Capitaine Mystère

While Douglas Sirk won't be everybody's cup of tea, which was as true then as to now, he was an interesting director. Perhaps best known for the last of his three primary periods which consisted namely of melodramas, that were always very well made and mostly well acted too but were either intense and moving or pure soap and unintentional camp. Another main reason for seeing 'Captain Lightfoot' was for one of his main lead actors Rock Hudson, who gave some of his best work under Sirk (with him being one of not many directors to fully understand Hudson's strengths).

'Captain Lightfoot', made when Sirk was nearing the end of his middle period, is not among the best films of either of them or one of the best of its genre. Sirk did better with especially 'Imitation of Life' and 'All That Heaven Allows'. As far as his filmography goes 'Captain Lightfoot' is around middle of the pack level. Hudson though comes off better and one can see why he was a popular leading man at the time and in Sirk's, who again really knew what to do with him and what he particularly excelled in, films.

Hudson is an immensely likeable lead, with such an endearing good nature and the charm and charisma factors are there. Barbara Rush is alluring and not too sugary, her chemistry with Hudson is sensitively charming and even if it is very cliched it didn't feel too rushed. Jeff Morrow is even better than the two of them, his performance brimming with authority. The supporting cast are not exceptional but are sturdy enough. Sirk's direction has skill and has some energy.

The film looks great, being very lavishly produced and the photography is very sumptuous. The music has the right amount of heroism, sensitivity and edge. Enough of the writing amuses and charms and the story likewise in parts.

At other points though, the story seemed a little uneventful and could have done with more oomph pace-wise. With the pacing sometimes being rather dull and not containing enough excitement. The script would have been better than it turned out if time constraints were kinder to it, there was a rushedly-written feel to it and with not enough time to give any depth to the characters or what goes on. Which all felt underdeveloped, with some vague politics, and some real credulity straining.

Sirk's direction has moments but he didn't seem in full command of the story, some of it came over as routine.

Overall, worth the look but not great. 6/10

A colorful, light adventure that plays like a classic swashbuckler, the Ross Hunter production "Captain Lightfoot," is entertaining Hollywood hokum from a screenplay by W.R. Burnett and Oscar Brodney, which was loosely based on Irish history. The casting of Rock Hudson as Mike Martin, aka Captain Lightfood, undercuts any pretense to historical accuracy, despite a supporting cast of Irish players. Although hired more for his looks and marquee value, than his aptness for the role, Hudson nevertheless is amiable, and he attempts a slight brogue that gets slighter as the film progresses. While his good-natured performance is an asset to the movie, Hudson lacks the confidence and bravado that a Burt Lancaster would have brought to the part.

Martin was a bold highwayman in early 19th century Ireland, who worked for a revolutionary society in support of Irish independence. An Irish Robin Hood, Martin stole from the English oppressors to aid the cause and to feed the poor. An Irish rebel patriot, Captain John Doherty, hears of Martin's exploits and enlists him to be his second in command; brought to Dublin by Doherty, Martin is dubbed Captain Lightfoot by Doherty's saucy headstrong daughter, Aga, after a fumbled dance with him. Known as Captain Thunderbolt, Doherty runs a gambling establishment that fleeces the English to fund the independence struggle. Like a boys' adventure movie, "Captain Lightfoot" is often exciting fun. During duels and escapes, fights and chases, robberies and romance, director Douglas Sirk maintains a steady pace.

Barbara Rush provides the requisite love interest as Aga, although the predictable romance between her and Hudson is of the clichéd "hate at first sight" variety, and viewers know the outcome from the first scene. Jeff Morrow, who plays Aga's father, Doherty, arguably gives the film's best performance; he is strong, authoritative, and convincing as a rebel leader. "Captain Lightfoot's" technical credits are also good. Shot on location in Ireland, the scenery is lush and beautiful, and the music, supervised by Joseph Gershenson, is rousing. While undemanding fun, the movie does not rise to memorable, despite the presence of a young Rock Hudson at the cusp of stardom. For Hudson fans, the film is essential viewing, for others, light escapist fun.

Universal in the early Fifties was a decidedly second rate studio in desperate need of a star of their own. Director Douglas Sirk spotted Rock Hudson in a bit role and sensed star potential. Sirk almost single handedly coached and groomed Hudson towards stardom, which was achieved with the wildly successful "Magnificent Obsession" (1954). They would make eight movies together, "Captain Lightfoot" being the fourth, and the first in which Hudson would appear as an established star.

Hudson's newfound stardom is palpable throughout the movie. He exudes a boyish confidence as yet unseen in his work making this the joyful romp that Sirk intended. He is matched by a feisty Barbara Rush who played opposite him in the inferior "Taza, Son of Cochise" and supported by an cast of Irish players vastly superior to the bit players Universal would have supplied had the movie not been shot in Ireland.

Sirk's Hollywood career can be divided into three phases. First, the early years in a new country, finding his feet with some solid, if unexciting movies. The middle period was characterized by light weight comedies and trying his hand at different genres such as the western, the costume and historical dramas. Finally, would be his golden period of the melodramas for which he became famous. "Captain Lightfoot" signals the end of the middle period.

While extremely enjoyable, it lacks sufficient substance to make it memorable. Sirk fans would naturally not want to miss this, but Rock Hudson fans in particular should seek this out. He seldom seemed to be truly having such a good time as here when flexing his new grown wings of stardom.

Set in Ireland in 1815, this magnificent Technicolor production is full of romance, intrigue, action and adventure. The three principals in the cast, Rock Hudson, Barbara Rush and Jeff Morrow, all shine in this studio vehicle for young star Rock Hudson, who is terrific in the title role, with style, sex appeal, and a good Irish accent (Hudson was full-blood Irish, his real name was Roy Fitzgerald). Jeff Morrow, also an Irishman in real life, was especially good in one of his greatest roles as Captain Thunderbolt, leader of the Irish resistance against the British dragoons, sent to occupy Ireland by the British crown; Morrow had to take lessons to learn how to swordfight from Basil Rathbone. Filmed almost entirely on location in Ireland, this was one of the first Universal pictures to be filmed away from Hollywood. A fine, rousing adventure and a warm, sensitive romance. One of the best films made by the producer-director team of Ross Hunter and Douglas Sirk. Sadly, many Universal pictures of the 1950s and 1960s are still unavailable on home video. Universal should be ashamed of themselves for not releasing this great film on video, and a wide-screen letterbox version on DVD as well. Ay, tis the luck o' the Irish.

This is a 1955 Douglas Sirk film for Universal about Irish adventures , concerning a romanticized version of a pair of intrepid adventurers , starring Rock Hudson in the title role of Captain Lightfoot , and it is full of adventure, romance , intrigue , ballroom dance , action , pistol duel and Ireland rebellion . Set in Ireland in 1815 , spanking Michael Martin (Rock Hudson , he was full-blood Irish, his real name was Roy FitzGerald) , member of an Irish revolutionary society , turns highwayman to support it , and is forced to flee into outlawry and to seek shelter in Dublin , capital of Ireland . In Dublín , he meets known rebel "Captain Thunderbolt¨ (Jeff Morrow, also an Irishman in real life) posing as an aristocrat , he is really leader of the Irish resistance against the English dragoons sent to occupy Ireland by the British Crown , then Michael becomes his second-in-command , "Lightfoot¨. As a couple of Irish rebels undertake swashbuckling adventures , abducting , rescues , attacks against fortress and many other things . The flick describes their dangerous life , with captures , betrayals , perilous feats , and romance . There takes place an unforgettably beautiful love story between Michael and Thunderbolt's daughter (Barbara Rush) . Meanwhile , Thunderbolt is gunshot wound , he hides but is discovered , being betrayed by a traitor (Dennis O'Dea) , caught eavesdropping and imprisoned . Lightfoot attempts to free him from prison , disguising as a priest . The real "Thunderbolt and Lightfoot" story goes back to 1818 , about two notorious highwaymen , their bold and daring robberies, and hair-bredth escapes . Together with the life and recent death, in Vermont, of a man reputed to be Thunderbolt was arrested in Springfield , Massachusetts, was tried, convicted, and hanged about 1821 . It was Martin who, just before his execution , gave the full description of his former partner, Captain Thunderbolt, who by then was a simple, kindly , somewhat overdressed country doctor quietly practicing his medicine in Dummerston and falling down on his face at the Saturday night dances .

A fine , impressive adventure and a warm , sensitive romance , including turncoats , riots , dance balls and many others things . Dealing with love , battles , death and societal constraints . The film often depends on melodrama and relies heavily on the silly love story between Hudson and Rush . The flick is made in Sirk style , including his ordinary trademarks and financed by his customary producer , Ross Hunter , and Universal International with whom he made nine films , many of which involved the collaboration of Rock Hudson, cinematographer Russell Metty or Irving Glassberg , and art director Alexander Golitzen . Weak screenplay based on novel , ¨Captain Lightfoot¨ , written by prestigious W.R. Burnett . The three principals in the cast , Rock Hudson as character name in title , Barbara Rush and Jeff Morrow , all shine in this studio vehicle for young star Rock Hudson, who is terrific in the title role , with style , sex appeal , and a good Irish accent . Jeff Morrow was especially good in one of his greatest roles as Captain Thunderbolt , Morrow had to take lessons to learn how to sword-fight from Basil Rathbone . Support cast is pretty well such as Kathleen Ryan , Finlay Currie and Denis O'Dea . To be said that inspired Michael Cimino to write the film "Thunderbolt and Lightfoot" with Clint Eastwood and Jeff Bridges . Interestingly, this film was shot at the time Eastwood was an apprentice for Universal . We don't know whether Cimino's original inspiration came from the film or one of the books, or even from popular tales he might have heard somewhere around .

Rousing and thrilling musical score by Heinz Roemheld and Herman Stein , though uncredited . Colorful and brilliant cinematography in magnificent Technicolor by Irving Glassberg . Filmed almost entirely on location in Ireland, this was one of the first Universal pictures to be filmed away from Hollywood . Being shot on location in Clogherhead, County Louth, Ireland and Powerscourt Estate , Enniskerry, County Wicklow, Ireland . The motion picture was professionally directed by Douglas Sirk . His first directorial stint in America was Hitler's Madman (1943) , but it is for his work at Universal International in the 1950s for which he is primarily known . Sirk got a great success , particularly the high-suds soap operas he lensed for producer Ross Hunter in the 1950s : Magnificent obsession (1954) , All That Heaven Allows (1955) and his last American film , Imitation of life (1959) . Sirk's favorite American film was the Western , Taza , son of Cochise (1954) , which was shot in 3-D , also starred by Rock Hudson and Barbara Rush . The true genesis of the Sirk cult was the realization of notorious flicks full of twisted melodrama and passion , such as : Written on the wind , Battle hymn , The Tarnished Angels , Interlude , All I desire , There's Always Tomorrow and A Time to Love and a Time to Die ; the latter is one of the best films made by the producer-director team of Ross Hunter and Douglas Sirk . Society is an omnipresent character in Sirk's films , as important as the characters played by his actors, such as Jane Wyman , Barbara Rush and Rock Hudson.