Les indomptables de Colditz

Shot in stunning B&W Colditz is exactly what you'd want from a 1950s British war film - horrible conditions, very stiff upper lips, and lots of self-deprecation and self-deprecating humour.

THe surprise is how well it is directed and the acting - all of which are classic for its genre. Now overshadowed by bigger productions like the fictional Guns Of Navarone, Colditz is actually probably one of the truest to its source material, and is a rewarding view.

For this viewer it is notable because it is at times an uncomfortable watch - it really did try to understand what being in Colditz meant - and yet it is exciting, human, and full of wonderful moments.

Highly recommended.

THE COLDITZ STORY takes artistic license with facts and the sequence of events, as noted in the foreword, but manages to hold interest when it concentrates on the fortunes of its chief escape officer, JOHN MILLS, and his various experiences with the prisoners and their national rivalries with each other.

Aside from some stereotyped Nazi humor at the expense of stupid guards and the usual assortment of prisoners, the story maintains humor and suspense in equal measure as the men try to tunnel their way to freedom while under the scrutiny of their German captors. Characters are not deeply explored, but ERIC PORTMAN does a standout job as Colonel Richmond and JOHN MILLS is excellent as the real-life escape prisoner Pat Reid.

BRYAN FORBES, IAN CARMICHAEL and LIONEL JEFFRIES are fine in support. Unfortunately, ANTON DIFFRING has little to do as officer Fischer nor does THEODORE BIKEL as one of the POWs.

As escape films go, this POW film is taut with suspense toward the last escape try but a bit flabby in the telling for the most part. Other such films have managed to cover the same territory with more excitement and suspense.

You might call it a low-key story based on true incidents given a rather routine treatment despite some fine performances.

The Colditz Story was one of a number of movies the British made during the Fifties which relived the victories and bravery of their armed services during WWII. Often these movies starred John Mills. The Colditz Story is based on fact. Colditz Castle in Germany was used to imprison the most incorrigible prisoners-of-war, those who persistently made escape attempts. British, French, Polish and Dutch officers were sent there. Unfortunately for the Germans, they wound up trying to keep inside men dedicated to escaping, and who had skills they now could share. The result was that more prisoners of war escaped from Colditz than from any other prisoner of war camp in either the First or Second World Wars.

The movie is based on the memoirs of Pat Reid (John Mills), who served as an escape officer at Colditz and then was one of the first to break out and make it back to England. While the movie is a bit dated, it also is a dramatic and efficient telling of escape attempts, ruses played against the German captors and, of course, of the unfailing courage and good spirits of the British officers. Take the film for what it is, a demonstration for British audiences of the pluck and courage of their military during a horrendously threatening war which they won, and you won't be disappointed.

If you're fond of old British movies, you'll recognize, among others, Eric Portman, Lionel Jeffries, Bryan Forbes and Ian Carmichael.

This was bundled with 'Ice Cold in Alex', 'The Dam Busters' and one other British war movie. Of the four, I found this the least satisfying, probably due to the brilliance of the other three. There's a TV mini series on Colditz which is far more enjoyable, probably due to its attention to detail. The movie lacks those details, of course, as it's relatively short. Nevertheless, it's still good but John Mills rather underplays his character, unlike his outstanding performance in, for example, 'Ice Cold in Alex'.

It's all a little unreal, really, considering Colditz was reserved for the most troublesome of allied prisoners. You just won't believe that some of the characters shown created trouble for their captors in this version.

However, as mentioned, it's still good to watch and better than the majority of movies with a similar theme churned out after 1960.

I hate to rain on the parade of the people here who think this film is so great, but I had to force myself to watch it until the end. It obviously comes from a time in British history when the attitude was "Good show, British boys. You stuck it out in the German POW camps and kept the Jerries busy with your escape attempts, and we're proud of you chaps." That kind of gung-ho, congratulatory feeling is everywhere in the movie. Unfortunately, it turns the story into something bordering on the farcical. The Germans are portrayed as hapless dupes, toothless blusterers, not quite comical but easily fooled and quite incapable of backing up their threats. They may begin by saying that any attempt at escape will be met with death, but none of that seems to ever happen, and when an escape attempt is broken up or an escapee is returned, nobody seems the worse for wear. When two German shepherd dogs jump on an escapee emerging from a tunnel, they don't bite. It's all a game for the prisoners, without any real danger, pretty much on the level of schoolboy pranks. Life in Colditz is cheery, without any privations that we can see. It looks like a better place to be than in training camp back in Britain, where discipline was tough and your day was gruelling.

The prisoners seem to have a very free hand in the castle, moving about almost at will. How did they manage to cut through all those steel bars that they removed so easily from a window? How did they put together several dozen German uniforms, good enough to fool the sentries the escapees walked past? How did they speak such accent-free German that no one noticed? The film claims that everything portrayed is factual, but that claim is difficult to believe.

There is no narrative. The story, such as it is, consists of one escape attempt after another, none of them particularly inventive. Nothing joins them together into a cohesive plot.

I suppose we're expected to forgive crass nationalism in war movies. The Americans always save the day in American films, the British show superior character in British films. For me, this kind of thing spoils a movie. The Colditz story has it in spades. Brits always respond to Germans with a cheekiness that I think in real life would have earned them a rifle butt to the head. And they make arrogant, contemptuous comments about other prisoners, French, Polish, or Belgian. That dissolved most of the sympathy I might have felt for them. Yet, when the credits roll at the end, we see that these others were in fact more successful than the British in their escapes.

I didn't like this movie at all.