In the North Sea in 1944, passengers of a downed Royal Air Force transport aircraft talk about their lives while awaiting rescue in their dinghy.In the North Sea in 1944, passengers of a downed Royal Air Force transport aircraft talk about their lives while awaiting rescue in their dinghy.In the North Sea in 1944, passengers of a downed Royal Air Force transport aircraft talk about their lives while awaiting rescue in their dinghy.
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That rarely happens under ordinary circumstances in the movies, right? Things work until the actual battle begins, and then the engineer - invariably Scottish - puts things together with string and old cutlery. This is not that sort of movie. It's pacing is odd. It's crisis and routine, and nothing gets done, until the last minute, just like in real life. People talk oddly. Dirk Bogarde, one of the downed fliers, is shrill.
Unfortunately, this ambitious way of telling a story doesn't really work to maintain interest. The characters are either blanks, like Michael Redgrave, who holds the Maguffin, or unappealing. It's an interesting experiment, but like many of them, it doesn't prove its worth.
Good cast, though.
I think some reviewers are missing what this movie is trying to portray..... for me anyway..... that is the continuous monotony for many, especially so close to the end of the war, of such sea rescue patrols.... this for me is highlighted or more obvious from the scenes involving the Entertainment Officer at the base and his discussions with the CO responsible for finding and retrieving the vital information and the important passenger before the Germans do.... whilst the CO is under pressure from the powers that be and his own personal determination to find and rescue the downed crew... he is being asked to approve somewhat irrelevant and mundane plans such as preparing and informing service personnel for civilian life and dealing with small issues like petty theft or rather theft by finding (as it was called)
I think most veterans from all arms of the military would recognise what this story is most focussed on.... it is neither about any one individual in the cast or about providing the viewer with wild excitement and action.... there is both in this movie but the main plot for me is about the way monotony and routine can influence the individuals decision making and the consequences for that on others...!
I am still surprised at just how many well known (at the time)..... Budget wise the cast salaries would be enormous comparatively to the level of this movie... so I do ask myself if favours were called in or if there was some kind official patronage say from the military or some other person or organisation....
Like Hitchcock's 'Lifeboat' the cast are cast adrift in an open boat with Michael Redgrave in the Miss Froy part (the MacGuffin taking the form of a attaché case filled with "formula blue-prints and so on").
Nigel Patrick is cast against type as a rasping flight sergeant who snarls at new boys "I eat blood and drink rivets!". The music of course is by Malcolm Arnold, who never seems to be taking things as seriously as the cast.
Did you know
- TriviaThe billboard outside the Odeon cinema, Leicester Square, said: "Michael Redgrave and Dirk Bogarde in The Sea Shall Not Have Them". Passing by, Noël Coward said, "I don't see why not. Everyone else has."
- GoofsWhen Gp Capt Todd is speaking to Mrs Watley at the railway station two airmen wearing the three-bladed propellor badge of the Senior Aircraftman pass by. This rank was not introduced until 1950.
- Quotes
[first lines]
Group Captain Todd: [voice over] My name is Group Captain Todd. During the war, I commanded an RAF station on the east coast of England. This is the story some of the men of an air-sea rescue unit who served under my command. They didn't fly, but went to sea in high-speed launches. Their job: to rescue their comrades from the sea. Their motto...
[the screen changes to the opening title card, The Sea Shall Not Have Them]
- ConnectionsReferenced in The Golden Gong (1985)
Details
- Release date
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- Also known as
- Havet skall inte få dem
- Filming locations
- Felixstowe, Suffolk, England, UK(Some exterior scenes)
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- See more company credits at IMDbPro
- Runtime
- 1h 31m(91 min)
- Color