La fontaine des amours

Not much to add to the other comments here, except to say that it may be understandable that this one got a Best Picture nomination in the 1954 Oscar derby if you were able to see a pristine print, with a stereo soundtrack, in a first-class theater as I had the opportunity of doing when it was first released. The opening sequence of numerous fountains in full flood as Frank Sinatra crooned the Oscar-winning title song was just dazzling to those of us Americans who hadn't yet made a Grand Tour of Europe. What followed contained no surprises, certainly, though some eyebrows were raised by the Jean Peters/Rossano Brazzi "illicit" romance. I never understood how Maggie McNamara ever passed muster with any studio's casting director, nor how the makers of this pastiche could have thought that the suavely handsome Louis Jourdan, playing an Italian of noble descent, would finally settle for a manipulative young American whose machinations had, prior to his capitulation, been nakedly revealed. The lovely Ms. McGuire setting her cap for the aging, fastidious old fop, so well incarnated by Mr. Webb, was another of the difficulties even those first audiences had in suspending their disbelief.

But, oh!, those glorious travelogue shots of Rome and Venice. Widescreens, back then, really were worth briefly deserting one's living room "boob tube" and letting one's mind drift into Nirvana as beautiful DeLuxe Color made one believe the world was an impossibly beautiful place. A new DVD version which approximates the original CinemaScope ratio is now available, a distinct improvement over the formatted VHS tape previously available.

This is the kind of movie that's most suitable for occasions when you just want something nice to look at, without having to pay much attention and without needing to worry about anything that might jar the senses. It's very picturesque, with many sequences set in interesting and attractive Italian settings. The characters, cast, and story are all innocuous, but they are never especially interesting.

The title sequence is very enjoyable, with the Sinatra song accompanied by many excellent views of Rome. But it sets the expectations a little too high, since the rest of the movie is rather commonplace in all respects other than the settings. The cast is solid, but none of them really get the kind of character that allows them to stand out. The story is pleasant and sometimes enjoyable, but is too often bland, predictable, and/or implausible.

It's still a decent way to pass the time if your expectations aren't too high. It would probably have been a little better if it were a bit shorter, since there is just not enough story material to fill the whole running time without it becoming too noticeable.

By the Fifties, the movie-going public was no longer satisfied with studio versions of far away places. They wanted to see the real thing and Hollywood had to give it to them. The year before Three Coins In a Fountain came out, Paramount had done another Rome based film in Roman Holiday. Though it had that winning romantic team of Audrey Hepburn and Gregory Peck, Paramount played it on the cheap and wouldn't splurge for color.

Not to be outdone by rivals, Darryl F. Zanuck went whole hog on terrific color cinematography and three romances. Dorothy McGuire, Jean Peters, and Maggie McNamara are three Americans sharing an apartment in Rome. Peters and McNamara work for a U.S. government agency and McGuire is secretary to expatriate novelist Clifton Webb.

The fountain of course is Rome's famous Fountain of Trevi where tourists are lured into throwing their pennies with the promise of good fortune and a return to the eternal city. Frank Sinatra sings the title song over the opening credits and the Four Aces also had a mega-hit out of that tune. I remember as a lad in the Fifties, hearing that constantly on the radio. It was a BIG factor in the success of this film and won an Oscar for composer Jule Styne and lyricist Sammy Cahn.

McNamara and Peters fall for Prince Louis Jourdan and aspiring lawyer and co-worker Rossano Brazzi respectively. They play the continental lovers effortlessly.

20th Century Fox during the 50s toned down Clifton Webb's acerbity in order to make him leading man material. They never quite succeeded, but Dorothy McGuire conveys that she has a deep and abiding affection for Webb.

The usual romantic complications occur, but it all works out in the end as it always does in these films.

But the star is Rome and even seeing it 50 years ago, you'll still want to a pack a bag and see the place after watching this film.

'Three Coins in the Fountain' is a film about three American secretaries that throw their coins into a fountain in Rome and hope for romance. The music in the film and in the opening scenes is sung by Frank Sinatra. The film has a good story that holds the interest; pacing and the editing between the three stories of the girls and their romances are done well. Another excellent feature of this film is the photography. The opening sequence with the fountains in Rome and Frank Sinatra's music is beautiful. There are other beautiful scenes in the film of the Italian countryside and Venice. In summary, this is an old-fashioned romantic film that displays how three women find love and the lengths that they will go to be in love.

"Three Coins in the Fountain" is a romantic film of 1954 that especially appealed to young women (and some men) who dreamed about love matches in the romantic 1950s. Today, it might be called a chick flick by the would-be macho set. It's based on a 1952 novel by John Sedondari, "Coins in the Fountain." He was a Rome-born writer, producer and director who also co-wrote the screenplay for this film. The movie is a light comedy and drama, and is about three American women working in Rome, each of whom seems spurned or ignored at first but then finds "true" love.

The film has a fine cast, and the story is so-so. The movie also spurned a hit song by the same title, sung by Frank Sinatra in the film. It won the Academy Award for best original song. Julie Styne wrote the music and Sammy Cahn the lyrics. The Four Aces turned it into a number one hit on the 1954 U. S. pop chart. Several other recordings were made after that.

While the story is okay, a big plus for the film is its cinematography and scenic shots of and around Rome. The best of these are scenes of some of the many glorious fountains of the eternal city. The granddaddy of them all, the Trevi Fountain, is center stage for the opening and closing.

One interesting aspect of the story is with the lead male and female characters. Clifton Webb plays John Shadwell, an expatriate American who has lived in Rome most of his adult life. Dorothy McGuire plays Miss Frances, his secretary for the past 15 years. That means that she was in Rome since 1939, and the two of them lived through World War II. That would have included the early years when Benito Mussolini's Italy was allied with Nazi Germany, and the later German occupation of Rome. I don't know how Sedondari treated that in his novel, but it seems strange that there's not a hint of the war having just been over less than nine years, or of Miss Frances having been there during that time. It seems that Anita (Jean Peters) and Maria (Maggie McNamara) would have asked Frances about that at some point.

A funny line by Shadwell stands out. He says to Prince Dino di Cessi (played by Louis Jordan), "These girls in love never realize they should be honestly dishonest instead of being dishonestly honest.