Meurtres sans empreintes

William Sylvester stars as Philip Vickers, a man who suddenly returns home after being considered dead for four years. Seems he was on a fishing trip in Portugal of all places and disappeared after going ashore. His memory of events is getting drunk, mugged and imprisoned.

His wife (Paulette Goddard) is having a big party and his three cronies are all in attendance. But one of the cronies is killed that very night. Who did it? All evidence points to Vickers.

When a local detective (Russell Napier) arrives on the scene he's convinced that Vickers is the killer but the wife and pal Bill Saul (Paul Carpenter) keep doing suspicious things. Then there's that creepy Joan (Alvys Maben) lurking in the background.

After another murder, things start getting serious.

Low-budget thrillers has some good points but the many negatives bring it down. The sets are incredibly ugly, and then there's that 50s space-age metal kitchen that keeps shape shifting. Goddard (about 44 at the time) is badly costumed and lit. But the story is pretty good.

Goddard, despite star billing, has little to do. Sylvester and Carpenter are good, and Maben is a scene stealer. Napier is also good as the detective. Don't by fooled by George Sanders' listing. He's not in the film, and the novel her wrote was actually ghost-written by someone else.

A man with a rather unfortunate haircut shows up after being missing for three years. Turns out he had amnesia due to a blow on the head and has just recently recovered his memory. He confronts his wife and his friends, convinced one of them tried to kill him three years earlier. On the same night he returns, one of his friends winds up murdered and bad haircut guy is the prime suspect.

Talky, mostly dull mystery from Hammer with the added appeal of having Paulette Goddard in it. This is called a film noir by some but frankly I don't see it. Sometimes it seems every movie involving murder or sex from the '40s and '50s is labeled film noir. There has to be a more specific meaning than that. For me there is and this doesn't fit my definition. Anyway, the biggest draw to this is Paulette Goddard. She's fine, as is the rest of the cast, but nothing to write home about. She was in her forties at this time and still looked good but that is NOT her on the movie poster and DVD cover. She does not appear in this movie scantily clad in lingerie. Sorry! Oh, and for some reason they tried to pass this off as being written by the actor George Sanders, when it was actually written by Leigh Brackett. Not sure why the deception. Were audiences in 1954 really craving George Sanders or something?

Paulette Goddard was in early age one of most beauties actress at Hollywood scene, drawing attention of Charlie Chaplin who marry her, made great movies, in this minor British unknown Noir she is already older for the role, even so was a highlight to promote the picture, an unusual story of a disappeared wealthy businessman Philip Vickers who suddenly appears to find out who try out killed him in sea fishing travel with four friends at Portugal four years before, there someone hits his head and he fell off at ocean, stays with amnesia and has to work as seaman to survives, recovering his memory afterwards is backing home he suspects for all four former friends including his wife Angie (Paulette Goddard) soon one of the four is found death at river, the police takes over the investigation always suspecting of Vickers had commited as crime revenge, a dense and intriguing Noir, aside Goddard was the top billing cast who shines is the resentful husband Vickers (William Sylvester in a robust acting ) between betrayals and hate for past happenings the movie flows in a binding shadows of doubt, well-dramatized by the skillful director Terence Fisher!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7

Neither Hammer studios nor director Terence Fisher are best known for their film noir style efforts; and after seeing this film, it's not difficult to work out why. The Unholy Four works from an intriguing plot line, and I was sure it would lead to an at least decent slice of British noir. The plot focuses on a man returning home three years after being hit on the head during a fishing trip with friends, and presumed dead. He actually just had amnesia all that time, and he returns home for revenge. It's an interesting plot on paper; but it doesn't translate to the screen well and that is largely down to a turgid script that fails to generate any interest in the main characters or their situation. The acting doesn't go above average and nobody in the cast particularly stands out, This film was made three years before director Terence Fisher would have his breakthrough hit with the horror classic The Curse of Frankenstein; and on the basis of this film, it has to be said that thrillers weren't his forte. Overall, this film might be worth a look for Hammer aficionados that want to see everything that ever came out of the studio; but for most people, this won't be of interest and should be avoided.

I am massively behind with the "House of Hammer" podcast - months behind, but I'm still trying to catch up whenever I can and with the spirit I watched "A Stranger Came Home", or "The Unholy Four" if you prefer. It's a better premise for a movie, than in actual execution.

Four years after disappearing on a Portuguese trip, with his wife and three friends, Phillip Vickers (William Sylvester) suddenly reappears at his estate. Vickers is suspicious of his wife Angie (Paulette Goddard) as well as Job Crandall (Patrick Holt), Bill Saul (Paul Carpenter) and Harry Bryce, who are all attending a party that very night, so keeps what little he remembers about the disappearance to himself. Vickers becomes a suspect though when Bryce turns up dead, the morning after his return.

Again, the ideas of this noiry thriller are perhaps more interesting that what is ultimately provided. Part of the problem is perhaps that Vickers keeps what he's thinking to himself most of the time, especially when it comes to answering the question the other characters keep asking him "where have you been?" The murder on his first night back then leads to Russell Napier joining the film as Inspector Treheme. He joins a long line of . . . Unconventional police detectives in Hammer films, who seems to believe that Vickers did it, but not enough to take him in for questioning. The films principle failing is that, despite being just 80 minutes, it's not interesting enough to fill that time with anything other than the roundabout conversations and intimated accusations.

Performances are OK, Paulette Goddard is, as you might imagine, a class above the rest, even William Sylvester, who would be prominent in "2001. A Space Odyssey" a decade or so later. The main Hammer links are behind the camera this time, with Terence Fisher directing, but not much in the way of returning stars this time.

I say again, the premise of the film is actually reasonable interesting, but the execution is poor and the film is dull.