20.000 Lieues sous les mers

The Disney studio's first American-made live-action spectacle remains one of its best,thanks to James Mason's portrayal of Jules Verne's anti-hero submarine commander,Captain Nemo,as a misguided Victorian-era terrorist. Mason brings such feline assurance to the part that he makes Kirk Douglas' hound-dog overacting as captive harpoonist Ned Land a forgivable counterpart. Disney milked every promotional angle for the film's debut which was the studio's first feature to filmed in widescreen Cinemascope and breathtaking Technicolor. It went on to become of the top ten highest-grossing pictures of that year,going up against contenders like "On The Waterfront",not to mention a horror-film as well intitled "The Creature From The Black Lagoon". It also went on to win several Oscars for special effects and for its cimematopgraphy. It was included in the Best Actor category with a nomination for James Mason's brilliant performance as Nemo.

The film is a classic and it stands behind several other Disney films which include "Old Yeller","The Parent Trap",and also "Mary Poppins".

The DVD version is out on this which includes several batches of goodies including the excerpts from the classic Disneyland TV show cannily plugging the picture,and also includes the theatrical trailer,and interviews with actors Kirk Douglas,James Mason,director Richard Fleischer with footage of scenes where the film was being shot at on locations in Florida and in the Bahamas. The movie itself is a breathtaking achievement and it includes the scene where the submarine the Nautilus rams a ship into the abyss,and the scene where the crew tangles with a bloodthirsty squid,and an encounter with a giant octopus under the depths. See It On DVD in the widescreen format! Rating: 5 stars.

Magnificent adaptation based on Jules Verne's fantasy-adventure novel with good cast and extraordinary scenarios . New take on for cinema , filmed in Cinemascope widescreen with agreeable casting and an awesome James Mason as Nemo. The film talks about the known story from Jules Verne novel and previously rendered in a silent film . 1868 ,the oceans are no longer safe , many ships have been lost, the sailors have returned to New England's fishing port with tales of vicious giant whale with long horn . The naturist and biologist expert named professor Pierre Aronnax ( Paul Lukas) and assistant Conseil (Peter Lorre) undertake a dangerous mission . Aronnax and his helper , along with a professional whaler named Ned Land( Kirk Douglas) join forces in an expedition commanded by captain Farragut (Ted De Corsia) that attempts to unravel the mysterious sinking ships by an unknown creature . Aboard the ship called USS Abrahan Lincoln , they go out to investigate . At sea, Professor Aronnax was aboard the ship when Nautilus rammed it and threw the Professor, his helper and Ned Land into the water .Their ship is sunk and are captured and get thoroughly involved with power-hungry captain Nemo ( James Mason) and take an extraordinary adventure underseas in an advanced submarine called Nautilus. Prisoners at first, they are now treated as guests to view the underwater world and to hunt under the waves. Nemo will also tells them about the riveting submarine of the future and the revenge that has driven him for all these years .

This fantastic movie displays sensational adventures, drama, intrigue, marvelous scenarios and is pretty enjoyable. Fascinating submarine movie blends action, , disaster spectacle, hokey fun ,suspense and emotional happenings . Our heroes incarnated by a throughly believable casting of the first-rate character players get stuck in the ship before the island explodes , undergoing numerous adventures and suffering innumerable perils . Surprise-filled entertainment and with plenty of action on grand scale with breathtaking special effects and some ships and submarine by maquette or scale model . The underwater scenes , explosions , pyrotechnics, flood , flamboyant FX to make large-size Octopus seem like horrible monster , all of them are spectacular and the film is another exceptional Hollywood product . However, overlong runtime is not boring but is entertaining and amusing . Memorable and great cast as James Mason plays a serious revenger captain Nemo ; Paul Lukas plays perfectly Annorax as intelligent scientific ; and Ned Land played by Kirk Douglas as an obstinate , stubborn sailor who spends most of their time devising intelligent ways for escape , in addition singing a catching song titled ¨A whale for a tale ¨ . Atmospheric and vivid score by Paul Smith . Colorful cinematography by Franz Planer in Cinemascope and Technicolor reflecting wonderfully underwater scenes . Filmed on location in Jamaica and Caribbe and interior scenes in Burbank studios. This splendid picture is lavishly produced by Walt Disney Productions. Won deservedly Academy Award for Special Effects by Hench and Meador and extraordinary participation from Peter Ellenshaw and Ub Iwerks ; besides achieved Oscar for Art Direction by Meehan and Goff.

This classic movie is marvelously directed by Richard Fleischer. Other versions from the vintage story are an old mute (1916) by Stuart Paton , and for TV directed by Rod Hardy with Michael Caine , Mia Sara and Patrick Dempsey ; and directed by Michael Anderson with Ben Cross and Richard Crenna ; furthermore a cartoon movie directed by Arthur Rankin. The motion picture will appeal to fantasy-adventure buffs and it's a wonderful popcorn story . Rating : Above average , the mightiest motion picture of them all, it's a real winner .

This is not my absolute favourite of the live action Disney movies but I am still very fond of it. The pacing can be sluggish on occasions, but compensates hugely are the acting, special effects and the way the story is told. The special effects even after all these years are still highly impressive, and the locations are beautiful. The score is rousing too, and the story is superbly told complete with some clever dialogue. The direction is adept, and the acting is excellent. James Mason plays the cantankerous captain with a certain grit and presence that makes him so compelling to watch, while Kirk Douglas is his usual likable self. All in all, not a favourite but a very impressive film. 8/10 Bethany Cox

Below is a transcript of a hand written letter from Harper Goff in 1974 of which I have a copy which I think might be of interest. This is an unusual comment entry, but I hope you will find this letter a fasinating rare glimpse into the process of creation, and will give a better appreciation of the artistry of the design of the Disney 'Nautilus'. Harper Goff was responsible for the 'look' of the submarine in the Disney Production, along with much of the film's set designs. Enjoy!

Harper Goff writes....

I was assigned the task of getting together a 'true-life' adventure film using some exceptional underwater footage shot in a laboratory aquarium, by Dr. McGinnity of Cal-Tech's Marine Biology lab in Carona Del Mar. Walt (Disney) thought inasmuch as "20,000 L.U.T.S." was in public domain we might do worse than use the title for a current True-Life adventure short subject. Walt went to England and I stayed in Burbank and made a story-board of a live action version of the classic using McGinnity's footage as a sort of ballet episode where Nemo shows Aronax the wonders of the deep. Walt liked the story-board well enough to have me give an 'A.R.I.' (Audience Reaction Inquiry) to a group of exhibitors who were in town. They were enthusiastic and the rest is history.

In motion pictures, the text of a classic like this subject is sacrosanct like the Bible! The 'word' of Jules Verne is not to be made light of, so the duty of the production designer like myself is to take the sometimes arbitary discriptions of the Nautilus as recorded by 'J.V.' and "make it work".

a. Jules Verne while foreseeing brilliantly the atomic submarine of today, did not at that time invent the periscope, the torpedo tube, or sonar. He did not prophesy closed curcut television. According to Verne, if Nemo wanted to see what was going on the surface, he simply poked the glass ports of the conning tower out of the depths and took a direct look. He risked his vessel, himself, and his crew by ramming the enemy at frightening speed. If he wanted to study the marvels of life under the surface, he reclined in his elegent bay window lounge, and passed the hours studying the marine life outside the amazing pressure proof window of his luxurious salon. These items dictated much of the direction of my production designs.

b. Nemo is quoted by Verne as telling Aronax that "I need no coal for my bunkers. I have instead harnessed the very building blocks of the material universe to heat my boilers and drive this craft". No one can doubt Verne meant Atomic Power.

c. It is not sound economics to study and design obviously unnesscessary parts of the Nautilus if it will not appear on screen. The crews quarters were thus unaccounted for. In Verne's original text Nemo from time to time leaves the chart room and steps directly into other diversified areas of the submarine. Directors do not like to slow down the action and clutter up a dramatic moment by showing actors leave a room, lift a hatch, enter another room.

d. At the time Captain Nemo constructed Nautilus on Mysterious Island, the iron riveted ship was the last word in marine construction. I have always thought rivet patterns were beautiful. I wanted no slick shelled moonship to transport Nemo thru the emerald deep and so fought and somehow got my way. On Mysterious Island Nemo had the white hot heat of a volcano to help him build his dreamship, but I am sure that flat iron plates profusely riveted would have been his way. His stock pile of material was always the countless sunken ships uniquely available to him alone. Even the Greek amphora and the works of art that graced his great salon was salvaged from wrecks.

e. The free diving suits - (self-contained) were developed by myself with the assistance of Fred Zender, and exceptionally able underwater man. The helmets were souped-up Japanese pearl diving helmets. We masked the scuba gear, let water into the the helmet, put a breathing tube in our mouth, the clamps on our nose and one night in 1952 Freddie and I walked slowly from the shallow end to the deep end of the Santa Monica pool. Lead around our middle and 16 lbs. shoes...it worked! Many had predicted failure. This formed the basis of the suits that appeared in the film. We spent 9 hrs. a day, 7 days a week for 8 weeks at Lyford Key in the Bahamas, underwater! Never lost a man, Fred was in charge of safety.

f. 20,000 Leagues was the second cinemascope picture to go into production. Fox had the worldrights to the anamorphic lenses developed by a French inventor named Cretien. This lense "squeezes" the horizontal dimensions of a scene into half the normal area on a cinema frame. If projected thru an anamorphic projection lense it "unsqueezes" this image and the resulting image is widescreen. Fox had only one lense to lease and this meant that Disney could not shoot miniture set ups while the main action sequences were before the cameras. I hit upon the idea of having the prop miniature shop build a "squeezed" Nautilus miniature. The model was built half as wide and half as long, but just as high. Even the rivets were "squeezed". This one miniature was shot with a normal lense. If care was taken to insure the Nautilus remained on an even keel, the resulting footage was more than adequate. When "unsqueezed" by anamorphic projection, the image of the Nautilus was stretched to normal proportions. Of course the bubbles looked strange, but no one seemed to mind. The success of this experiment made it possible for the special effects department to make its necessary footage of many of the underwater miniatures simultaniously with principal photography of the actors.

g. My idea has always been that the shark and the aligator were the most terrifying monsters living in the water. I there for combined the scary eyes of the aligator that can watch you even when it is nearly submerged....with the dangerous pointed nose and menacing dorsal fin - its sleek streamlining and its distinctive tail. The discusting rough skin of the aligator is well simulated by the rivets. As Verne insists that the Nautilus drove its way clean threw it's victim, I designed a protective sawtooth spline that started forward at the bulb of the ram and slid around all outjutting structures of the hull. These included the conning tower, the diving planes, and the great helical propellor at the stern.

Sincerely,

Harper Goff

Artist and Production Designer Harper Goff's film credits include 'Willy Wonka and the Chocolate Factory, 'Fantastic Voyage', 'The Vikings', 'The Great Locomotive Chase', and Disney's '20,000 Leagues Under the Sea'. Mr Goff died March 3, 1993 at his home in Palm Springs at the age of 81.

Corfman

In 1868, shipping becomes a nightmare, since vessels are vanishing the in the South Seas. The tabloids attribute the disappearances of the ships to an existence of a sea monster. The US government invites Prof. Pierre Arronax (Paul Lukas) and his assistant Conseil (Peter Lorre) to investigate what is really happening and they embark in a ship navigating to the Orient. In the crew, Ned Land (Kirk Douglas) is a happy member. After a long period on the open sea, a submarine, the Nautilaus, commanded by Captain Nemo (James Mason), attacks the steamship. Prof. Arronax, Conseil and Ned are rescued by the submarine, and share the dreams and madness of Captain Nemo. Although being a 1954 film, "20,000 Leagues Under the Sea" is a great and funny adventure, which has not aged. The adaptation of Julio Verne's novel "on the screen" is a great entertainment recommended for all families. My vote is seven.

Title (Brazil): "20.000 Léguas Submarinas" ("20,000 Leagues Submarines")