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It's 1872. Johnny MacKay (Alan Ladd) is the best Indian fighter in Oregon. He arrives at the White House to talk to President Grant. He is appointed peace commissioner to convince renegade Modoc Indian Captain Jack (Charles Bronson) to lead his people back to the reservation.

The history may be real but it's told from one side of the conflict. This is an old fashion western in more than one way. It definitely has the scenery. Most white folks starting with MacKay are simply trying to keep the peace. The Indians are the trouble makers along with some white settlers. It's an early role for Bronson and he does some fine red-face acting. Alan Ladd is doing very blend acting. It's probably deliberate to give this character the persona of a peace giver. It may be propaganda but it works for the audience of its day. The American government only wants to help the red savage and some just refuse to be civilized.

This western is one of Alan Ladd's best films and he is the peace commissioner turned Indian fighter who finally brings peace in the far west. The film is based on factual events as Modoc boss Captain Jack ignores repeated overtures for peace and leaves the cavalry no choice but to resort to arms to stop the killing and outrages. Ladd and Charles Bronson, the Indian leader, make fine adversaries and the movie has lots of action and beautiful scenery. A great cast of western favorites are in the film and Ladd even has a moment or two to clinch with with pretty Audrey Dalton. Marisa Pavan is an Indian maiden who also has a yen for Ladd. Delmer Daves directed this film, which is another in a succession of excellent Daves westerns. Victor Young's fine music accompanies the film.

I saw this for the first time recently n only cos of Alan Ladd. Been generous with a 6 cos of Ladd, Bronson n some great, sun soaked settings. Apart from the above mentioned qualities, this is an average western. I can't comment on the historical context as i am not aware. But most movies showed the poor red Indians as savage which is unfair cos i believe one man's hero is another man's villain.

Coming back to this film, it did show the native Indians in a bad light. Alan Ladd's character describing how his family got butchered. The Natives planning for a double standards during a peace powwow. The Natives shooting unarmed civilians.

The plot - A veteran Indian fighter Johnny MacKay (Alan Ladd) is appointed peace commissioner by the President to end the hostilities between settlers, soldiers and Modoc renegades. Johnny is helped by the children of an old Modoc chief who tells Johnny that it is a chief called Captain Jack (Charles Bronson) and his band of brutal renegades are opposing the peace negotiations while most of the other Modocs wish to coexist n live in peace.

"Drum Beat", released in 1954 pits Alan Ladd, as an Indian fighter turned peace commissioner, against the leader of the Modoc Indians of N. California, led by Charles Bronson. Ladd, as Johnny McKay, has an intense bitterness towards Indians in general, as they had slaughtered his family years earlier. However, Pres. Grant desires him to work with the Modoc tribe, in particular, to bring peace in the area of California and Oregon. The Modoc chief, Captain Jack, played by Charles Bronson, feels that an area of land is Modoc land only, and it is his to take, and keep. He also has an intense feeling toward the army medals and blue coats, which, to him, are symbols of power and authority. He even kills a retired army colonel, and seizes the medals off the coat the man was wearing.

Ladd, with the aid of Modoc Indians that desire peace, attempts to settle the conflict, but hostilities do break out between the tribe and the soldiers. This was the role that Ladd seemed to shine best in, that of the tight-lipped, slow-to-anger, tough guy. Watchable western fare.

While the plot of DRUM BEAT is based on a true incident during frontier days on the plains, nothing about the film suggests that it's any more than a standard Cavalry vs. Indians western seen hundreds of times since the movies were born.

However, credit director Delmer Daves for finding some gorgeous locations for his story and casting Charles Bronson and Anthony Caruso as Indians who look marvelously authentic in their make-up. Not so fortunate are Marisa Pavan and Audrey Dalton in the weak female roles that could have been played by any young ingénue on the Warner lot.

Alan Ladd is the Indian expert hired by President Grant to make peaceful overtures to the Modocs, headed by Bronson. Elisha Cook, Jr. is interesting as a corrupt Indian trader and most of the supporting roles get good results, especially in the action scenes, all of which are well-staged by director Daves. Especially good is a climactic fight between Ladd and Bronson as they tumble down a rushing stream and fall over the rocky terrain. Ladd seems to be doing most of his stunts in this action-packed scene.

But otherwise, he delivers a rather stoic performance, showing barely any expression even in his brief love scenes with Audrey Dalton. Hard to tell if he was bored or just impatient with the routine script.

All in all, worth watching for the action scenes and the handsome landscapes filmed in beautiful WideScreen Technicolor.