La nuit où mon destin s'est joué

Thrilling airplane picture, and I can't think of many other airplane pictures to compare it to. Much better than 'The High And The Mighty"(1954), and "Five Came Back"(1939), and different than "Lost Horizon"(1937). "The Night My Number Came Up" is a compelling and suspenseful film about differing conceptions of fate as presented in a dream - the dream of someone who was not a passenger on the trip.

Briefly, a man at a party recounts a dream he had about an airline crash. He is talking to a group who are flying the next day, and some of the travelers are spooked. He then departs and the group discuss his dream; some dismiss it and others show great concern. But during the trip elements of the dream begin to fall into place.

The acting is first-rate throughout the cast. The main character is seldom-seen Alexander Knox as a passenger flying for the first time. Stalwart Michael Redgrave is his flying companion, and Denholm Elliot and Sheila Sim lend strong support. The picture has a claustrophobic feel as most of it takes place in the passenger cabin, perhaps increasing the feeling of impending doom. This may be in the picture's favor, as it adds to the tension and heightens the suspense, the way many movies attempt but few succeed the way this one does.

Although it may not have the same notoriety as some others produced by Ealing Studios under the benevolent leadership of Sir Michael Balcon this one is certainly one of the most intriguing. That it is based on a dramatic incident in the life of Air Marshall Sir Vincent Goddard who happened to be a spiritualist with an interest in paranormal activity, makes it even more intriguing.

Eight passengers and five crew members take off on a routine flight from Hong Kong to Japan. Unfortunately, the night before, three of the passengers have a dream recounted to them by a fellow dinner guest in which their plane crash lands. As the flight progresses the coincidences start piling up and what seemed a dream fast becomes a terrifying reality........

This film really works because of its excellent, tightly knit construction, literate script by R. C. Sheriff, ominous score by Malcolm Arnold and restrained direction by Leslie Norman.

Superlative Michael Redgrave plays the Air Marshall and heads a first rate cast whose understated performances give the film its dramatic intensity. This is probably the finest hour of actor Nigel Stock as the pilot who inadvertently hears about the dream and wishes he hadn't!

The ancients set great store by the prophetic power of dreams. Those who staunchly advocate 'free will' as opposed to 'predestination' will no doubt find the plot to be a load of tosh but 'there are more things in heaven and earth than are dreamt of in our philosophy'!

This is a film which will stay with you for a long time. Its title sets the tone for what follows : a flight which, as it continues, looks more and more to be one that will end in disaster and thus, apparently, mean that a man's dream regarding it will come frighteningly true. The increasing sense of foreboding is alleviated at one time or another by a development that appears to be at odds with the dream, that is, until something else transpires which then sees the exact circumstances of the dream restored. It is a film which, not unnaturally, gives rise to tension-laden conversations about whether there is such a thing as fate, but that is not the main impact of this film, which is that one's attention is riveted from the opening scene to the final shocking end.

until

Commander Michael Hordern has a detailed dream of 8 people in a plane crash which he relays to a group of travellers....due to fly the next day.

Interesting notion around whether destiny is preordained. A fine British cast deliver quite a theatrical piece with Redgrave, Knox and Elliott on fine form throughout this will they won't they fulfill the dream

I saw this movie in 1955, when I was 35 and not so long after my time in the Air Force in WWII, so the RAF flight in the Dakota (same as our USAF C47 and the civilian DC3) resonated for me. But it was really the extraordinary level of suspense that made it so memorable. It starts with a dream of a Dakota lost in a storm and crashing onto a rocky beach. Crucial is the exact number on board. As the real trip progresses in stages, passengers get on and off. Just as it seems the fatal number has been circumvented, something happens to re-institute it. The way this was done was so believable and artfully handled. I particularly remember an episode with someone pointing out that telling the pilot the dream is not such a good idea; after all, he needs his skills to fly the plane safely, and if he takes the dream seriously and it makes him nervous...I have used this idea the rest of my life when directing hundreds of people. It touches on a profound bit of philosophy: when is deception justified? A great movie: if you get the chance, don't miss it.