Le robot qui tue

In my opinion this is one of the best films made by Ivan Tors. Tors created "Science Fiction Theater" for TV and made several SciFi films (like The Magnetic Monster) before this genre was really popular. He brought real science to the screen in plots that may seem dated today but afterall, it was 1954. In GOG, Tors brings in then brand new inventions such as jets, computers, robots, high frequency sound, cryogenics, sunlight as a weapon, electronic surveillance, atomic power and even man-made satellites (which would not become reality for 3 more years). To an audience unfamiliar with such things, it was exiting and scary. Especially scary when you were made to think such super weapons were under the control of a foreign power. The Korean War had just ended and the USSR was making aggressive comments about atomic war with us. This movie gave me nightmares for quite awhile.

-BullMoose

GOG is quite an extraordinary, obscure film -- it has hardly ever been rerun on any channel, however I was lucky enough to catch it in its entirety [I'd edited it perfectly - without commercials] about 10 years ago on TNT [Turner network] ... in COLOR! I have hung onto this little GEM and view it occasionally and I must say that I still find this movie to be highly enjoyable! I cannot understand why TURNER/MGM/ WARNER has not EVER released this film in ANY format [never on VHS, DVD or LASERDISC] ... with all of the CRAP [old and new] that is being dredged up on a daily basis for video [DVD] releases, the mind boggles as to why so many classic [and decent "B" flix] SCI-FI & HORROR films have still yet to be released [ex: BURN WITCH BURN, DAY OF THE TRIFFIDS, KING KONG, MIGHTY JOE YOUNG, WORLD WITHOUT END, INCREDIBLE SHRINKING MAN, TARANTULA, ROBINSON CRUSOE ON MARS, CONQUEROR WORM, THE POWER, ISLAND OF LOST SOULS, CURSE OF THE WEREWOLF, BRIDES OF DRACULA, GAMMA PEOPLE, LAND UNKNOWN, MONOLITH MONSTERS, VILLAGE OF THE DAMNED, DR CYCLOPS, MOLE PEOPLE, IT CONQUERED THE WORLD, UNINVITED, INNOCENTS, SON OF KONG, MARK OF THE VAMPIRE, EARTH VS THE SPIDER, DEVIL DOLL, BATTLE IN OUTER SPACE, INVISIBLE BOY, TOBOR, etc etc this long list goes on and on ...]! Anyway, GOG is right on the mark [and ahead of its time - 1956] with Cold War conspiracies, Nuclear testing, computer programming, Biblical references [GOG & MAGOG] and it is indeed a well-constructed film with an interesting espionage approach. ANDROMEDA STRAIN was obviously influenced by this film! The acting is downplayed to a rather scientific level, but is good and on par -- you will notice many veteran stock actors within the cast. Most of the previous User Comments in regards to this film are quite accurate and thoughful, and can be blended into a final strong and POSITIVE review. Indeed, SEE IT - ENJOY IT - pray for DVD!

I was perhaps seven or eight years old when I saw "Gog" in the 1950s. The story was only somewhat comprehensible to me; although I understood that the laboratory was some type of research facility, it was unclear to me why things were going haywire. The jet flying overhead was a mystery: where did it come from, who was in it, and what was it doing?

The scientific devices were fun to watch, especially the "ray" weapon. Being unable to grasp the concept of sabotage, I didn't appreciate why the device was not operating as designed. But what had the biggest effect on me was the action of the robots. Their running amok in the lab scared me to death. Maybe I picked up on the terror of the lab's occupants.

The combination of confusion and fear made watching the movie (on TV) unpleasant but fascinating. It would be fun to see "Gog" now, knowing what I do about the plot, the actors, and the Cold War era in which it was made.

"The Return of Gog" - sounds good doesn't it? Shot in 3-D, but unseen in that format for 50 years, GOG hit the big screen at the Hollywood Egyptian last weekend as part of a 3-D film festival. After its premiere in Hollywood, UA decided NOT to release GOG nationally in 3-D, setting the stage for a film which has been more read about than seen properly for decades. For, once its theatrical (non 3-D) release was completed, the film apparently was sold to TV in B&W prints which further robbed the film of its production lustre. Only in the last few years did a color print show up courtesy of Turner Television. And, now, a 3-D dual print (complete with intermission to change reels!) has been unearthed.

Sounds exciting?

Unfortunately, all this buildup is for a small, talky B-picture. It IS refreshing to look back at a time when SF films weren't just glorified Chase/Action films (ie: T3), but GOG is mostly banal. Still, there's a lot of gadgetry, political intrigue and genuine science (!) packed into its brief running time. The unseen enemy behind it all is clearly the old Soviet Union, setting the film apart from so many films which depict the science itself as evil or suspect.

Director Herbert Strock was there along with Joe Dante and Leonard Maltin. Dante interviewed Strock, who was still spry and proud of his film. Ironically, Strock (like Andre De Toth) has monocular vision and couldn't guage the 3-D effects himself. Indeed, Strock's decision to keep garish 3-D effects to a minimum also may have contributed to the studio's decision to forego a costly 3-D release. And even Strock was amused at a line in the film where someone is hospitalized by an overdose, "It was only a little radiation!"

Yes, I saw this as a kid during the Saturday Matinee era. Have seen it a few times on TV, and recorded a copy. I also enjoyed the early "Doctor Who" broadcasts. I wonder if the Doctor Who set designers were influenced by Gog and Magog when they conceived the Daleks? Think about it: Both robots were mobile via treads/rollers (no artificial legs); both robots have a similar body shape; both have a single, grasping arm, and both have a flamethrower-type arm. Coincidence?