Les fils de Mademoiselle

The way they kept calling her "sir" irked me, and the kids' behavior- as well as that of some adults- was annoying. But, I must admit both Greer and some of the kids managed to tug at my heartstrings several times throughout! Yes, I ugly-cried real tears, and that means that while not super good, it's still a good film. But, if you're anything like me, you'll be saying to yourself all along "Oh, if only life were really that simple!" And even though it's not at all, it's lovely that the 1950s respected such simplicity instead of looking down their noses at it.

Greer Garson is my favorite actress of all times, bar none. So many stars have looks and/or charisma, which exceed their talent. They achieve box office draw with these charms, but not so much on critical review. To me, Ms. Garson has it all -- and, as a matter of record, she has scored in both categories. She has such a dimensional, charming presentation, making her fascinating to watch. Along with that, she is quite skillful in portrayal.

Perhaps the reviewer who mentioned Ms. Garson's color films forgot "That Forsyte Woman" from 1949. She did a Disney film much later, "The Happiest Millionaire" with Fred MacMurray, which was of course in color.

This film - Her Twelve Men - is perhaps one of the few weak links in her chain of memorable films. The problem of diminishing offerings became a rueful experience for every Hollywood actress during those decades of studio contracts. As has been stated here, she likely did it to fulfill her contract and to keep working.

Also, as the decade wore on, films became more daring, and Ms. Garson shunned the nudity and coarseness that was being introduced. She is credited with saying that motion pictures should reflect up to the sky, not down to the ground. I appreciate that sentiment. It was shared by others at that time as well.

I think you have to appreciate Ms. Garson to go this film. It's just so boring. And, I just can't like Robert Ryan. A smile seems to be a rarity for his face. He has a critical sort of look while in repose, and appears downright nasty in his negative scenes. He seems very unattractive to me in general, mainly because of this.

If you have any competition for viewing at the time this one comes up, I'd recommend going with the other one. It's not that it is so badly done particularly; it's just such a weak theme in general.

The opening credits give you a cheerful, jazzy rendition of Mozart's "Minuet" from Don Giovanni, so you know you're in for a cutesy, good time in Her Twelve Men, one of Greer Garson's last movies. She plays a new teacher in an all boys' school, the first lady teacher they've ever had. Headmaster Richard Haydn thinks she's just what the school, and the young boys need, but her colleague Robert Ryan thinks she has a lot to learn. He's critical at every turn, but will their antagonism make way for respect and camaraderie? You'll have to watch this charming movie to find out.

Greer is such a pro, and she adds class and grace to all her roles. If this were a June Allyson movie, it would have turned into an annoying screwball comedy. Even Deborah Kerr (who, it can be argued, replaced Greer) probably would have added more drama than was necessary. Greer is just right, and it's a pleasure to see her grow, learn, and care for the boys in her charge.

It's also a great treat to see Robert Ryan in a role he doesn't usually take on. When's the last time he played someone highly educated but too shy to act on his romantic feelings? Never. Greer is a strong woman, and she needs a strong man who can equal her stature and presence. Robert is a great match for her, but will he speak up in time, or will she get swept up off her feet by another strong man, Barry Sullivan (a wealthy, respectful father of one of her students)?

Robert is a seasoned teacher who isn't afraid to tell Greer when she's handling the boys badly. In one scene, a child comes to Greer with a tummy ache, and she tries to fix it with castor oil. Robert tells her it was just a case of homesickness, and the next time it happens, she treats the problem with a hot chocolate instead. There are several lessons to learn, and not just for the boys. If you liked this heartwarming movie, try watching The Emperor's Club, a modern movie about a beloved teacher in an all-boys' school.

I grew up in the 50's and like most kids my age was a big fan of the Mickey Mouse Club.In it's first season one of the segments was Spin & Marty.It was a serialized story about two boys at a western summer camp - who even got to ride horses thus becoming the envy of every boy watching. Spin (the All-American boy) was played by Tim Considine,and Marty (the snobby rich kid) by David Stollery.It became a HUGE hit & the sensation of that first season.Both boys appear in Her Twelve Men,and met there.Tim originally tried out for the part of Marty,but was offered Spin instead.Disney still needed a Marty and Tim told them he had recently worked with a boy who would be just right for the role,David Stollery from Her Twelve men!So this film was somewhat responsible for the ideal casting of that well-loved Disney serial.This information was related by Tim & David in the interview feature of the Disney Treasures DVD Box Set that came out a couple years ago.

I found it to be quite an affecting, warm-hearted film. Surely nobody could have played the new teacher as well as Miss Garson, and it is always a pleasure to see Robert Ryan playing a "good guy" instead of a pyscho-killer! Many excellent small parts for worthwhile players such as Barbara Lawrence, Ian Wolfe, Ivan Triesault, Frances Bergen, etc. Maybe it is just a big hunk of middle-brow sentimentality but I loved it!