La reine de la prairie

"Cattle Queen of Montana" was one of those "tough old broad" westerns that Barbara Stanwyck made during the 1950s.

In this one Sierra Nevada Jones (Stanwyck), her father Pop Jones (Morris Ankrum) and their foreman Nat Collins (Chubby Johnson) have driven a herd of some 1,100 cattle up from Texas to settle in Montana. On their arrival, the herd is stampeded, Pop is killed and old Nat seriously wounded. The raid is led by renegade Blackfoot Natchakoa (Anthony Carouso) who is in league with local rancher McCloud (Gene Evans) to drive off any new ranchers arriving in the area.

Into the picture comes gunfighter Farrell (Ronald Reagan) who signs on with McCloud. In the meantime "good" Blackfoot, Colorados (Lance Fuller) rescues Sierra and Nat and takes them to his village to recover. Gradually Sierra and Colorados become allies much to the chagrin of Colorado's girlfriend Starfire (Yvette Duguay) and Natchakoa.

It turns out that Farrell is an army officer working under cover to discover who has been selling guns to the renegade Blackfeet. Well you knew that the clean cut Reagan would turn out to be a good guy didn't you? Anyway, Farrell aligns himself with Sierra and Colorados against the baddies and well, you know the rest.

Director Alan Dwan gives us a beautifully photographed outdoor western. The VCI DVD has been digitally remastered to its original technicolor brilliance and this alone makes this a must see.

Reagan is not very convincing as a ruthless gunfighter. He just doesn't come across as being mean enough. Stanwyck would play a number of similar roles in other westerns culminating with her long run on TV's "The Big Valley". She's supposed to be a "cattle queen" here but doesn't have any cattle to speak of through most of the picture. Lance Fuller looks about as much like an Blackfoot Indian as I do.

Also in the cast are Jack Elam and Myron Healey (who has a good scene with Stanwyck) as McCloud's henchmen, Hugh Sanders as Col. Carrington and a toothless Glenn Strange as the old Blackfoot Chief.

Oddly enough most of the featured players (and Reagan) in this film would turn up in "Tennessee's Partner" the following year.

Barbara Stanwyck and Ronald Reagan star together in this tale of the growing state of Montana, becoming a landowner, fighting for land, and making one's dreams into reality. It all sounds rather profound, important, or dramatic, doesn't it? Well, I probably make it sound more so than it really is. This is basically Indians vs. White Man, The Law vs. White Man Selling Ammunition to Indians, Indian Brother vs. Indian Brother, and Stanwyck vs. Reagan. The later sounds more interesting, doesn't it? Well, the viewer is led to believe that Reagan is hired as a gunslinger to get rid of Barbara when she won't leave "her" land, after White Man got Indians to raid her family settlement, which killed her father. They don't know Stanwyck. That only made her more determined to stay, and mad. Watch out! The presence of Stanwyck and Reagan elevates this otherwise generic film, which emphasizes the Indians too much in the first half. It does get better in its last 30 to 40 minutes with Stanwyck declaring war. But, there's too much of everyone's against everyone else and trying to keep up with who's on whose side and who's betraying whom, and the actors portraying the Indians slow down the film with their, to be frank, pretty lame acting. By the end of the film, you'll probably like it on the whole, due to the chemistry and flirting between Barbara and Ronnie and their being on the screen more together near the end of the film. But, you'll also wish they were in other better films than this.

Perhaps the most uncomplicated of America's classic directors, Dwan made a series of films in the fifties for producer Bogeaus that allowed him a degree of flexibility he'd been unused to since the silent days. Cattle Queen of Montana, the tale of Stanwyck's struggles to hold on to the property of her murdered father, is beautifully lit by cinematographer Alton, the great unsung Hollywood cameraman. It evokes a world of easeful innocence far removed from the cynicism and violence that was the norm in the Western of the fifties. Reagan is the mysterious gunman who comes to Stanwyck's rescue. Stanwyck, who did all her own stunts, so impressed the Blackfeet Indians hired as extras that they made her a blood sister, and gave her the Indian name of Princess Many Victories.

Phil Hardy

If you already have seen MAVERICK QUEEN, FORTY GUNS, THE FURIES, also starring Barbara Stanwyck, then this western will look familiar to you. In all those movies, she plays strong lady, leading men, and admit that's not too usual in westerns, mostly macho oriented. And the most astounding is that she never loses her feminine touch. I was also excitied by the jawdropping natural settings, on locations. The story is also very touching and director Allan Dwann, one of the most prolific ever, gives here a terrific performance in one of his latest movies. Benedict Bogeaus production, who were in charge of those latest Dwann's stuff, is also on the level; nothing to do with a Sam Katzman production's film for instance.

A story about this movie goes like this:

THe production hired some Indians for a few measly dollars a day.But in the meantime,oil was found on their territory and they became millionaires But they had to honor their contract:so they came to the set in limos.

Some viewers have complained about a certain racism.I do not think it is so;there are villains among the Indian tribe and among the Whites.For Stanwyck,the film looks like a blueprint for her "Forty guns" (Fuller,1957),although it's less violent and less inventive.But Dwan makes us feel his love for nature