Benny Goodman

Benny Goodman was known as the King of Swing, and his songs "Sing, Sing, Sing," "One O'clock Jump," "Stompin' at the Savoy," "Moonglow," "Goody Goody," and my favorite "And the Angels Sing" (performed in this film by Martha Tilton) helped define an era. He was still going strong when this movie was made and continued to play his clarinet until his death in 1986 at the age of 77. Portrayed as an adult by television pioneer Steve Allen, Goodman's band musicians perform in this film: Gene Krupa, Teddy Wilson, Ben Pollack, Edward "Kid" Ory, and Lionel Hampton. The film makes clear that Goodman was instrumental in breaking the racial barrier in American music. Gorgeous Donna Reed costars (and blessedly doesn't sing), and Sammy Davis Sr. plays Fletcher Henderson. And you'll love the scene where Goodman shows the music snobs that he can play Mozart's "Clarinet Concerto" with the best of them. ---from Musicals on the Silver Screen, American Library Association, 2013

Jazz enthusiasts in particular, and pop 40s devotees in general will enjoy the fine jazz renditions in "The Benny Goodman Story." Some very fine clarinet playing is heard on the soundtrack by Goodman himself, and there are many wonderful jazz musicians heard and seen as guests in the film. While Benny's story may well have been "reinvented" a bit for story's sake, the over all feel to the film is a typical rise from humble beginnings to the heights of stardom scenario. Those who'll enjoy the musical performances without being too critical on factual matters will undoubtedly find this a pleasant film. Goodman's famed Carnegie Hall concert is recreated as the movie's climax--and what a concert that was!

Growing up in the 40's in Brooklyn, I heard the music of BG, Miller, Dorsey, Shaw, etc. on the family radio(Martin Block's "Make Believe Ballroom"). I became a big fan of Benny's in 1950, with the release of the Columbia LP of the Carnegie Hall concert and the 1937-1938 radio broadcast albums.The music on these live performance albums was outstanding and spontaneous as opposed to the sterile studio recordings locked into a 3 minute format for 78 rpm records. These albums resulted in a resurgence of Benny's popularity and, ultimately lead to the movie.

Steve Allen, while not a great choice, was probably the best at that time, since he was a popular TV personality and was a music lover and musician in his own right. As for Donna Reed, well what can anyone say except that she was as beautiful as ever and the consummate pro as the female lead. A fairly fast paced film with loads of musical guest stars and some pretty good tunes made famous by and played by BG for the soundtrack.

Benny was not an exciting or controversial guy, so how do you generate enough interest to draw people to the movie,as is the case today. In 1955, good music did the trick. About the only controversy about Benny was his reputation of staring down any band member who diverted from the the arrangement. One former musician described in an interview how "the old man gave me the evil stare for the whole number after hitting a wrong note early on".

Too bad they could not synchronize the actual concert music with the movie. In particular, the quartet version of "Stompin At The Savoy" in which Gene Krupa's cymbal flew off the stand and was hit by Lionel Hampton on the way by without missing a beat, or the concert rendition of "Sing,Sing,Sing", probably the best ever recorded.

If you like this film go out and buy the newly released CD of the Carnegie Hall concert complete with 2 numbers previously excluded from other releases with intros by BG and no interruptions between numbers allowing you to hear the sounds of the band setting up for the next number, etc. Just like being there.

Writer, director Valantine Davies took on this musical challenge as a testimony to the legendary impresario Benny Goodman and what was then called 'Swing' music.' The film itself is called " The Benny Goodman Story " and it features the late great comic Steve Allen. The movie does a good job of incorporating the early life of the famed musician and the life-struggles he encountered. Striving from an early age to learn his instrument and then later to adapt it to create what he called a 'special' type of music for the era of Early Swing and later Jazz age. The movie does not lend itself any of Goodman's foibles or controversies as there were little in his life. Still it does take a few liberties with his personal history, but nothing which detracts from the established music which he help to initiate. Indeed, his ability to play his clarinet and entrance his audiences is what makes this movie and then the cast which includes Donna Reed, Berta Gersted and Barry Truex as Benny Goodman (at 16), is what marks this Bio-pic as a musical Classic and the late great Gene Cruppa on drums. In addition for any who love the legendary sounds of the Big Bands in the age which started them all, you can do no better than sit and enjoy this musical rendition which is a tribute to that era. Easily recommended. Well done.

THE BENNY GOODMAN story, the half brother of the GLENN MILLER STORY and the GENE KRUPA STORY and the first cousin of THE FABULOUS DORSEY'S is a made to order biopic that lacks ooomph because of the reticence of the title character. Steve Allen's Goodman doesn't have the boyish enthusiasm that James Stewart had as Miller, but rather a quiet nerdishness that although possibly respresenting the person correctly, doesn't make for thrilling cinema. Because of this, Allen treads water valiantly, while all Donna Reed has to do is look lovingly at him and look as beautiful as, well, Donna Reed. (The real find in the film is Berta Gerstein, of whom I had never heard, but who I gather from reading the IMBD database, must have been a Yiddish theater/cinema star, as Benny Goodman's mother. She is so real that she makes the rest of the actors seem like cardboard.) But what a treat it is to see and hear Kid Ory, Harry James, Martha Tilton, Lionel Hampton, Ziggy Elman, Urbie Green and to hear Goodman himself.

Where the film shines is in its music and never more so than at the halfway point's Paramount Theater engagement and the ending's Carnegie Hall concert of 1938. In these two spots the film soars. AND THE ANGEL'S SING is classic and SING SING SING will blow the top off your DVD player.

So, THE BENNY GOODMAN STORY, usual biopic with some amazing music. (Want a great double feature? No, not THE GLENN MILLER STORY which is fun, but rather the 1947 NEW ORLEANS with more jazz greats including Louis Armstrong. Now, as Cole Porter would say, you has jazz!)!!!!!!!!