Le démon des eaux troubles

When yet another atomic scientist goes missing behind the Iron Curtain, a private submarine expedition is put together to trail a freighter suspected of being able to lead the crew to what is believed to be the place where the Chinese are conducting nuclear research in preparation for a war. Former submarine commander Jones is contracted to lead the exhibition with a ragtag crew and a submarine in need of maintenance time that is not available to him. With Professor Montel technically in charge with his (female) assistant Professor Gerard by his side, the boat sets out on the mission of observation but with the ever present threat of danger in the hostile waters.

A bit of a romp this one as it revels more in the gaudy sweep of the telling rather than the tension from narrative detail. The plot doesn't really matter so much as it is a simple device for the voyage. Along the way we get personal conflicts, crew tensions and underwater stand-offs as well as some fire-fights. At no point was I hooked but it is rather entertaining in the way that school-boy adventure stories are – full of tough men, sacrifice and action. In this regard it suits the people making it and Fuller directs with simple but bright colours – easy to understand and engage with even if they are too simple to be real. So it is with the characters and plot but it still works. The romantic side of the story is a flop and I didn't see why a female character couldn't just be a character and had to be a love interest (well, obviously I understand why this decision is made, but I didn't see the value of it in the story).

The headlining of Richard Widmark is rarely a bad thing and he fits this tough action drama with his stern delivery and commanding presence. There is no doubting that Darvi is sexy and a good presence when it comes to being coy and flirtatious however when more is asked of her she is found wanting as she lacks the range. The rest of the cast fit in well around them – nobody brilliant of course but everyone able to be at the level required by the material.

Not that intelligent or complex a film but a solid enough wartime action film which will do the job if that's all you're looking for.

Hell and High Water is a great Fifties film with Richard Widmark and his handpicked crew of WWII veterans trying to foil a dastardly Communist plot to start WWIII.

Widmark is a former submarine commander who's been hired to check out a secret base that the Communist Chinese seem to be building in the islands north of Japan. The group that's hired him is some kind of consortium of western scientists who seem to be operating as a secret society. Like Captain Midnight or heaven forfend, the Tri-Lateral Commission.

Parts of the plot and definitely some of the footage is taken from another submarine picture that 20th Century Fox did, Crash Dive. It's so obvious, especially when you have Richard Widmark's voice with no closeups, over the footage from the previous film. That also concerned a secret Nazi base in the Atlantic and the submarine crew that went to clean them out.

Along for the ride in the submarine are scientists Victor Francen and his assistant Bella Darvi who was Darryl Zanuck's main squeeze at the time. Ms. Darvi had a short and tragic life and her story would make a real interesting picture.

Far more interesting than this, though I will say the submarine special effects are outstanding.

While I was earnestly waiting for some of the moments of hilarity one of the reviewers wrote about (which I never found), I thought it would be worthwhile to point out some of the sillier criticism also made.

First of all the bucket scene happened before the ramming scene - not after. Plus, submarines have buckets on them. Isn't that strange. It seems the makers of submarines sort of figured stuff like that out - sometimes subs take on water and it must be moved. And yes, they would have lots and lots of buckets. More than one sub in WWII was saved because of them. The reviewer may also not have seen the part where the buckets are being returned.

He also comments on if the sub was already underwater, where were they taking the water. Again, submariners got that one figured out too. They were taking it to a place where there was a working pump to pump the water off the sub.

Overall it was a decent diversion. But then I'm a fan or Richard Widmark so I may be biased.

I thought the movie was good for it's era. Much better than some of the other fiction movies of it's time. The submarine scenes were very good. Especially the detail of water trickling down the periscope cylinder when they were submerged.

I too wondered where they were disposing of the buckets of water when they were supposed to be running silent. Again the scene was out of sequence.

Also the scene where Richard yells periscope up to look for the enemy sub, and they are surfacing. I thought it looked funny seeing the sub on top of the water and Richard is looking out the periscope.

Again good movie for it's time.

This unusual Cold War adventure features a star whose life off-screen was far more fascinating than her roles on-screen.

Ex-submarine commander, Adam Jones (Richard Widmark), is hired by an international consortium of scientists, statesmen and concerned citizens to command an old WW2 Japanese sub to track down a group of nuclear scientists who have disappeared in a remote area north of Japan.

Like Cagney before him, Widmark always seemed to be shaping up to the world, and so it is with his Commander Jones who assembles a crew straight out of the Hollywood Submariner Stereotypes Manual. He also takes along a professor and his assistant, Denise Gerard (Bella Darvi).

The action doesn't stray too far from the Twentieth Century Fox sound stages, but does have a couple of exciting sequences with pretty good special effects - even if the atomic explosion at the end doesn't look like it had the scale to disrupt peak hour traffic.

Over the 60 years since it was made, I have learnt more about the stars and the filmmakers, and a reason for revisiting the film was to see Bella Darvi in another movie other than "The Egyptian".

She was Darryl Zanuck's mistress back in the day and he was besotted with her. Much of this is detailed in Leonard Moseley's "Zanuck: The Rise and Fall of Hollywood's Last Tycoon", but there is plenty of information on the Internet.

Zanuck put her in three movies but the public did not take to her. The critics shredded her performance as Nefer in "The Egyptian" claiming that her acting was wooden. I didn't mind it at all, although she was fairly unanimated. "Nefer was" was the bitchy comment from one co-star - being topped-off with a red fright-wig also didn't help.

But in "Hell and High Water", made before "The Egyptian", she is completely different. Warm and radiant, she displays a range of emotions as well as a sexy French accent; it is here that you can see the charm of the women who caused such turbulence in Darryl Zanuck's life. No doubt, the difference in the performances had a lot to do with the directors, Sam Fuller in this case.

Like other tragic stars, it is sad knowing that aged 42 she turned on the gas in her Paris apartment and exited a life that had probably always been on a downward spiral.

"Hell and High Water" is a competent piece of filmmaking from the Silver Age, but knowing a little about the stars and how it was made makes it far more compelling.