La femme qui faillit être lynchée

"Woman They Almost Lynched" from 1953, is a gripping Western film that skillfully blends suspens e, drama, and action to tell the story of a woman caught in a violent and unforgiving frontier society. Directed by Allan Dwan, the film centers around a strong-willed and resourceful woman, played by Joan Leslie, who becomes entangled with a gang of outlaws after a stagecoach robbery. The film explores her struggle for survival, torn between her own moral compass and the brutal expectations of the lawless world around her. Joan Leslie dpelivers a nuanced performance, embodying both vulnerability and strength as her character is thrust into a series of life-threatening situations. The plot, which is based on the real-life events of an infamous lynching attempt, offers a stark look at the struggles and harsh justice of the Old West. There is also a fine supporting cast. The film's pacing builds tension effectively, making the climactic moments all the more impactful. This stands out from most takes of yore with its unique focus on a strong female protagonist and its exploration of moral dilemmas of back then, making it a memorable entry in the genre.

The immortal silent movie's director Allan Dwann still alives in talked movies and made a outstanding and prolific career with more than 400 movies, probably never will be surpassed nowadays, this western wasn't any kind of forgotten gem or something like that, just a different kind, where the women are the major stars, Joan Leslie as new Saloon's owner, Audrey Totter as a evil and bitter Quantrill's wife and Nina Varela as the City's Mayor, all them strong and powerful, the story is usual, took place during the civil war!!

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First watch: 2017 / How many: 1 / Source: DVD / Rating: 7

In many ways this rollicking piece of Republic hokum resembles 'Johnny Guitar' with a sense of humour; it's tongue-in-cheek mood established at the outset by the opening narration describing America after the Civil War as a time of "rebels and renegades" followed by an exchange between a youngster and an old timer when the lad asks "Where is everybody?" and the old boy replies "Up at the lynching" and the later throwaway line "You killed five Yankee soldiers on your way into town!"

That although playing the title role Joan Leslie - who although formerly a Sunday school teacher soon shows herself pretty adept with a six shooter - only gets billed fourth does her a grave disservice; since despite the presence of famous western outlaws like Brian Donlevy as William Quantrell (for some reason here called 'Charles Quantrill'), Jim Davis as Cole Younger and Ben Cooper as a fresh-faced young Jesse James a remarkable feature of the film is the preponderance of females, from Nina Varela as the lady mayoress with robust views on capital punishment to a blonde Audrey Totter in a black hat and leather pants - definitely not a lady but certainly all woman - as Quantrill's wife Kate who engages Miss Leslie in a terrific catfight admiringly described by one onlooker as "a better fight than the war between the north and the south".

Too bad it wasn't made in Trucolor as was originally intended. Still, you can't have everything.

This may be a Republic B-western, but it is an action-packed and highly entertaining melodrama under the skillful hand of veteran director Alan Dwan. Not only that, but a year before the cult classic JOHNNY GUITAR, we have another feminist western with both a barroom brawl and a shootout between two women, in this case Joan Leslie and Audrey Totter, as well as a tough female mayor who owns the local lead mine. We also get appearances by Frank and Jesse James and the Younger brothers, riding with Quantrill's raiders at the end of the Civil War.

Nevertheless, putative stars Brian Donlevy (as Quantrill) and John Lund (as the mine foreman) take a back seat to the women as far as the action and main plot go. Even longtime Republic star Reed Hadley barely makes an appearance (as Leslie's brother) before being shot down in the first reel, giving the plot its "inciting action," since his younger sister must now take over the saloon he owns and the debts he owes. The film's only faults are some tedious expositions presented through a couple of pretty heavy-handed dialogue scenes towards the beginning and again towards the end. Otherwise, there are lots of unpredictable variations on the genre, especially for a Republic western. There are even a couple of songs, sung by Audrey Totter as a saloon singer.

I do not write many reviews. However I feel compelled to write this 1 about a film I had never hear of.

I am a big fan of westerns and chanced upon this movie. And I found it a very well made and fun movie. The cast on a whole from saloon gals, to mayor and city committee, to bar employee, to confederate and union soldiers including Quantrell raiders, and city folk really seemed to enjoy their roles. My guess this film was a gas to make. The writing was good with appearances of Jesse James and Cole Younger. And directed well by somebody who had many years of experience.

Overall I gave this movie an 8. High rating for a entertaining movie!