The Lone Wolf

As mentioned in another interview, the new Michael Lanyard of the Lone Wolf TV series is Louis Hayward. Hayward was perfect as the Lone Wolf--soft spoken, slight smile on his face, and tough boxer who knocks out the bad guys when needed. The Lone Wolf always seemed to have enough money to take on juicy cases that mostly involved old friends who were wronged or were in desperate trouble of some kind. He was always jet-setting around and drove nice cars, mostly convertibles. He stays in nice hotels and has many lady friends who would be glad to noose him and settle him down. A cool thing is when he needs to see someone and can't get to them, he leaves a small coin with a wolf insignia on it and the person knows it's only from Michael Lanyard, the Lone Wolf. They always know how to get a hold of him. Louis Hayward is the slightly swaggering, mannish, soft-spoken hero of the detective TV 50's. He's always cool and knows what to say. Also mentioned the show now plays on American Life TV after It's a Great Life, another fun 50's series. I record the shows and play them back to back some weekend afternoons for fun detective time where the good guy always wins. If you can't stay up that late program the show in and replay it when you can. I think you'll like the ultra cool artsy image it conveys. Cool lines, cool cars, cool characters. I only wish that the show was on DVD. I'd buy it in a minute. If you like good guys to win in the end, you'll like The Lone Wolf!

The show is an interesting curio, and better than a lot of things being done now. Like many early TV shows, it has small casts, a sparse style, and simple sets, probably all forced upon it by small budgets. But like a good short story, the constraints do not hamper the dramatic effect, but help it. Louis Hayward is suave and sophisticated in the lead, and has the slight air of mystery that the character demands. Supporting casts are not filled with household names, but everybody is well up to the task. Ask any independent filmmaker - if you don't have huge casts, lavish sets, and dazzling special effects in your quiver, you have to rely on smaller things, like writing and acting, to get the job done. Well worth a look, and now being shown late night Saturdays and Sundays on American Life cable.

Stumbled on to this show on Tubi. Louis Hayward was in the first Saint movie, made in 1938. The character, Michael Lanyard, played by Louis Hayward in The Lone Wolf seems to be similar to the Saint. Like the Saint, the Lone Wolf is able to operate outside of the law to help people in trouble. An enjoyable show, worth watching.

A fun 26 or so minutes, what made this so interesting was, as the previous reviewer wrote, the soft-spoke tough guy characterization by Louis Hayward,,,, and even more so, the hints about Michael Lanyard's back story, specifically his activities during World War II.

Instead of 25-26 minute one-off episodes, today this would be written as a season, with the roughly 7-1/2 hours to tell a story, develop character and so on. Hayward's Lone Wolf was a compelling character, it's a damn shame that his story probably be never brought back to video.... maybe some dedicated and soul will revive the character in print.

THE LONE WOLF (1955), a Gross-Naser Production, direction of various episodes by Alfred E. Green, Bernard Girard, Seymour Friedman and Rodney Amateau, stars veteran screen actor Louis Hayward as Michael Lanyard, a individual who works alone. He has no office nor secretary he could call his own. By profession, an adventurer. Lanyard usually travels around the world to do his detecting, most of the time being on call from a close friend in need of his service. One episode could find him in New York City or another in Europe, solving a crime, murder or even faced head on with the crime boss or unknown assailant. Like the Lone Ranger with his silver bullet, Lanyard's calling card is his emblem, a metal piece in the shape of a wolf.

The origin of "The Lone Wolf" has a long history. Created by Louis Joseph Vance in 1914, its success lead to a series of novels before being introduced to the screen with Bert Lytell as THE LONE WOLF (1917). Before the character was converted to detective, Lanyard's humble beginnings was that as a gentleman jewel thief usually helping ladies in distress, a cross between "Boston Blackie" and "Raffles." Other actors enacted the role in follow-up films during the silent era before Lanyard returned to the screen again as THE LONE WOLF (1926) featuring Jack Holt. This was followed by subsequent features for Columbia starring its originator, Bert Lytell, continuing through the sound era of 1930. Fox Films produced one Lone Wolf adventure in 1932 before Columbia revised the character again in THE LONE WOLF RETURNS (1935) with Melvyn Douglas. Francis Lederer assumed the role in THE LONE WOLF IN Paris (1938) before developing into a whole new series format of mystery-comedies starring Warren William from 1939 to 1943. Columbia brought back the series again starting in 1946 for a few more theatrical releases, with contract players Gerald Mohr and Ron Rondell assuming the role before the series came to an end in 1949. Before shifting to television, "The Lone Wolf" adventures were presented on the radio.

As with many television adaptations taken on previous motion pictures ("Perry Mason," "The Saint,"), many changes and updates were made. "The Lone Wolf" eliminated Lanyard's origins as a thief. It overlooked the fact that he had a daughter (as depicted in 1929s THE LONE WOLF'S DAUGHTER with Lytell, and 1939s THE LONE WOLF SPY HUNT with William). It also did away with Lanyard's manservant, Jamison, as portrayed for laughs and good will assistance in the 1940s series by Eric Blore, and Alan Mowbray in the final theatrical installment.

Louis Hayward is no stranger to playing sleuths. Best known for his swashbucklers as THE MAN IN THE IRON MASK (1939) and THE SON OF MONTE CRISTO (1940), he was the original Simon Templar in THE SAINT IN NEW YORK (RKO, 1938), a role he reprized in THE SAINT'S GIRL Friday (RKO, 1954) before breaking into this TV role. Unlike his predecessors, Hayward's Lanyard is low-keyed, soft-spoken tough guy. Breaking away from his earlier baby-faced image from the 1930s, Hayward, now older with face slightly fuller, fits well into his role, caricatured somewhat to the liking of other movie tough guy heroes as Humphrey Bogart, Dick Powell or Alan Ladd. The episodes scripted are done in typical 1940s "film noir," style, with off-screen narration, occasional flashback sequences and surprise end twists. Of course there's enough cigarette smoking done from various characters as well as occasional fist fights and gun play between Lanyard and villains for some added excitement.

Lasting only one season in the then standard 39 episode/half hour format, no two episodes are alike. With the exception of Hayward, there's no recurring characters. Many guest stars range from performers who have passed their prime to actors whose careers are on the rise. There's Barbara Billingsley in the premiere episode, two years before being immortalized as June Cleaver in "Leave It to Beaver," Ernest Borgnine, 1955 Academy Award winner of MARTY (United Artists), and future star of the 1960s TV comedy series, "McHale's Navy," appearing in one of the more exciting episodes set on a train involving a passenger carrying a suitcase with a bomb; Harry Morgan, of "Dragnet" and "M.A.S.H." fame, playing a minister whose life is being threatened by a mysterious assassin, or in another episode, a different character; Joe Besser of the Three Stooges during the late 1950s convincing in a very rare serious role; as well as former Republic starlet Adela Mara, MGM's own Virginia Grey, or 1940s "film noir" psycho Elisha Cook Jr. all having their share with Michael Lanyard's escapades. While some beauties may come Lanyard's way for some love making, unlike Ian Fleming's character of James Bond, when duty calls, Lanyard would tell them, "Some other time."

As with the novels and film series from the 1940s, "The Lone Wolf" is virtually forgotten. The short-lived TV series did have its share of limited revivals, most recently cable television's The Nostalgia Channel during the 1980s, and currently on the American Life, formerly the Good Life TV Network, where it's broadcast comes way past the midnight hours. With some episodes better than others, "The Lone Wolf" is satisfactory fifties entertainment in the 1940s film noir tradition.