Le tueur porte un masque

This is essentially a variation on House Of Wax ,in both the plot and the type of role played by the star of both movies ,Vincent Price.In both pictures he plays a talented artist who is sent toppling over the edge into insanity when his creations are usurped by other,less talented and less scrupulous people .In this movie he plays a designer of illusions for stage magicians who aspires to set out on a performing career himself only to be frustrated when another illusionist ,the Great Rinaldo (John Emery)insists that he honour his contract and give him first choice of any illusions he designs.Price is already ill disposed towards Rinaldi as his former wife is now a paramour of Rinaldi. He deploys his talents as an illusionist and as a brilliant mimic to avenge himself upon Rinaldi and others who thwart his plans for recognition as a performer and a designer.

Price is pretty much the whole show here and gives a well judged star turn as a wronged man whose predicament earns audience sympathy.The rest of the cast are competent if colourless and the weight of the whole venture falls on Price who carries the burden with ease .

Good solid B Movie melodrama , this is a crime movie rather than a horror picture and is enjoyable providing you don't expect a masterpiece .Shot in black and white it is low on gore and is best seen as melodrama and enjoyed for the presence of its star giving an idiosyncratic performance

Although there is more ham in this film than a full street of German delis, the movie will definitely hold your attention. We know Price is a ham, but so was Gabor, the landlady writer, and the competing magician. THREE HAMS in ONE FILM! I am pretty sure this is a record. Regardless of the pork content, the film is entertaining because of the story and the characters. A brilliant magician who is a terrible businessman, gets taken in by a few sharpies. His revenge is sweet. But the climax is not as satisfying as one would want. What we really want is for him to get away with the scam. But this film was under the watchful eye of the film code, which guarantees the sappy ending I will not reveal. Good fun.

The Mad Magician (1954)

*** (out of 4)

Vincent Price followed his success in HOUSE OF WAX with this horror thriller. He plays Don Gallico, a masterful creator of magic tricks who is double crossed by his boss and kills him. He eventually takes the dead man's identity but when the police start to investigate he must commit one murder after another trying to cover his tracks. THE MAD MAGICIAN was originally released in 3D and there are a lot of objects flying towards the screen and even when you view the film flat it's still easy to see that the effects are in good nature and appear to be fun. The movie itself is quite fun from start to finish and a lot of credit has to go to the wonderful Vincent Price. He was such a wonderful actor and his great performance made him a perfect fit for the genre. His soft-spoken nature he just makes you really love his character and made you feel sorry for him once the boss rips him off. Even after he starts murdering people you can't help but wish there's some way for him to get out of it. These added feelings for the character would be missing with so many other actors but Price's perfect performance really adds so much to the film. Mary Murphy is good as his assistant and Eva Gabor is simply snake-worthy as Price's ex-wife. Director John Brahm (THE LODGER) has had experience with the genre so he's able to build up a wonderful atmosphere and keep the film moving at a very fast pace. The biggest flaw with the picture is that it's pretty much HOUSE OF WAX but with a magician. The two film's are very close to one another as it's clear Columbia was trying to capture the success of that Warner film and didn't really come up with a fresh plot. With that said, Price certainly makes this film quite memorable and it ranks as one of the better horror pictures from this period.

The great Vincent Price has done many fantastic Horror films, some of which range among the greatest genre gems of all-time. Price's greatest achievements were doubtlessly his films in the 60s, with films such as Roger Corman's brilliant Poe-cycle (still the greatest Horror cycle of all-time), Michael Reeves' "Witchfinder General" (1968) or Ubaldo Ragona's "The Last Man on Earth" (1964) marking the ultimate highlights of this brilliant man's career. The films that made the man famous and thereby made him the immortal Horror icon he is, however date back to the 50s, with "House of Wax" (1953) marking his rise to stardom. "The Mad Magician" of 1954 follows a plot that is very similar to that of its successful predecessor. This is not to say, however, that this film isn't an original, delightfully macabre and absolutely wonderful gem itself. As the lines above may suggest, Vincent Price is my favorite actor, and, while I personally would not allow myself to miss anything the man has been in, none of my fellow fans of the man may miss this little gem.

Price stars as Don Galico (aka. Galico the Great), an underrated master magician and inventor of magic devices, whose boss, a sleazy businessman, stole his wife (Eva Gabor) from him. When the boss takes away one of Galico's ingenious inventions and gives it to his rival, The Great Rinaldi (John Emery), Galico snaps, and a murderous spree of revenge begins...

Don't we love Vincent Price when he's out for revenge? Some of his most famous and greatest films such as "The Abominable Dr. Phibes" (1971) or "Theater of Blood" (1973) were about absurd and delightfully macabre revenge murders, and this earlier film in his Horror career is another proof that no one takes revenge as Vincent Price does. This film provides a wonderfully eccentric leading role for Price, who, as always, delivers a brilliant performance, and guarantees 70 minutes of outrageously entertaining and macabre fun for every Horror fan. Another must-see for my fellow Price fans.

Vincent Price's follow-up to HOUSE OF WAX (1953), the film which cemented his reputation as a horror icon, similarly revolves around a bitter – albeit resourceful – showman. Though a remake, the former (shot in Technicolor) remains the superior effort; that said, apart from some resistible comic relief, the obligatory resort to cheap gimmickry (it was another 3-D showcase) and occasional narrative shortcomings (whatever happened to the missing bag which supposedly turned up at some police station containing a severed head?), this offers more than enough Grand Guignol-type thrills and overall camp value (Price hamming it up in a variety of disguises as an inventor of illusions impersonating 'missing' star conjurers who had taken advantage of his genius) to stand on its own two feet. Incidentally, director Brahm's involvement here proves no mere coincidence – since the narrative incorporates elements from two horror titles (both starring Laird Cregar) he had previously helmed i.e. THE LODGER (1944) and HANGOVER SQUARE (1945). The young leads are played by Mary Murphy (as Price's ingénue assistant) and Patrick O'Neal (as her police detective boyfriend – curiously enough, he would himself take the lead in a similar piece, CHAMBER OF HORRORS [1966], which I have acquired just in time to serve as an encore to this one). An interesting sideline here is the latter's adoption of a novel detection technique, fingerprinting, which is crucial in bringing about Price's downfall (in a predictable but rather awkward fiery climax)…though the persistent snooping of his amateur crime novelist landlady has at least as much to do with it in the long run! Watching the star in a made-to-measure role, the film emerges a good deal of fun – particularly at a compact 73 minutes.