La révolte des cipayes

The first couple of years of the decade, Rock Hudson was just breaking into the business, playing bit parts or Indian chiefs. Within a couple more years, he was headlining movies, but not all of them were great. If you doubt that, you obviously haven't rented The Golden Blade, Sea Devils, or Captain Lightfoot yet. I wasn't able to get through any of those, but I did manage to sit through Bengal Brigade, solely because it was Rock Hudson's time as Star of the Week and I thought I owed it to him to review at least one terrible movie.

The story of this one is intriguing, but it's executed so poorly, it's just not worth watching unless Rock Hudson is your favorite actor or celebrity boyfriend and you want to watch all of his movies. Rock is a soldier in the British army in occupied India during the 1800s. He disobeys an order during a battle and gets court-martialed. After a harsh reprimand, he resigns from the army and makes it his personal mission to redeem himself and prove that he's not a disgrace to his country. Along the way, he tries to infiltrate among Indian rebels and reassure his fiancé Arlene Dahl that his feelings haven't changed, even though he can't marry her just yet. Seriously, folks, this is not another Four Feathers. This is a B-picture from the '50s, and if you've ever sat through one of those, you know that you don't want to make a habit of it.

Another B movie that explains a hundred years of British occupation in India, l like this genre of movie, it are cheap entertainment but have a charming of those glorious days in 50', almost done in studios with fine sets gave us a good feeling of nostalgia, Arlene Dahl was so gorgeous, but Hudson didn't like to kiss, sorry for him missing a good opportunite to take in arms such beauty girl!! Fine casting with Arnold Moss, Michael Ansara, Torin Tatcher and the exotic beauty of Ursula Thiess as a friend mine said, how more B, more better it is!!

Resume:

First watch: 2018 / How many: 1 / Source: DVD / Rating: 6.5

So many whites in brownface. The film seems to live in its own little bubble, partly filmed in India but without a single Indian in the cast.

And the sense of unreality doesn't stop there. Two Americans play British without even trying for a British accent. Every single English playing Indian doesn't bother trying for Indian accents, and half the "Indians" they don't even bother putting makeup on.

But they sure pile on the brown makeup on Ursula Theiss, almost as heavy as her dayglo red lipstick. They also pile on the makeup on the sole nonwhite, Syrian actor Michael Ansara, when he would be far more believable without it.

The result is this film is far from "rousing." You find yourself amused rather than offended, even while it shows all Indians as ignorant, evil, violent, superstitious, and treacherous. The one exception of course is Theiss, who plays a South Asian version of Pocahontas who just loves all them white guys.

Again, it's too goofy to be offensive. You'll be amused at Rock Hudson beating up half a dozen Indians with soggy leaves. You'll laugh at the obvious stunt doubles. And let's not forget the conveniently bad shooting of Indians unless they are loyal to the British.

IRL the "Sepoy Mutiny" was the First War for Indian Independence. It was spontaneous and by average Indian soldiers. Here it's an oh so evil plot by a scheming rajah who fools the gullible Indian soldiers who deep down really really love their white officers. As propaganda this is so clumsy.

A thoroughly enjoyable story. Rock Hudson is cashiered from the Regiment for disobeying a direct order, in order to save his men from slaughter. He is still loyal to the Raj and ultimately his loyalty to his men is returned to him in the last exciting action scene when India is in the throws of the Mutiny. Excellent action scenes and characterisations make this a movie well worth watching.

I can't imagine that a director such as Laslo Benedek made this adventure studio movie, a film that could be done by a Budd Boetticher, Joseph Pevney, Douglas Sirk - why not...All Universal home directors of this period, among many others: Nathan Juran, Jack Arnold...But Laslo Benedek;..I can't believe it. What happened to him? I can understand THE WILD ONE, but this adventure flick.... Ths director seemed to have greatest difficulties to find his own trademark. He worked for US movie and TV industry, European productions too. NIGHT VISITOR is a terrific story, but I still don't understand why Benedek made this however excellent adventure war yarn about the fall of the British colonialism. I recommend it.