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6.5/10
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An illusionist becomes homicidal when his best kept magic secrets are stolen by his rival.An illusionist becomes homicidal when his best kept magic secrets are stolen by his rival.An illusionist becomes homicidal when his best kept magic secrets are stolen by his rival.
Corey Allen
- Gus
- (uncredited)
Conrad Brooks
- Bonfire Extra
- (uncredited)
Roy Damron
- Rally Spectator
- (uncredited)
George Eldredge
- Theatre Manager
- (uncredited)
Al Haskell
- Carriage Driver
- (uncredited)
Pete Kellett
- Stagehand
- (uncredited)
Jack Kenney
- Stagehand
- (uncredited)
Charles Perry
- Stagehand
- (uncredited)
Murray Pollack
- Theatre Patron
- (uncredited)
Featured reviews
The great Vincent Price has done many fantastic Horror films, some of which range among the greatest genre gems of all-time. Price's greatest achievements were doubtlessly his films in the 60s, with films such as Roger Corman's brilliant Poe-cycle (still the greatest Horror cycle of all-time), Michael Reeves' "Witchfinder General" (1968) or Ubaldo Ragona's "The Last Man on Earth" (1964) marking the ultimate highlights of this brilliant man's career. The films that made the man famous and thereby made him the immortal Horror icon he is, however date back to the 50s, with "House of Wax" (1953) marking his rise to stardom. "The Mad Magician" of 1954 follows a plot that is very similar to that of its successful predecessor. This is not to say, however, that this film isn't an original, delightfully macabre and absolutely wonderful gem itself. As the lines above may suggest, Vincent Price is my favorite actor, and, while I personally would not allow myself to miss anything the man has been in, none of my fellow fans of the man may miss this little gem.
Price stars as Don Galico (aka. Galico the Great), an underrated master magician and inventor of magic devices, whose boss, a sleazy businessman, stole his wife (Eva Gabor) from him. When the boss takes away one of Galico's ingenious inventions and gives it to his rival, The Great Rinaldi (John Emery), Galico snaps, and a murderous spree of revenge begins...
Don't we love Vincent Price when he's out for revenge? Some of his most famous and greatest films such as "The Abominable Dr. Phibes" (1971) or "Theater of Blood" (1973) were about absurd and delightfully macabre revenge murders, and this earlier film in his Horror career is another proof that no one takes revenge as Vincent Price does. This film provides a wonderfully eccentric leading role for Price, who, as always, delivers a brilliant performance, and guarantees 70 minutes of outrageously entertaining and macabre fun for every Horror fan. Another must-see for my fellow Price fans.
Price stars as Don Galico (aka. Galico the Great), an underrated master magician and inventor of magic devices, whose boss, a sleazy businessman, stole his wife (Eva Gabor) from him. When the boss takes away one of Galico's ingenious inventions and gives it to his rival, The Great Rinaldi (John Emery), Galico snaps, and a murderous spree of revenge begins...
Don't we love Vincent Price when he's out for revenge? Some of his most famous and greatest films such as "The Abominable Dr. Phibes" (1971) or "Theater of Blood" (1973) were about absurd and delightfully macabre revenge murders, and this earlier film in his Horror career is another proof that no one takes revenge as Vincent Price does. This film provides a wonderfully eccentric leading role for Price, who, as always, delivers a brilliant performance, and guarantees 70 minutes of outrageously entertaining and macabre fun for every Horror fan. Another must-see for my fellow Price fans.
This is essentially a variation on House Of Wax ,in both the plot and the type of role played by the star of both movies ,Vincent Price.In both pictures he plays a talented artist who is sent toppling over the edge into insanity when his creations are usurped by other,less talented and less scrupulous people .In this movie he plays a designer of illusions for stage magicians who aspires to set out on a performing career himself only to be frustrated when another illusionist ,the Great Rinaldo (John Emery)insists that he honour his contract and give him first choice of any illusions he designs.Price is already ill disposed towards Rinaldi as his former wife is now a paramour of Rinaldi. He deploys his talents as an illusionist and as a brilliant mimic to avenge himself upon Rinaldi and others who thwart his plans for recognition as a performer and a designer.
Price is pretty much the whole show here and gives a well judged star turn as a wronged man whose predicament earns audience sympathy.The rest of the cast are competent if colourless and the weight of the whole venture falls on Price who carries the burden with ease .
Good solid B Movie melodrama , this is a crime movie rather than a horror picture and is enjoyable providing you don't expect a masterpiece .Shot in black and white it is low on gore and is best seen as melodrama and enjoyed for the presence of its star giving an idiosyncratic performance
Price is pretty much the whole show here and gives a well judged star turn as a wronged man whose predicament earns audience sympathy.The rest of the cast are competent if colourless and the weight of the whole venture falls on Price who carries the burden with ease .
Good solid B Movie melodrama , this is a crime movie rather than a horror picture and is enjoyable providing you don't expect a masterpiece .Shot in black and white it is low on gore and is best seen as melodrama and enjoyed for the presence of its star giving an idiosyncratic performance
There were and are not many gods that walk among us mortals - Vincent Price was for sure one of those titans. The Mad Magician is just one movie more that proofs that those horror classics of Vincent Price's legacy will stay forever young (no matter the nostalgic looks and flavor) and are a feast for generations of horror addicts still to come, and old-school hounds like me.
I just recently watched this 1954 movie starring Vincent Price for the first time on Turner Classic Movies. Price portrays Don Gallico, a magician/inventor who is driven to murder when his boss steals several of his magical inventions (and also his wife, portrayed in a brief role by the lovely Eva Gabor). Even though Price is a murderer, I actually found myself rooting for him, he is a sympathetic character who is driven mad by the greedy people around him who keep taking advantage of him.
Although this movie doesn't have the "horror" factor of some of his more famous roles (such as my favorite, "House of Wax") it nonetheless has enough going for it to keep the viewers interest.
This is a must for Vincent Price fans.
Although this movie doesn't have the "horror" factor of some of his more famous roles (such as my favorite, "House of Wax") it nonetheless has enough going for it to keep the viewers interest.
This is a must for Vincent Price fans.
The only ingredient missing in this VINCENT PRICE tale of horror is Technicolor which might have provided even more interest in this murderous tale of a magician who kills in order to protect his inventive magic act.
First to go is a partner with whom he has a violent argument and is given the buzz saw treatment. Then, JOHN EMERY, a rival magician who is foolish enough to steal from Price and threatens to reveal what he knows about the death of Price's partner. Emery has a grand time matching his scene stealing tricks with Price.
Skillfully directed by John Brahm, a section of the film dealing with the bonfire is reminiscent of a similar moment from Brahm's HANGOVER SQUARE when Laird Cregar delivers the body of a woman to be consumed by fire.
Acting is uniformly excellent and the script moves at a fast pace under Brahm's direction. Once again, Vincent Price delivers a first-rate performance in a shuddery role. The suspenseful moments lead to an edge of your seat climax involving a crematorium device.
First to go is a partner with whom he has a violent argument and is given the buzz saw treatment. Then, JOHN EMERY, a rival magician who is foolish enough to steal from Price and threatens to reveal what he knows about the death of Price's partner. Emery has a grand time matching his scene stealing tricks with Price.
Skillfully directed by John Brahm, a section of the film dealing with the bonfire is reminiscent of a similar moment from Brahm's HANGOVER SQUARE when Laird Cregar delivers the body of a woman to be consumed by fire.
Acting is uniformly excellent and the script moves at a fast pace under Brahm's direction. Once again, Vincent Price delivers a first-rate performance in a shuddery role. The suspenseful moments lead to an edge of your seat climax involving a crematorium device.
Did you know
- TriviaThe first movie to be broadcast on television in 3-D.
- GoofsGallico places Ormond's body at the very top of the stack of crates being used for the bonfire. In subsequent long shots, the body appears to be about halfway up. When the bonfire is lit, the body is back on top.
- Quotes
Alice Prentiss: I'm convinced of it, so convinced that I'm going to Lieutenant Bruce right now!
Frank Prentiss: Alice, I forbid it.
Alice Prentiss: My dear, don't be ridiculous.
- ConnectionsFeatured in Weirdo with Wadman: The Mad Magician (1964)
- How long is The Mad Magician?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- El mago asesino
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 12m(72 min)
- Color
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