a retro future, folks!
Did you know
- TriviaThe spaceship model was later used as a background set decoration in Star Trek II : La Colère de Khan (1982).
- GoofsIn most shots of the "Wheel", it is shown turning counter-clockwise. But in the scenes of Cooper being transported to it after becoming paralyzed aboard the rocket, the Wheel is suddenly turning clockwise - until the final shot of the rescue craft heading toward it, where once again it is moving counter-clockwise.
- Quotes
Sergeant Imoto: Some years ago, my country chose to fight a terrible war. It was bad, I do not defend it, but there were reasons. Somehow those reasons are never spoken of. To the Western world at that time, Japan was a fairybook nation: little people living in a strange land of rice-paper houses... people who had almost no furniture, who sat on the floor and ate with chopsticks. The quaint houses of rice paper, sir: they were made of paper because there was no other material available. And the winters in Japan are as cold as they are in Boston. And the chopsticks: there was no metal for forks and knives and spoons, but slivers of wood could suffice. So it was with the little people of Japan, little as I am now, because for countless generations we have not been able to produce the food to make us bigger. Japan's yesterday will be the world's tomorrow: too many people and too little land. That is why I say, sir, there is urgent reason for us to reach Mars: to provide the resources the human race will need if they are to survive. That is also why I am most grateful to be found acceptable, sir. I volunteer.
General Samuel T. Merritt: Thank you, Sergeant Imoto. You're not a little man.
- ConnectionsEdited into Destination Space (1959)
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Details
- Runtime
- 1h 21m(81 min)