Des monstres attaquent la ville

Boy, if this doesn't creep you out, then you just don't live in the South or Southwest, where you are constantly battling the monsters in this film.

The special effects were superb considering the limitations in 1954.

James Whitmore (Oscar nominations for Give 'em Hell, Harry! and Battleground) and James Arness, who played Marshal Matt Dillon in over 600 episodes of "Gunsmoke" in my formative years, were compelling as they chased the monsters.

They were ably assisted by Edmund Gwenn, who won ans Oscar for playing Kris Kringle in Miracle on 34th Street, and has a nomination for Mister 880. He won Golden Globes for both roles. He really was great here as "The Professor." Great Southwest locations and chilling excitement for a Sci Fi classic.

Them stars James Whitmore as New Mexico Police Sgt. Ben Peterson who discovers a little girl wandering in the desert. He finds her trailer ripped apart and her parents missing. Casts of the strange footprints found at the crime scene are sent to a lab where they catch the attention of father/daughter doctors Medford (Edmund Gwenn and Joan Weldon) who come to New Mexico along with FBI agent Robert Graham (James Arness) to investigate. Dr. Medford has a theory but won't tell Peterson or Graham until he has more proof.

If you are a fan of sci-fi films, Them is one of the four essential sci-fi films of the 1950s along with The Thing, Day the Earth Stood Still, and Invasion of the Body Snatchers. It's part crime story, part sci-fi, part horror with crisp dialog and it moves along at a brisk pace. Veteran director Gordon Douglas put together a solid cast of actors and the characters are totally believable. The story is interesting and the sets are outstanding.

Them was a box office hit in 1954 and it still holds up today if you can forgive the special effects. Them is a movie where any remake would always pale with the original. Highly recommended.

This is the kind of stuff I grew up on as a kid, watching science fiction and horror movies on TV which had been originally released in the 1940s and 50s. The 1950s was a golden age of science fiction movies, and THEM! was one of the very best. Good casting, dialog, and storyline, and commendable special effects for the time. Although the "atomic-radiation-causing-terrible-mutations" was a standard device in 50s sci fi (THE DEADLY MANTIS, IT CAME FROM BENEATH THE SEA, and others), it was a workable one, and given that the ants were from the same area of desert where the first atomic blast occurred, it had just enough plausibility. I also like the little touches of humor and banter between characters. There was even a little bit of cheesecake when the young Dr. Medford (Joan Weldon) gets her skirt caught when descended from the plane, revealing a pair of shapely legs. This is one I keep going back to on rainy Saturday afternoons! A gem of its kind.

Them was the best giant bug movie. It was about giant ants and started a horde of pathetic clones that followed it, but none have even come close to matching this movie's effectiveness.

Atomic testing in New Mexico that went on in 1945 creates a horde of giant ants. It is up to a group of scientists, a police officer, and the military to stop these creatures from spreading throughout the USA and killing off the human race.

This movie is not only a horror movie, but it also makes a point about the dangers of atomic testing. Much like Japan's Godzilla, Them finds nothing good in radiation testing or atomic bombs. There is even a monologue at the end of the movie which explains that things have changed now that we have entered the Atomic age.

James Whitmore, James Arness, Joan Weldon, and Edmund Gwenn give good performances as the heroes who are out to save mankind, along with the U.S. military police. The pacing was rather good as well, slowing down when things need to be explained, and then picking up when the giant ants are on screen.

Though the special effects seem cheesy by todays standards, I thought they were rather effective in this movie and memorable for 1954. This movie definitely looks best in black and white because it adds a haunting feeling to the desolation of the desert where the creatures are first found, and it also makes other scenes in the movie seem darker and sinister. Definitely a thumbs up in my opinion.

No science-fiction library is complete without this 1954 classic, probably the best of the mutant creature craze. Sure, the special effects have long been eclipsed by digital, but the suspense holds up as LA mobilizes to defeat the giant killer ants in a battle of the sewers. The opening scenes are among the best of any era. I don't know how director Douglas got little Sandy Descher to emulate wide-eyed speechless shock, but from that moment on the tension rarely lets up. Then too, her single word eruption in the van may be the single scariest moment and a genuine inspiration on somebody's part. I guess it takes a big man to defeat big ants and thank goodness James Arness has switched to our side since menacing the North Pole in The Thing (1951). He, Whitmore, and Gwenn prove to be great pest exterminators though their methods are a little unorthodox, while poor pretty Joan Weldon sort of tags along after the guys in typical 50's style. Note the many nice touches from both the producer and director-- the well-stocked press conference, the army units deploying in the background, the humorous aside from the ugly guy in the hospital. These are the kind of additions that turn a good movie into a memorable one. It's certainly one I've remembered fondly since its enthusiastic 1954 reception, and so will you if you haven't seen it.