Lumber Jack-Rabbit

As an avid fan of Looney Tunes, I looked forward to seeing Lumber Jack-Rabbit. It was nice and entertaining, but some aspects disappointed too. So what disappointed? Well the pacing isn't as secure as it normally is, while the cartoon is I feel too short at 6 minutes. But the let down were some of the 3d effects. Some of them work nicely such as the dog and the horizon but others are distracting and as a consequence fall flat.

However, the animation itself, the characters and backgrounds are crisp, colourful and lively, and the music is energetic and fun. There is also the typical Looney Tunes wit and irreverence that make these cartoons so enjoyable, evident in the witty dialogue and smart sight gags. Bugs has been better but he is good, while the dog Smidgen is a good foil. And as always Mel Blanc is stellar with the vocals. Overall, not the best of the lot by a mile, but definitely worth watching. 7/10 Bethany Cox

So I understand that "Lumber Jack-Rabbit" was the only Looney Tunes cartoon filmed in 3-D. Why didn't they film "Duck Dodgers in the 24 1/2 Century" like that? But no matter what got filmed like that, the format unfortunately doesn't show up on TV. I guess that you just can't try to transpose anything from one format to another! No matter, I still thought that this was a funny cartoon, as Bugs Bunny stumbles onto Paul Bunyan's farm and has to contend with Bunyan's over-sized dog Smidgen. As always, despite being a tiny fraction of the size, Bugs somehow always has the upper hand.

So, this is far from the best cartoon that they ever produced. After "Duck Amuck" and "What's Opera, Doc?", I really expect a lot from Chuck Jones. But this one's OK in a pinch.

Interesting Bugs Bunny short, directed by Chuck Jones, that's notable for being the first Warner Bros. cartoon produced in 3-D. The story for this one has Bugs finding Paul Bunyan's garden. Weird, I know, but bear with me. The vegetables in the garden are, like Bunyan, gigantic. So when Bugs finds giant carrots he thinks he's hit it rich. But then Bugs must contend with Bunyan's dog Smidgen (also a giant), who is in charge of watching over the garden. What follows are some funny lines and gags as Smidgen tries to chase Bugs away and save his master's carrots. The animation is really good and the 3-D trick shots are minimal so, even though the impact of those effects is diminished with normal viewing, it doesn't take you out of the cartoon enough to affect your enjoyment. It's a fun cartoon despite a somewhat abrupt ending. I'll give it points for being a little odd in a good way.

When this film was originally released, theater patrons were not handed those stupid cardboard glasses with blue and red cellophane lenses, that are used today. Instead we had to rent genuine Polaroid glasses. (This is the main reason 3-D went out of favor, simply because cinema patrons objected to paying the additional charge to rent the glasses).

I was one of the few that raised no ruckus at all. I loved 3-D. And one of my best 3-D experiences was "Lumber Jack Rabbit" in which Bugs encounters a giant Paul Bunyan and his equally over-sized mutt, Smidgin.

Inventively directed by Chuck Jones, with good jests, rapid cutting, and lots and lots of deepie effects (but not too much of simply throwing objects into the camera), "Lumber Jack Rabbit" (the title is misleading) is a real entertainment treat. Bugs himself is in fine fettle. Highly recommended.

"Lumber Jack Rabbit" is the only Warner Brothers cartoon filmed in 3-D. It's also further proof that Chuck Jones is the most overrated figure in the history of animation. Jones utterly fails to take advantage of the possibilities of 3-D, and this movie falls flat in every sense.

"Lumber Jack Rabbit" begins promisingly. In the opening credits (which are now cut out when this cartoon is shown on television), we see the familiar Warner Brothers logo surging towards the camera, as in so many Looney Toons. But this time, the logo passes its usual stopping-place and it keeps on coming, until it's nearly in our laps.

Viewed in the 3-D process, this is unexpected and truly impressive. It's also the LAST time this cartoon will impress us.

A dull narrator briefly recaps the legend of Paul Bunyan, the giant lumberjack. (By the way, there are no authentic folktales about Paul Bunyan: he was actually created in the 20th century as part of an advertising campaign for a timber company.) We see gigantic Bunyan (from the chest downwards) striding across his land, on which everything is many times normal size ... including Bunyan's giant dog Smidgen. (Is this name meant to be funny?) Chuck Jones brings nothing new to Smidgen; except for his gigantic size, Smidgen is drawn and animated to look exactly like every Chuck Jones dog in every Chuck Jones cartoon, including Jones's boring canine character Charlie Dog.

Into this valley of the giants comes a normal-sized Bugs Bunny, who must have taken a wrong turn at Albuquerque. From Bugs's perspective, Paul Bunyan's giant carrots look like redwood trees. Bugs immediately starts harvesting the giant carrots, only to run afoul of Smidgen the giant dog. Nothing funny happens. More critically, NOTHING happens to take advantage of the 3-D aspects of this cartoon.

Carl Stalling does his usual excellent work with the musical soundtrack. Throughout this cartoon, Bugs Bunny sings "Blue Tail Fly", a folksong made popular by Burl Ives. Most people don't realise that "Blue Tail Fly" is actually a song about a black slave who murders his master and then fools the coroner's jury into returning a verdict of accidental death. I can't help wondering if Jones (or scriptwriter Michael Maltese) knew how truly subversive this song is. Stalling provides a jazzy syncopated flute line in counterpoint to Bugs's vocals. Very nice!

"Lumber Jack Rabbit" was originally shown in cinemas in 3-D format, with parallel filmstrips and those goofy cardboard glasses. It's now shown on TV in conventional "flat" format, which is no loss as the 3-D effects are negligible. By 1954, when this cartoon was made, all of Warners' best animators (Avery, Clampett, Tashlin) had already gone elsewhere, so this prestige project went to Chuck Jones by default. I wish that the opportunity to make a Bugs Bunny cartoon in 3-D had been given to Friz Freleng or Robert McKimson instead. McKimson's contributions to animation have been sorely underestimated, just as Chuck Jones's have been severely overestimated. Robert McKimson's cartoons were always funny and pleasing to the eye, and he could have done much better work with "Lumber Jack Rabbit" than Chuck Jones has done here.