Pre-teen brother and sister, abandoned by their father to be taken care of by an abusive prostitute aunt, survive life in an Indian squatters' camp, aided by a friendly cripple, by learning ... Read allPre-teen brother and sister, abandoned by their father to be taken care of by an abusive prostitute aunt, survive life in an Indian squatters' camp, aided by a friendly cripple, by learning to shine shoes instead of begging.Pre-teen brother and sister, abandoned by their father to be taken care of by an abusive prostitute aunt, survive life in an Indian squatters' camp, aided by a friendly cripple, by learning to shine shoes instead of begging.
- Awards
- 4 wins & 1 nomination total
Kumari Naaz
- Belu
- (as Baby Naaz)
Ratan Kumar
- Bhola
- (as Rattan Kumar)
David Abraham
- John
- (as David)
Chand Burke
- Kamla Devi
- (as Chand Burque)
Bhudo Advani
- Pedro
- (as Budho Advani)
Raj Kapoor
- Man asleep on train
- (uncredited)
Featured reviews
What worked:
- the sublime message of the movie advocates for hard work, hope and perseverance. Relevant to it's time, the movie takes into consideration the child psychology, and narrates the raw, gritty and sad truth of its time. I think it is okay to say that the many movies of that generation talks about The socioeconomic disparity between the haves and havenots.
- culturally irrelevant; though the movie has its strong influence of that time, it's irrelevant and not relatable. Of course, there is poverty, discrimination and sadistic reality in today's society, maybe today's filmmaker will definitely use this movie's main agenda as a sublayer of a main plot instead of keeping it the main agenda.
This is a Hindi language film starring Rattan Kumar and Kumari Naaz.
The film is about the struggle to survive of two children, a brother and sister.
The premise is how after being orphaned, they have to beg to earn money for their guardian, a cruel aunt. And how they rise from that stage to trying to learn a skill and earn money for themselves.
And in my eyes, the film would have been a masterpiece if it had progressed from there to showing how they also get independent and help similar others struggling also to rise. It would have been an inspiring film for the newly independent country.
Instead the film refuses to leave its melancholic and cynical tone and shows that it's difficult for the poor to rise by themselves. A tone that it had set upfront by showing characters in black and white shades than the truly gray shades we all are, especially the aunt.
The message at the end is also very cynical. Where the spirit of the boy is shown as finally broken, and he is then humiliated in front of his own sister.
And the final message that the poor can only be redeemed by the rich!!
The purpose and the point of the film was missed in the melodrama and the film was awarded Best picture in 1954..
I rated it 6/10 in IMDB.
The film is about the struggle to survive of two children, a brother and sister.
The premise is how after being orphaned, they have to beg to earn money for their guardian, a cruel aunt. And how they rise from that stage to trying to learn a skill and earn money for themselves.
And in my eyes, the film would have been a masterpiece if it had progressed from there to showing how they also get independent and help similar others struggling also to rise. It would have been an inspiring film for the newly independent country.
Instead the film refuses to leave its melancholic and cynical tone and shows that it's difficult for the poor to rise by themselves. A tone that it had set upfront by showing characters in black and white shades than the truly gray shades we all are, especially the aunt.
The message at the end is also very cynical. Where the spirit of the boy is shown as finally broken, and he is then humiliated in front of his own sister.
And the final message that the poor can only be redeemed by the rich!!
The purpose and the point of the film was missed in the melodrama and the film was awarded Best picture in 1954..
I rated it 6/10 in IMDB.
This film ranks as one of the finest thought provoking social dramas asking how we look at ourselves given the limited resources and choices and faced with overwhelming odds. Raj Kapoor's presentation of the humble lifestyle of two children who wish to overcome the obstacles of abject poverty shows the importance of the spirit of endurance and dedication in the face of adversity. We can learn from children when they try to face challenges in the world created by greedy souls.
I would recommend this film as a lesson in the triumph of the human spirit when facing the evils of man made adversity. We probably can relate to the two youn protaganists of the film in our everyday lives. Life can be a bitch, and films such as BOOT POLISH show the more dramatic encounters of what we call the human struggle.
I would recommend this film as a lesson in the triumph of the human spirit when facing the evils of man made adversity. We probably can relate to the two youn protaganists of the film in our everyday lives. Life can be a bitch, and films such as BOOT POLISH show the more dramatic encounters of what we call the human struggle.
I must admit I've always enjoyed the films of Raj Kapoor especially from his early golden period, but can find his moralising laid on a little heavy at times. He took the best pathos and melodrama from Chaplin and spun it out relentlessly. As in Boot Polish. It's not that I can argue with any of his philosophising and moral instruction, just that history has proved Film itself will never change the social system; it never brings shame to the faces of our Betters, but it probably would just make them wonder how much more they can turn the screws on us. After all, Film represents an entertainment they have paid their paisa or pennies for us to waste production time watching.
Two young children are orphaned and thrown onto the not so tender mercies of their scolding prostitute aunt and nice but drunken uncle in a Mumbai slum. She teaches them to beg for a living, he tries to teach them of the better, honest and more painful way, in their case the complicated profession of polishing other people's boots. It's done very well, and if it wasn't for the comedy and the songs almost neo-realist - RK even makes a fag-in-cheek cameo at the beginning. To beg or not to beg, that is the question - but the pain of surviving the slings and arrows of capitalism goes on and on for the children, although their destitute situation does eventually improve. Baby Naaz must have been very young but she provided a marvellously believable performance. My favourite bit though amidst all the grinding poverty is the energetic comic raag Lapak Jhapak To Aare Badarwa sung by Manna Dey for the uncle and his fellow bald headed companions in jail – delicious stuff! I always wondered whether bits like these were particularly edited out in the Russian versions?
Needless to say self-sacrifice and self-effacement bring their reward - so basically it's another rewarding film from RK, an expertly produced moral melodrama.
Two young children are orphaned and thrown onto the not so tender mercies of their scolding prostitute aunt and nice but drunken uncle in a Mumbai slum. She teaches them to beg for a living, he tries to teach them of the better, honest and more painful way, in their case the complicated profession of polishing other people's boots. It's done very well, and if it wasn't for the comedy and the songs almost neo-realist - RK even makes a fag-in-cheek cameo at the beginning. To beg or not to beg, that is the question - but the pain of surviving the slings and arrows of capitalism goes on and on for the children, although their destitute situation does eventually improve. Baby Naaz must have been very young but she provided a marvellously believable performance. My favourite bit though amidst all the grinding poverty is the energetic comic raag Lapak Jhapak To Aare Badarwa sung by Manna Dey for the uncle and his fellow bald headed companions in jail – delicious stuff! I always wondered whether bits like these were particularly edited out in the Russian versions?
Needless to say self-sacrifice and self-effacement bring their reward - so basically it's another rewarding film from RK, an expertly produced moral melodrama.
Boot polish is a masterpiece in Indian cinema.The movie is well scripted with powerful performances by baby Naaz and Ratan Kumar.Baby Naaz steals your heart through her fantastic performance and also through her dialogue delivery. Boot polish is a masterpiece because the theme of the movie is relevant even today.The writing is exceptional which makes this movie a masterpiece.Even the songs are exceptionally wonderful.boot polish will remain as a masterpiece in Indian cinema for the unique performance of baby Naaz.The dialogues are heart touching.David Abraham gives a memorable performance as uncle john.Shankar Jaikishan music is excellent with fantastic songs.A masterpiece that requires high Honour forever in the Indian cinema.A masterpiece with an fine social melodrama.A must see for every Indian.
Did you know
- TriviaThis movie is a remake of Italian movie "Shoeshine". But Raj Kapoor shaab made it in Indian style.
- ConnectionsRemade as Morad o Laleh (1966)
- SoundtracksRaat Gayi
Music by Shankarsingh Raghuwanshi & Jaikishan Dayabhai Panchal
- How long is Boot Polish?Powered by Alexa
Details
- Runtime2 hours 29 minutes
- Color
- Aspect ratio
- 1.37 : 1
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