The Angel Who Pawned Her Harp

This is a delightful film, gentle and engaging. BUT I simply cannot recognise the lovely actress Diane Cilento in the Angel. Everything about her facially is changed from the Diane Cilento we came to know thriugh her later marriage to Sean Connery.

This is is a very derivative film.Diane Cilento is sent to earth with a harp and has to beneficial affect the lives of the people she comes in contact with.The main recipient of her largess is Felix Aylmer,a Pembroke to whom she pawns her harp.I could think of about a dozen films made prior to this which have a similar basic premise.To be honest I found the most interesting part to be the introduction where the camera moves around The Angel Islington and we can see London as it was in 1953.The streets full of trolleybuses on their wires,being the successors to the trams.

Once you accept the premise, that an angel needs to pawn a harp in order to fund her good works on Earth, this film trundles along nicely. The cast performs commendably, with Alfie Bass and Jerry Desmonde adding their talents to the mix.

Diane Cilento positively 'glows angelically' on screen, in no small measure because of Arthur Grant (of Hammer Film fame, whose credits include 'Quatermass and the Pit') being in charge of the cinematography.

Every scene is beautifully lit in it's own way; it is a pleasure to see a nicely crafted film like this. I daresay the budget wasn't huge, but they made a really nice job of it. Many of the shots (both indoors and out) offer glimpses into how things would have looked at the time, making the film's look very much of its period. The story on the other hand is somewhat more timeless.

I have been fortunate enough to see this film on the 'Talking Pictures' UK freeview channel. The print used appears to be unrestored, but this did not mar my enjoyment of the film. Indeed the only real complaint I would make is that the sound and the film image were not synchronised properly when the film was broadcast.

Well worth watching.

One of films reminding me why I prefer old fashion ( to classic ) movies. A film about an angel fixing few lives in gentle, fair, precise manner. With lovely result.

Well acted, nice story, seductive details ( the musical boxes demonstration as a pure good point, like the Paradis lost by John Milton) , it is just a lovely film, sweet for suggestions, humor and...miracles. And for a pretty innocence, reflecting the univers of lost time and a special way to discover and assume the life.

Diane Cilento is just inspired option for the main role like the young Philip Guard. But the great contribution is proposed by Felix Aylmer as lonely Mr. Webman.

So, sweet sounds just fair to define it.

Diane Cilento is an angel, a quite literal one, sent to Islington on a piece of work. She starts out by pawning her harp to Felix Aylmer, who's worried that when he dies, his nephew will sell his beloved collection of music boxes; he accepts that they will go, but as a pawnbroker, it galls him they'll be sold for bottom dollar. There's also his shop assistant, who's in love with a neighbor, a dealer and restorer of old instruments with whom Aylmer joyously bargains, and other assorted individuals, each with his or her own petty issues. We know Miss Cilento was sent to help one or more of them, but which? And to what end?

It's a charming little fantasy, directed by Alan Bromly for Group 3, based on a short TV drama written by Charles Terrot. At 76 minutes, it's stuffed full and humanity and whimsy. Stuffing it into its original 30-minute TV slot must have produced something as delightful, intricate and beautiful as one of Aylmer's music boxes.