Filles sans joie

Although there was probably some serious intent behind the film's premise e.g. the open prison system, social comment on post-war England as class barriers are breaking down which are interspersed throughout, it is the gentle humour that lifts it above the mediocre. Superb cameos from the great Athene Seyler and Sybil Thorndike playing two friends who plot to 'do in' an elderly admirer is made a great deal of by the director. The central story involving Glynis Johns is well told and each of the film's subsequent yarns make for a light but thoroughly enjoyable whole.

Before he became popular directing Charles Bronson films, J. Lee Thompson directed two prison movies based on books written by his future wife, Joan Henry. Glynis Johns does very well as the gambler who is framed for insurance fraud and sent to prison for one year. Here she meets the inmates who relate their stories of crimes that sent them up for time: a shoplifter, a blackmailer, and a neglectful mother. She stops one from stabbing a cruel guard and is rewarded with a transfer to a prison without walls. It's also very touching in the visitation scenes with her fiancé and doctor (John Gregson) how she feels the stigma of her sentence from the outside world. Only beef with the film I have is that there is no flashback to explain what crime her best friend, Betty (Diana Dors) did to serve two years. Her chum is desperate to find a boyfriend, Norman, that never writes or visits.

Glynis Johns learns the hard way that crime doesn't pay in this melodrama organised round a series of flashbacks.

The usual interesting cast includes Sybil Thorndike, a young Rachel Roberts and Olive Sloane as a professional shoplifter; while Diana Dors' character anticipates her celebrated role for the same director two years later in 'Yield for the Night'.

"The Weak and the Wicked" is a film adaptation of the semi-autobiographical novel by Joan Henry about her experiences while in prison. In real life, she was a debutante who spent more than she had and eventually went to jail for passing a bad check. In this film, Jean (Glynis Johns) has a gambling problem and does pass a bad check at the gambling hall...but ultimately she's jailed because the people she defrauded set her up for a petty theft/fraud charge. Once in prison, you see what life is like there as well as what led some of the women to prison as shown in flashbacks.

Choosing Johns to play the lead was a stroke of brilliance. After all, I cannot think of any actress of the day that looked more innocent and sweet than her...so her plight is made worse since she doesn't look like she should be there. I have no idea if the real life Joan Henry looked so innocent.

So is the film any good? Yes, but it's certainly not like some of the broadly written and acted American women in prison films of the 1950s (such as "Caged") or the REALLY over-the-top an crazed film in the genre that came out about 1970 (they were a REALLY sleazy lot). Now as far as it being an exposee, the women in the film actually seemed to be treated pretty well considering they were criminals...so it's not much of an exposee and is quite civilized. Interesting, yes, but not what many likely want to see in a women in prison film! So, even with sexy blonde Diana Dors (sort of the British version of Jayne Mansfield) in the film, it's NOT a sleazy skin flick nor exploitational in any manner. The worst treatment in the film was towards the end when Joan received a stern talking to by the warden!

If you do watch this film, about 3/4 of the way through the picture is a marvelous flashback involving an elderly woman planning on murdering her nasty husband. It was, by far, the best part of the movie and this story, expanded, would have made for a great film itself.

By the way, in one of the flashbacks you see the Baden family. While not listed in the credits or IMDB, the son, Bob, is played by Anthony Newley.

Glynis Johns is railroaded into prison for insurance fraud, where she initially despairs. However, the knowledge that her young man is waiting for her and the kindly prison warden buck her up. Eventually she is transferred to a 'prison with bars', where she meets, in the words of Anna Russell, all sorts of terribly interesting people, including Diana Dors and Olive Sloan.

It's directed by J. Lee Thompson from a book by Joan Henry, who was one of his wives; it was based on her prison experiences, and she called the Johns character "a bit goody-goody". Indeed she is. Except for one impassioned speech at the end, she's largely a sounding board for others. She's also rather heavy-set and middle-aged looking to add to her anonymity. Miss Dors gets the better role, and does a good job with it. Thompson would work with her later.