Le signe du païen

This movie is not exactly great, but it is probably my personal favorite. And it's all because of Jack Palance's performance as Attila the Hun. I just love Jack Palance. He is one of Hollywoods first real tough guys. Before Stallone and Van Damme, there was Palance. It is sad that his early films have been sort of forgotten. They were classics. And "Sign of the Pagan" was one of his finests acting jobs. He played the part like he was born for it. All the other characters in the film were far less colorful. He stole the show! The story of the movie is definitely more Hollywood then history. And the real Attila the Hun was a dwarf. But that's okay, it still is most enjoyable. I've watched it maybe about 100 times. I don't think most people will want to do that. However, the princess is a mighty hot looking babe with a fine body. She could dance for me anytime. Attlia gets to kiss her too. Lucky Guy!

This is a 1954 Universal International film titled Sign of the Pagan , full of historic inaccuracy and being well starred Jack Palance as Attila . It results to be an epic adventure yarn set in 5th-Century about the chieftain Attila the Hun who was a leader of the Hunnic Empire , a tribal confederation consisting of Huns , Ostrogoths , and Alans among others, on the territory of Central and Eastern Europe . There a Roman centurion called Marcian (Jeff Chandler) is captured by en route to Constantinople , but he flees . On arrival, he meets the eastern Roman emperor Theodosius (George Dolenz) scheming with Attila to look the other way while the latter marches against Rome . But Marcian (who really was emperor and succeeded Teodosio) gains the favor of Pulcheria (Ludmilla Tchérina of Red slippers) , lovely sister of Theodosius , who favors a united Empire and plotting against Attila . As Attila marches across Empire to Rome and things look bleak for the weakened imperial forces . Emperor Valentinian III sent three envoys, the high civilian officers Gennadius Avienus and Trigetius , as well as the Bishop of Rome Leo I (Moroni Olsen) , who met Attila at Mincio in the vicinity of Mantua and as the conqueror had an awe of the power of the Christians' God , he obtained from him the promise that he would withdraw from Italy and negotiate peace with the Emperor . Against the ravaging hordes of Attila stood a warrior's might and a people's faith! . Against his ruthless pagan lusts , the power of a woman's love!

This spectacular movie contains action , breathtaking battles , thrills , romance , hokey historical events and the crowed scenes of the Huns are impressively made . Big production design , lavishly produced , brilliant photography and rousing soundtrack as you'd expect from Universal International at the time . There takes place a fictitious battle of wits and wills between Attila/Jack Palance and Marcian/Jeff Chandler . Jack Palance dominates with his overacting this historical adventure , while Marciano being grumpily performed by Jeff Chandler . Marcian's character bears remarkable resemblance to General Aecio who vanquished Attile in Chalons . And Pulcheria , who really married emperor Marciano , being decently played by Ludmilla Tchérina . Great support cast provide some solid secondary interpretations such as Allison Hayes as Ildico who was actually wife wife to Attila , Rita Gam , Alexander Scourby , Michael Ansara , Leo Gordon , Eduard Franz as Astrologer , Jeff Morrow and final film of Moroni Olsen . Colorful cinematography in Cinemascope by Russell Metty . Evocative as well as thrilling musical score by two Hollywood classic composers , Hans J. Salter and Frank Skinner . The motion picture was professionally directed by melodramas expert , Douglas Sirk , though it has several flaws , gaps and historical mistakes .

The picture is partially based on historical events about Attila , Marciano , Valentiniano , Pulcheria and emperor Teodosio . During his reign , Attila was one of the most feared enemies of the Western and Eastern Roman Empires . He crossed the Danube twice and plundered the Balkans, but was unable to take Constantinople . His unsuccessful campaign in Persia was followed in 441 by an invasion of the Eastern Roman (Byzantine) Empire , the success of which emboldened Attila to invade the West. He also attempted to conquer Roman Gaul (modern France) , crossing the Rhine in 451 and marching as far as Orleans before being defeated at the Battle of the Catalaunian Plains . He subsequently invaded Italy , devastating the northern provinces, but was unable to take Rome. He planned for further campaigns against the Romans but died in 453 . After Attila's death his close adviser Ardaric of the Gepids led a Germanic revolt against Hunnic rule, after which the Hunnic Empire quickly collapsed . Other films dealing with this historical character are the followings : ¨Attila¨(1953) Pietro Francisci with Anthony Quinn , Sofia Loren and Henry Vidal as general Aecio . ¨The Nibelungos , vengeance of Siegfried¨ (1967) by Harald Reinl with Herbert Lom as Attila . And "Attila" (2001) miniseries by Dick Lowry with Gerard Butler as Attila the Hun , Powers Boothe as Aetius , Simmone Mackinnon as Ildico and Red Rogers as Valentinian .

Overall production value is not very high on this film; I seem to recall the film's inability to pass off studio sets as exterior locations. My recollection is of a very "TV-like" production on the level of a "B" movie with a large then usual budget. However, Jack Palance is excellent as Attila the Hun. He really does come across as a barbarian, giving a very intense performance that compares well with his earlier role as Toriano in "Arrowhead" with Charlton Heston. Some great supporting roles, also, with Jeff Morrow (This Island Earth) playing the grizzled Roman General, and Alexander Scourby (famous for his narration/voiceover work) playing Chrysaphius the Eunuch, advisor to Theodosius II. Jeff Chandler's subdued performance is a good match for the stoic Christian Roman he plays. It's a good counterpoint to Palance's growling Attila. For years, I thought Palance was short of stature, based on his sword fighting here with Jeff Chandler, but it was just that Chandler was several inches taller than Palance who was himself 6' 2"...

Interesting trivia:

The uncredited narrator of the film is Rex Reason who co-starred with Jeff Morrow in "This Island Earth."

At 7:05 pm on Saturday, 1 May 1976, BBC 1 showed the complete and uncut version of Sign of the Pagan. Puzzlingly, this was probably the last time that anyone was allowed to see Ludmilla Tcherina's exotic dance number. For reasons known only to the Universal studios, that whole sequence has been deleted from subsequent television showings, both on American station AMC and Britain's Channel 4. Nor do DVD releases contain the dance, even though the main title still credits Kenny Williams as choreographer, leaving viewers wondering what he could have possibly choreographed. Most surprising of all is the 2011 German DVD "special edition" which presents both the original wide screen and 4 x 3 versions. Even here, Universal have cleanly cut the dance number from both prints and both languages.

For those who have never seen the sequence, Attila has just won the palace show fight with Herculanas. After that, the Emperor commands his sister, the Princess Pulcheria, to dance for the visiting barbarians. For the first 50 seconds she performs a graceful and dignified piece of ballet which the barbarians obviously find boring. Therefore, the Emperor tells a servant, "Advise my sister this is not suited to barbarian taste." So ordered, the Princess switches to a more raunchy routine that the visitors find much more enjoyable. This lasts about two minutes. Few genre fans would argue that, in both the Hollywood and Italian epics, the exotic dance interlude is something of a highlight. We get to see beautiful girls in eye-catching costumes, always accompanied by some classy music. Indeed, the ballet score we hear (or used to hear) from Salter and Skinner in Sign of the Pagan is arguably the best music they ever composed.

Universal obviously hope no-one's going to notice what they've done, but why did they do it in the first place? One can only theorize. Perhaps the film was cut at some stage to fit into a fixed television slot. Or maybe the dance was excluded to make the film more suitable for children's matinees. Then nobody remembered to put the scene back? A somewhat wilder theory is that it's a rights issue. Remembering how the Gershwin estate, not liking the Porgy and Bess movie, have tried for years to prevent anyone seeing it, could Ludmilla Tcherina and her estate have somehow bought out this dance scene and are now withholding it because it does not enhance her memory as a classical ballerina? But surely Universal, with all their wealth, would hardly spoil one of their classics just to grab a few dollars?

Whatever the reason, most fans will agree that missing scenes in movies are a continuing source of irritation. Come on, Universal, put it back!

If Charlton Heston had been born Jewish, he'd have been Jeff Chandler, a lookalike who lost out on both The Ten Commandments AND Ben-Hur to Old Granite Jaw. Had Chandler nabbed those roles, he may have become a superstar himself. As is, he played the leads in studio program pictures, those B+ movies that disappeared with the end of the 'studio contract' system in the early sixties. By then, Chandler was already gone, having died while filming a WWII action flick, Merrill's Marauders, for Sam Fuller in the Phillipines. Anyway, his director for this costume mini-epic was Doug Sirk, an expert out of making magic from routine material. Chandler's the Roman centurion who must push back the invading armies of Atilla the Hun. Ludmilla Tcherina is one of a number of flashy looking women (Blonde Allison Hayes, later the sixty foot woman, is another). Lots of fairly big and semi-spectacular action sequences, with Jack Palance hamming it up even more than usual as Atilla. Nice production values, given a moody atmosphere by the always fascinating Sirk. This is one of those films that have been so completely forgotten that even Turner Movies doesn't revive it. Too bad - for this represents a fun aspect of the Old Hollywood in its final hours that ought to be reclaimed by contemporary viewers.