Marcelin, pain et vin

January 2006, and we're talking about a film made in 1955! I too saw this movie possibly 50 years ago and have never forgotten it. I tried to get some more information on it in Sydney with our so called movie experts but got nowhere. The internet was not much help either, then last week, lo and behold, I found a DVD in "Parklea Market" Sydney Australia (sort of organised flea market) And it was selling for 5 Australian dollars (perhaps 2.5 Euros). Only one problem the tittle was "The miracle of Marcelino" ... It had to be the same though so I bought it. I could not wait to run it on my DVD player... and there it was "Marcelino Pan y Vino"! Yes try to search for Marcelino pan y vino, chances is you'll get nothing. Of course the reason I'm here is because of my newly acquired knowledge of its English title. I then was a little boy in France and I think the film was in Spanish with french subtitle. I personally think the dubbed version does some damage to the integrity of this beautiful story. I have to be honest here too. I found the movie rather rusty in the light of the ever growing technology in this field and I don't agree that the music is beautiful; it's markedly aged and I don't think I'd like a sound system with this quality.

But what a reunion, I had almost given up any hope to see it again. I think My parents took me to watch it in Paris. They were non religious as I am now. They only love it for it's beauty and artistic value. I'm pretty sure if you're reading this you've read other entry and you already know the story, so I won't go into it. I just hope you'll give it a chance in your lounge room, I think the reward will be great

mm Feb. 2006. I had to come back to this movie and read more commentaries since I was here. I felt saddened by some, expressing some kind of paranoia or just pure negativism. One entry asked us to take off our "rosy" glasses to watch this movie... For one I wish I could find my 'rosy' glasses again as the world I see today needs badly to be seen through such device or we'll soon run out of Prozac. Then people wear all kind of glasses with all kind of colours and so see things accordingly that is not to say that other should join in. I wander what colour of glasses Mother Theresa, "l'abbe Pierre" or the like of them wore to achieve what they did. I see Marcelino Bread and Wine" as a simple,touching and beautiful story despite not having entering a church for decades. MM PS Having mentioned my difficulty to search this tittle I tried again because I forgot to bookmark it. This time I made sure to enter in the search field "The miracle of Marcelino" and for result got : Marcelino Pan y Vino (Aka the miracle of Marcelino)...How this for contradiction!

The film starts in a long flashback narrated by a priest (Fernando Rey), he tells how an abandoned baby is picked up by monks residing in a monastery run by a humble Father Superior (Rafael Rivelles). The little boy named Marcelino (Pablito Calvo) who lost his mother , becomes a fine kid , pure and simple of heart , and devoted friend of Crucified Jesus . Meanwhile , he gets into mischiefs , he plays and puts nicknames to monks , as Brother Door (Antonio Vico) , Brother Cookie (Juan Calvo), Brother Bad (Mariano Azaña) , Fray Giles (Juanjo Menendez) and Brother Ding Dong (Joaquin Roa) . But in some touching scenes , Marcelino meets at the loft to Jesus and gives him bread and wine, then happening an ecstasy at the ending .

This a perceptible and feeling movie full of mirth , humor touches , and enjoyable message based on novel written by Jose Maria Sanchez Silva. At the same time the film gives us an agreeable panorama about monastery life , its pity , and goodness ; furthermore , the religious oration , sacrifice , work , companionship and various situations happen in monastic existence . Its perfect developing resides on superb characters incarnated by the good-natured monks, well played by all-Spanish-star-cast , and the sympathy , simplicity of Pablito Calvo-Marcelino . Musical score by Pablo Sorozabal responds appropriately to ambient , originating a really spiritual and religious atmosphere . Precious and luminous cinematography by Enrich Guerner (Vadja's ordinary cameraman) who give us an accurate scenario at the times is developed . The motion picture was excellently directed by Ladislao Vadja , born in Hungary , he's author of magnificent movies , such as 'The Bait', and 'Carne de horca', and three with Pablito Cavo : 'An Angel over Brooklyn' (along with Peter Ustinov) and 'Uncle Jacinto' (with Antonio Vico) . In my opinion this is one of the best films to come out of Europe in the decade of the 50s. The picture touched the hearts of numerous spectators all around the world. Rating : Above average.

A film for ever in my brain. Not a bad thing for a film. I saw it for the first time when I was 8 and stayed with me always. I'm amused by some of the comments leveling this beautiful tale as "sick" and "twisted". I imagine it's the power of goodness that usually provokes more outcries than the power of evil. The film is what it is, no disguises to send its message as in Forrest Gump for instance. The film is a masterpiece no matter how you look at it and Pablito Calvo, the Marcelino at the center of it all, gives a performance that goes beyond any performance of any child actor has gone before.

I feel almost provoked to comment on this film here, and I say this not as an especially religious person (which I am not), but as someone who feels that a film should not be unfairly criticized because of someone's faulty--or would it be more accurate to say willfully (?) -- distorted summary of the plot.

SPOILERS AHEAD

To begin with, Marcelino is bitten by the scorpion while he is playing outside the monastery, but at no point in the film does he ask to see the crucifix for any reason. He has been frightened by tales of a "bogeyman" in the attic by the monks, who wish him to stay away from it. OUT OF CURIOSITY, and for no other reason, he ventures in, sees the Christ figure, thinks it is the feared bogeyman, and tears back down the stairs. (The figure, incidentally, is a beautiful wooden carving, not gory in the least.)

After an unfortunate incident, in which he is taken to a festival and unwittingly causes a commotion by accidentally letting some animals run wild, the new mayor, an enemy of the monks who have raised Marcelino, swears to shut down the monastery. Marcelino is given the silent treatment by the monks, and it is then that he goes again to the attic, realizes the "bogeyman" is only a statue of Christ, remarks that it looks hungry, steals some bread, and offers it to the statue. It is then that a miracle occurs---the statue comes to life, eats the bread, and eventually, because of Marcelino's repeated visits, becomes Marcelino's teacher and confidant (Marcelino realizes who he is). And the vision is *not* a hallucination. The statue's final act in the film is intended only as a reward for Marcelino's kind actions, and it is done at Marcelino's innocent, but completely self-aware, request.

This is by no means a vicious, sadistic film; it is a beautiful, gentle one. It is a pity that there are those who would distort its meaning.

This movie was excellent. I saw it many years ago as a child in my Catholic grammar school and still remember it. It is a beautiful moving experience and is a movie that can be watched by the whole family. I encourage everyone to see it. We need more movies like this one. I believe I may have seen it again on TV many years ago. I believe people of all faiths can enjoy this movie. The story is about innocence and faith. They also have made a remake of the movie, I believe in 1991. I have not seen the remake but, usually there is nothing like the original. So, if they thought the movie was good enough to be remade, you know it has to be good. Watch this movie, I guarantee you will not be disappointed.