L'allée sanglante

"i think they just want to evilize the Chinese communist government (they may be or not be, now their people are manufacturing for the world)"

This, posted above, reflects the attitude of several commenters whose left-wing sphincters reflexively contracted the second they read the name "John Wayne".

"Blood Alley" isn't great, and it isn't one of Wayne's best movies, but it's well-made and entertaining enough to be worthy of at least one viewing.

As for "evilizing" the Chinese government, Mao Zedong and his regime did a fine job of doing that themselves when their actions resulted in the deaths of tens of millions of their own people, not to mention brutal imprisonment of non-criminals, slavery, stupid agricultural policies that resulted in mass starvation, etc., etc. It's no wonder the people in the film's village wanted to escape. But damn John Wayne and his conservative cronies for making it the background of an escapist adventure movie. Because after all, the death and oppression of countless innocent people that is the legacy of the communists in China is okay, because "now their people are manufacturing for the world", and who is the Duke to say otherwise?

When I watch Blood Alley it does make me wonder that if all these people are so dead set on leaving Communist China than who was it that supported Chairman Mao. My answer is a lot of people who wished they hadn't.

When Blood Alley came out in 1955 the Chinese Communist takeover was in 1949 and we in this country, rightly or wrongly, were not recognizing them. Maybe the policy was bad, didn't mean the Chinese Communists were any good.

Anyway the film is about a sea captain who gets freed from jail in the People's Republic by a village who have hit upon a plan to take themselves to Hong Kong and freedom bag and baggage. The idea is to steal an old river steamboat and have Captain John Wayne pilot the craft down the Formosa straits, or Blood Alley as its called. Lauren Bacall who is the daughter of a medical missionary is along for the ride.

Too bad that the Duke and Betty could not get a better film though they sure did do a winner later on in The Shootist. Nevertheless in her memoirs she spoke with great affection for Wayne and how much she enjoyed working with him.

One other interesting thing has always struck me. John Wayne did three films with William Wellman and this was the least of them. The other two, The High and the Mighty and Island in the Sky are classics containing two of the Duke's best performances. But for whatever reason the Wayne family estate withheld them until last year it rendered discussion about Wayne's acting abilities totally off base. This one which is just a routine action adventure film despite the right wing political message.

In addition Wayne is miscast, but in fairness he was pinch hitting for the originally cast Robert Mitchum. Back in those days Wayne and his Batjac production company did produce films with other people in them. One they did produce was Track of the Cat that starred Mitchum and was directed by Bill Wellman. Wellman also directed Mitchum in his breakthrough role in The Story of GI Joe. But Wellman and Mitchum came to a parting of the ways just before the film was to start shooting and Mitchum got canned.

That left producer Wayne in a bind and after reportedly offering the role to Humphrey Bogart and Gregory Peck, he did it himself with no changes in the script to accommodate his less cynical screen persona.

In fact according to Lee Server's biography of Mitchum, Wayne was to go on his honeymoon with wife number 3, Pilar. It was postponed and Pilar Wayne would not allow the Mitchums in the Wayne home for the time she was married to the Duke, though Mitchum and Wayne were friends. They could be friends, but Mitchum was forbidden to enter her home.

Such occidentals as Paul Fix and Mike Mazurki were cast as Chinese in this film as was Berry Kroeger. It could never happen that way again, though Mazurki in fact did have some Oriental blood in his background.

As for Communist China or Red China if you prefer, you never hear it referred to in that way any more. That's because the second Mao Tse tung couldn't fog a mirror the Chinese set about becoming good capitalist oligarchs. They pay lip service to the 1949 revolution, but that's about all.

Good for them.

William Wellman solidly directed and William Clothier beautifully photographed this preposterous Cold War saga of Chinese villagers that steal an old stern-wheeler ferry to escape from Red China. The entire village uproots and sails the ancient dilapidated vessel through the treacherous Formosa Straits, which are known as Blood Alley, towards Hong Kong and freedom. Of course, with a stalwart John Wayne at the helm, the boat is in good hands, at least when the Duke is not distracted by Lauren Bacall. Bacall, who seems to have wandered in from another film, has confused living in a small Chinese fishing village with taking a suite at the Hong Kong Hilton. Her stylish clothes are always immaculate and fresh; her make-up is perfectly applied; and her coiffures must have taken hours to complete. The brass bed in her room always has clean, pressed sheets, and an invisible army of elves evidently sweeps and dusts her home every night.

But, aside from the incongruities and the racial stereotyping that was rampant when the film was produced, "Blood Alley" is an incredibly entertaining film that holds up to repeated viewings. Once the action leaves land, the escape at sea is exciting and often tense. Gunboats, storms, and treachery abound, although the Duke never loses his good-natured cool. Neither does Bacall, who remains confused about her surroundings and is dressed and manicured for a cruise aboard the Queen Mary. However, the film is great fun, if not as campy as it could have been. Mike Mazurki lends good support as a loyal Chinese villager, although he looks less Asian than John Wayne did in "The Conqueror."

The stunningly composed landscapes that are bathed in ravishing colors and splashed across the Cinemascope screen are worth a viewing in themselves. The beauty of the countryside should have kept Wayne's attention focused, because Bacall is too cold and hard as a love interest, even for a man who ostensibly spent years in a Chinese prison. Maureen O'Hara always played well with Wayne, and perhaps she would have injected some blood and life into the role. Nevertheless, "Blood Alley" remains a guilty pleasure and loads of fun for those who love watching John Wayne play John Wayne and do not demand an entirely credible storyline.

Exciting flick on the danger waters of the Orient with Wayne as a seasoned merchant Marine Captain undertaking several adventures and risks in Communist China . It deals with a merchant marine captain, named Tom Wilder (mid-career John Wayne, though Robert Mitchum was originally cast but he was fired from the film after an altercation) rescued from the Chinese Communists by local villagers , as he is assigned by Mr Tso (Paul Fix) to carry out a risked mission to transport the whole village to Hong Kong on an ancient paddle steamer . As he must smuggle throughout enemy territory plenty of nasty communist soldiers and cruisers . Along the way Wilder is helped by the sympathetic Big Han (Mike Mazurki , usual partner in John Wayne-John Ford films) and accompanied by a beautiful as well intelligent woman called Cathy Grainger (Lauren Bacall , she later starred with him again in his last movie 'The Shootist' ,1976,).

This enjoyable picture packs thrills , drama , action , sea battles , and results to be pretty entertaining . John Wayne's good vehicle , though Gregory Peck and Humphrey Bogart turned down the role and to keep his new production company Batjac afloat, Wayne agreed to play Capt. Wilder. Enjoyable acting by Lauren Bacall , there was some surprise when Lauren Bacall agreed to make the movie since she was a left-wing Democrat and the film was right-wing Cold War propaganda ; while John Wayne took the role after Mitchum was fired she expected to clash with him since she was a left-wing Liberal and he was a right-wing Conservative . Having Wayne already disposed of all unfriendly Japanese in the WW2 such as ¨Sands of Iwo Jima¨, ¨Operation Pacific¨ and ¨Flying Leathernecks¨ , this one marked the start of new assignment against any Oriental with Communist leanings such as subsequently did in ¨Green Berets¨ . Agreeable support cast such as Paul Fix playing as Mr. Tso , Mike Mazurki as Big Han and brief appearance by Anita Ekberg as Wei Ling and James Hong as a communist soldier . Colorful and evocative cinematography by William H. Clothier , John Wayne films' usual cameraman . Emotive as well as thrilling musical score by Roy Webb .

The motion picture was professionally directed by William A Wellman . Wellman was an expert in all kind of genres as Gangster, drama , Film Noir , Western and adept at comedy as he was at macho material , helming the original ¨ A star is born ¨(1937) (for which he won his only Oscar, for best original story) and the biting satire ¨Nothing sacred¨ (1937) , both of which starred Fredric March for producer David O. Selznick . Both movies were dissections of the fame game, as was his satire ¨Roxie Hart¨ (1942), which reportedly was one of Stanley Kubrick's favorite films. During World War Two Wellman continued to make outstanding films, including ¨Ox-Bow incident¨ (1943) and ¨Story of G.I.Joe¨(1945), and after the war he turned out another war classic, ¨Battleground¨ (1949). In the 1950s Wellman's best later films starred John Wayne, including the influential aviation picture ¨The hight and the mighty¨ (1954), for which he achieved his third and last best director Oscar nomination. His final film hearkened back to his World War One service, ¨The Lafayette squadron¨ (1958), which featured the unit in which Wellman had flown . He retired as a director after making the film, reportedly enraged at Warner Bros.' post-production tampering with a movie that meant so much to him .

I was sparked to comment after reading another user comment here that contended Blood Alley is one of John Wayne's worst films. It may not be at the top of the heap, but it's far from the bottom. It well accomplishes what it sets out to do--entertain: fun, engrossing, action-packed and--on the wide-screen edition DVD I have--beautiful to behold.

The reviewer especially criticized Wayne's frequent side comments to "Baby" and the film's having non-Orientals playing the Chinese. I didn't find either factor a deterrent to my enjoyment. First, I took Baby to be Wayne's guardian angel more than an imaginary girlfriend. And I think his occasional comment to her was fitting. Yeah, the Captain Wilder got a little dotty after spending all those years alone in that cell. His hangup about "tennis shoes" was another example of his having gone a bit stir crazy.

Having non-Orientals play Chinese or Japanese was not uncommon in the Hollywood of yesteryear. Remember Charlie Chan and Mr. Moto? And closer to our time David Carradine in Kung Fu. I never understood why this is a stumbling-block for some people. And in Blood Alley the American actors playing Chinese did a great job.

Paul Fix first and foremost gets a nod. He made Mr. Tso a distinct character through mannerisms and distinctive sage-like speech. I especially liked the scene where Captain Wilder told him to toss that ornate sculpture in the furnace to fuel the ship, "That'll burn" Duke says, but Fix calmly notes how a craftsman put 10 years of his life into creating it. Here was a man who respected and had appreciation for the intangible things, like beauty and like freedom, which is what Mr. Tso was risking his life to help his townspeople regain.

Mike Mazurki also gets kudos for putting in a great performance as Big Hans. No, he didn't really look Oriental, but he brought weight to his part, especially in his first scene. You could tell that he was a guy you could count on. And for film buffs familiar with Mazurki, wasn't it nice to see him playing a good guy for a change?

Finally, the reviewer said Lauren Bacall was wooden. Well, was she ever among Hollywood's most dynamic actresses? I thought she did a good job with what she had to work with. She did seem tacked onto the film and her story was secondary to the main plot. I never did get a firm grasp on the subplot involving her father or why she ran off in the ship graveyard. However, she did sizzle in the scenes in the pilot house, especially when coming between Wilder and the ship's wheel. Yes, this film was not her finest hour, but Bacall certainly redeemed herself in The Shootist and proved she did indeed have an on-screen chemistry with Wayne.

Admittedly Blood Alley does not have a place in the crowded pantheon of GREAT John Wayne films, but it is certainly not among his worst! And as a huge fan of the Duke I can't even suggest a film for that dishonor. For me, any film featuring John Wayne is going to be better than most anything else on at the same time.