L'assassin parmi eux

FBI agent John Ripley wants to solve the murder of his partner Zack Stewart. He's digging into three of Zack's cases and hopes to find his killer. Joe Walpo is a murderous fugitive on the run. Kate Martell is being threatened and extorted by a mystery man on the phone. The last case involves a car theft ring.

This is a precursor to the modern TV police procedural. It can be a bit dry and three stories may be one too many. Of the many character actors in this film, I like Claude Akins the most. I love his scar. There is a big time location for the climax. It's great to get so close to the sign. In the end, it's an effective police drama.

I enjoyed this early 1950s crime/drama and appreciate the nice job TCM did in restoring the print. The transfer looked outstanding; sharp with excellent contrast. The movie features some fine photography and lighting.

This was one of those semi-documentaries popular among crime stories in the late '40s/early '50s. It usually plugged one of the U.S. law enforcement agencies. Here, it was the FBI and we followed a couple of agents as they tried to tie in several cases in the Los Angeles area. Sometimes these movies were labeled "crime dramas" and sometimes "film noirs." This movie contains a lot of both elements.

Along the way, we see a lot of familiar faces, especially if you grew up watching a lot of television in the '50s and '60s. You may not know all the names, but you'll know the faces.

Names you probably know, however, are Broderick Crawford, Ruth Roman and Martha Hyer. There are three of the half-dozen or so actor who all play a significant part of this story.

Crawford is an FBI agent and lower-key one than you might expect. He's not the gruff lawman of "Highway Patrol" or the loudmouth politician of "All The King's Men." Here, he's gentle with people all the while being an effective FBI guy.

Ruth Roman, as "Kate Martel." plays one of several key female roles, as either crime victim or gangster-girlfriend. Ruth plays a role similar to one Lee Remick played in about 10 years later in a film called "Experiment In Terror." Marilyn Monroe-wannabe Martha Hyer is a hoot as a sexy blonde playing a thug's girlfriend, or should I say "moll." She has some great lines, calling the cops "you dirty crumbs" and the like. Her character is pure film noir.

Marisa Pavan is interesting as the blind "Julie Angelino" and so is a young Claude Akins as a boxer-criminal. Jay Adler, Kenneth Tobey and others all have those familiar TV faces.

Movie buffs will get a kick out of the climactic scene, which takes place at the foot of the "Hollywood" sign on top of a hill. That nostalgia, along with the very cool automobiles of the period, make this a good trip down "memory lane."

Unfortunately, this is one of those classic movies that never made it to VHS or DVD. Hopefully, someone will put it in a DVD classics box-set some day. It's a good film and deserves a DVD of its own.

DOWN THREE DARK STREETS, with its trio of cases for the FBI to solve, was the template eight years later for EXPERIMENT IN TERROR, reduced down to just the extortion plot. Broderick Crawford is "Agent John Ripley" in the first, Glenn Ford is named the same character in the second. STREETS uses the semi-documentary approach (heavy-handed voice-over narration) and is more of a whodunit, while EXPERIMENT is a real suspense-filled thriller with the villain identified much earlier. But even then, it is much more chilling. Ruth Roman is the fear-filled victim in the original, Lee Remick plays the spunky lady being extorted in the semi-remake. Good Los Angeles locales, especially the "Hollywood" sign usage in the first. But great San Francisco scenes in TERROR, particularly the Candlestick Park shootout following a Giants-Dodgers game. Both are recommended, with STREETS a competent mystery and EXPERIMENT a classic at the end of the Noir cycle.

...that shows how the FBI handles cases in addition to profiling three particular cases. In the process, it also shows some of the technology used by the FBI at the time.

Agent Zach Stewart (Kenneth Tobey) is assigned to these three cases. One case has to do with a known hijacker, robber and murderer named Joe Walpo who may be headed for Los Angeles. Another is the case of a young man who got caught stealing cars but refuses to give up the guys he works for because of a misplaced sense of loyalty plus the guys are scary and he's rightfully afraid of them. The third case has to do with a widow (Ruth Roman) who is being extorted for the ten thousand dollars in insurance money she got for her husband's death in a traffic accident. The unknown person who calls using a disguised voice is threatening her daughter's life if she doesn't cough up the cash.

When a woman calls saying she has information about one of Stewart's cases, Stewart and agent John Ripley (Broderick Crawford) show up to talk to the woman. When someone disappears out the back door, Stewart gives chase and is shot and killed by that person. The woman refuses to talk further. So now Ripley must solve Stewart's three cases - the titular "three dark streets" - to solve his colleague's murder.

Broderick Crawford plays the FBI agent in his usual TV style of acting, but he's fine for the role and the film is quite engaging. Highlights include Martha Hyer as Joe Walpo's girlfriend who isn't shy and isn't talking. She seems to be doing her best Shelley Winters imitation, but just lacks that "all of the brashness and va va voom that heaven and the production code allows" quality that Winters had.

Then there is Claude Akins as a big galoot who pushes around the spunky blind wife of the car thief and Jay Adler looking almost unrecognizable as the creepy uncle of the widowed extortion victim. William Schallert is a gas station attendant in Barstow who, for some reason that turns out to be a fatal mistake, does not wait until Joe Walpo pulls away from the gas station to try and notify the police in the opening sequence.

And just one more thing - In the extortion segment, Crawford's character tells Ruth Roman that extortionists say things to panic and isolate the victim and make them feel alone and that nobody can help them because that is how they make the victim more compliant with their demands. That's actually good advice when dealing with today's extortionists - otherwise known as internet scammers. Never do anything in a panic. Always think things through and ask yourself if what is being said to you makes sense. Would the sheriff's department REALLY call ahead and let you know they are coming to arrest you and then tell you that the whole thing could be cleared up with 1000 dollars worth of Apple gift cards?

While there isn't a lot of spectacular action or twists in this film, it is rock solid throughout--sort of like an episode of "Dragnet" or "The FBI". A very good script and nice attention to law enforcement details make this one worth watching.

The film begins with two FBI agents on an assignment. One is unexpectedly murdered by someone hiding in the shadows. The surviving agent (Broderick Crawford) seems to think that someone on the other agents list of open cases has done the crime, so he looks into the three cases. And so, you see Crawford go from case to case--looking for clues and solving the cases while he's at it. It all leads to a dandy final set at the Hollywood sign.

As I said above, the show is big on realism and police procedures. I also appreciated how ordinary and ugly some of the cast were--like real life. Overall, it's a lot like a tidier version of film noir--with a strong infusion of realism and good acting.

By the way, if you do watch, look for the guy with his home-made 'spy detector'!