L'île du danger

Enjoyed the great acting by Gene Kelly playing the role as a Navy Lt."Brad" Bradwell who is a weapons expert in torpedo training and is enlisted by the British Navy to help with a secret mission of completing a powerful torpedo which is fired from a submarine. The British had failed their experiment and lost many men an a submarine, so they decided to work with the United States Navy in trying to complete their mission. The story takes place on a island with British personnel and there are plenty of problems that they all face in trying to get along with each other and the hope for a successful testing of their weapon. Great acting by Gene Kelly who took off his dancing shoes and played a great dramatic role.

TCM has shown this film twice in the last week, both times at 5 AM, for some unknown reason they bill it as a comedy, probably because it has Sid James as one of its stars, or possibly because it was directed by the Boulting Brothers, and though it did rely a lot on coincidence, and most of the time the music was fair, even top musicians have off days, the actors carried out their parts well. Even so, this is not one for DVD, unless you could add lots of out-takes from Sid and Gene, who knows??

How can a torpedo be so exciting? It's a dead thing, and still it keeps the whole film constantly growing in suspense and expectation, and whatever you expect, you will not be disappointed. Gene Kelly makes a very unusual role for a change, no dancing and singing here but only totally matter-of-fact science and technical expertise. They are testing torpedos on a remote base laboratory on an island outside Scotland, and the film begins with a disastrous failure with an irreplaceable casualty, the expert who finished the job and made the new torpedo technically perfect, and then something went wrong, and everything exploded. The expert in charge survived but not for long and took his possible secrets with him. In his place Gene Kelly is procured. It's a chamber drama only beteen men, but it never gets claustrophobic although they are strictly confined. Instead a very special drama keeps developing concerning the topredo and its increasing problem complex. The Boulting brothers only made extremely interesting films for their concentration on human factors and human imperfections, and although highly specialised and restricted to science and technics, this is no exception. The húman factor takes over the show with a vengeance.

I would love to have seen the looks on faces of cinema goers as they came out from watching this film back in 1954 - I suspect it would have been a mixture of wonderment at why the film was made, amazement that Gene Kelly couldn't act his way out of a paper bag, curiosity to know if a contract has been taken out on the script writer, and suicidal depression at having spent time and money going in the door in the first place. I have given this one point above the worst possible score as I am sure it had honorable aspirations i.e. to reflect the commitment of brave men during the war. But to be sure, this was no Dam Busters!!

I first saw this film as an 8 year old and went along with my family in eager anticipation of seeing a Gene Kelly musical which my mother thought it would be. Needless to say I came away feeling disappointed at having viewed a dry black and white offering with no songs or dances and no women at all. More than sixty years later remembering the above , I purchased the DVD determined to fairly re-assess the film and now admit to enjoying it on it's own merits.

It's a nice intimate little piece with a good sense of atmosphere that highlights the challenges of men of diverse characters and backgrounds thrown together in an isolated location devoid of women. Many familiar faces from British films of the 1950's all of whom contribute to the very human elements of the plot. Sid James is here given much more screen time than in previous efforts and he actually seems to appear just as frequently as Gene Kelly which may come as a surprise to some. Kelly is fine in a role that hardly stretches his acting ability any more than his British counterpart ; John Justin. Bernard Lee is as strong and reliable as ever and I must single out David Orr whose attractive and ultimately haunting contribution impressed me over and above them all.

I recommend this near forgotten but surprisingly pleasing gem to those like me who relish watching intimate films on their own.