Le Pacte des tueurs

A 1955 docudrama of a kidnapping gone wrong & the man who tried to make it happen. When an asthmatic kid goes missing in a national park, a crooked opportunist hears of this & tries to milk the situation by collecting ransom from his distraught father. Little does all concerned know that the poor boy would fall to his death from an elevated cabin which he escaped from, only for the kidnapper, played by Ralph Meeker, to toss his body into a forest canyon below. The FBI is called in & they capture Meeker sending him to jail w/o getting the particulars of the crime (Meeker is dubbed the Iceman for his reticence in not divulging any information). Once in stir, he meets up w/a group of convicts (Charles Bronson, Broderick Crawford, Lon Chaney, Jr. & William Talman make up some of this unit) looking to break out of prison w/the remaining ransom money (which Meeker stashed) used as a boon to keep himself alive during the escape which goes off w/o a hitch w/some of the team being killed along the way until the law finally catches up w/them back at the park. A great first half of the film gets lost in the second (almost feeling like two separate narratives which don't congeal in this 90 minutes affair!) w/a lot of the story beats sped along just to reach the end credits but I'd still recommend it for the terse first 45 minutes as the kidnapping & aftermath is thrilling & heartbreaking. Also starring Felicia Farr (she was married to Jack Lemmon) as one of Meeker's helpers, Stafford Repp (Chief O'Hara from TV's Batman) as the prison warden & William Boyett (from Adam 12) as a park ranger.

1955's "Big House, U. S. A." sounds like it might be spoofing the old prison pictures from prior decades, but don't let such a sadly generic title put you off from a bleak noir that deserves more than its ongoing obscurity. On location shooting at Royal Gorge Park in Colorado adds authenticity to a documentary-style account of an asthmatic boy reported lost in the wilderness, and the successful attempt by kidnapper Jerry Barker (Ralph Meeker) to blackmail $200,000 from his distraught father (Willis B. Bouchey), only to see the lad fall to an accidental death, Barker callously tossing the corpse into the gorge, never to be found by the authorities. Once caught, the unrepentant villain's unshakable demeanor earns him the moniker 'The Iceman,' an extortion conviction putting him in a prison cell next to a real wild bunch: Broderick Crawford top billed as ringleader Rollo Lamar, expertly planning a breakout; Lon Chaney as dope smuggler Alamo Smith; William Talman as small time murder for hire Machine Gun Mason; and a buff Charles Bronson as Benny Kelly, taking potshots at the newcomer as a cowardly baby snatcher. Rollo intends to 'kidnap the kidnapper' to force him to deliver the money secretly stashed away at the gorge, leaving behind a trail of dead bodies in his wake, scalded, shot, drowned, or just plain mutilated. It's truly grim stuff, surprisingly brutal for its time though curiously forgotten since Meeker's next role was that of Mike Hammer in Kubrick's 1956 classic "Kiss Me Deadly." Amidst these nefarious tough guys, leave it to reliable Lon Chaney to portray the lone character to earn any sympathy, he may also be a killer but in his carvings of beautiful women appears to have been a ladies man, still pining for the good old days much to Rollo's amusement. This was his 4th and final teaming with drinking buddy Brod Crawford, who was apparently less capable than Chaney of concealing his affliction off camera, while up and coming Charles Bronson shows he already had the physical stature to become an action star to be reckoned with.

As it happens I was in this picture as an extra in the early spring of 1955. I was going to high school as a sophomore at Holy Cross Abbey in Cannon City Colo. at the time when a call came in for extras for a summer camp scene.

This movie was filmed in and around the Cannon City area,Westcliffe and Royal Gorge. Broderick Crawford had a popular TV series at the time called Highway Patrol.

This was one of Charles Bronson's earliest movies, he had just done House of Wax a year or two before.

Reed Hadley also had a popular detective TV series at the time.

The early 1950's witnessed a number of high profile kidnappings of wealthy offspring, the most notorious being the Greenlease grab in Kansas City for which the perpetrators were executed and the arresting detectives jailed for stealing the ransom money! It's not surprising that these headlines eventually worked their way into the movies. And a good little kidnapping and prison film this is.

Big House USA benefits greatly from on-location photography in the scenic foothills of south-central Colorado, near the state penitentiary in Canon City where the prison scenes were filmed. The producers had the good sense to make the most of this unusual backdrop to a story line that is in many ways exciting but unexceptional. ( The only real drawback-- the underwater scenes of the prison escape, which appear to have been shot in a neighbor's backyard pool. The phony plants even bounce off the bottom as swimmers go by! Where was quality control on this one.)

The producers also hired an outstanding cast of has-beens (Crawford and Chaney), up & comers (Bronson, Meeker, and Farr), along with the stentorian voiced Reed Hadley as the long arm of the law, and Peter Votrian, an appropriately sickly looking kid whose whiney demeanor could make you think twice about becoming a parent. The result, all in all, is a very watchable 90 minutes of cops vs. robbers and cons vs. screws. Then too, no movie from this period that features the bug-eyed William Talman should be passed up.

The film begins with a little boy getting lost while at summer camp. Ralph Meeker finds the boy and pretends to be helping him, but actually is intent on kidnapping him and holding him for a huge ransom. Unfortunately, the kid dies while in his care but Meeker is an animal and STILL proceeds to get the money and then tries to skip town. However, the cold and calculating killer is caught and sent to prison--but unfortunately, all they can prove is that he extorted the money--not that he had anything to do with the boy's disappearance.

This is sort of like a prison movie merged with a Film Noir flick. That's because much of the beginning and ending of the film is set outside prison and its style throughout was rather Noir inspired--with a format much like an episode of DRAGNET (the bloodier 1950s version, not the late 60s incarnation). However, it did lack some of the great Noir camera-work and lighting as well as the cool Noir lingo--but it still succeeded in telling a great story. What was definitely Noir was the unrelentingly awful and brutal nature of the film--a plus for Noir fans. Now I hate violent and bloody films, but this one was a bit more restrained but still very shocking for a 1950s audience--featuring some of the most brutal plot elements of the decade (tossing a child's body off a cliff, burning a corpse with a blowtorch to confuse in the identification of another corpse and the scene with the escaped prisoner who is scalded to death). Because of all this, the film was above all else, realistic and shocking--much of it due to the excellent script, straight-forward acting and a few excellent and unexpected plot twists.

By the way, this is one of the earliest films in which Charles Bronson appears with this name (previously, he'd been billed as "Charlie Buchinsky"). When he takes his shirt off in the film, take a look at how muscle-bound he was--I sure would have hated to have tangled with him!! In his prime, he might have been the most buff actor in Hollywood history who DIDN'T suck down steroids (and, consequently, had minuscule testicles from this drug).